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MONSTA X 'Unfold' © 2026
Music, ReviewsApril 3, 2026<April 3, 2026

MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’

by Aileen Goos
Myra Lee "Magpie" © Laila Holmes
Debut, Interviews, Music, PremieresApril 2, 2026<April 2, 2026

“Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction

by Mitch Mosk
MUNA "Dancing on the Wall" © Dean Bradshaw
Columns, Music, Today's SongApril 2, 2026<April 2, 2026

“I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”

by Mitch Mosk
Atwood Magazine's 151st Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 1, 2026<April 2, 2026

Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

by Mitch Mosk
Stock Band press photo
Does Anybody Remember Laughter?April 1, 2026<April 1, 2026

Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes

by Dusty Hayes
MEEK "Fabulous" © courtesy of the artist
Artist to Watch, Debut, Interviews, MusicApril 1, 2026<April 2, 2026

“I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem

by Mitch Mosk
Maria Taylor © Liz Bretz
Interviews, MusicApril 1, 2026<April 2, 2026

“I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’

by Aileen Goos
Oliver Pinder "Such an Angel" © Lily Ajab
Interviews, Music, PremieresMarch 31, 2026<March 31, 2026

Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment

by Mitch Mosk
Babes in Canyon "Echo" © Rachel Bennett
Interviews, Music, Music Videos, PremieresMarch 31, 2026<April 2, 2026

“F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra

by Mitch Mosk
Fantastic Cat © Vivian Wang, Fikri Abdurakhman
Interviews, Music, Today's SongMarch 31, 2026<March 31, 2026

“Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry

by Mitch Mosk
Eliza Edens © Juliet Farmer
Interviews, Music, PremieresMarch 30, 2026<March 31, 2026

“Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song

by Mitch Mosk
Smag På Dig Selv © Erling Brodersen
Interviews, MusicMarch 30, 2026<March 30, 2026

Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight

by Josh Weiner
Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’
Interviews, Music, Track-by-TrackMarch 30, 2026<March 30, 2026

“I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’

by Aileen Goos
Annalisa "Canzone Estiva" © Nicholas Fols
Columns, Music, Today's SongMarch 30, 2026<March 30, 2026

Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva”

by David Buyze
Holder © Cooper Rich
Columns, Music, Today's SongMarch 28, 2026<March 28, 2026

Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable”

by Will Yarbrough
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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