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Praise. © Alex Figs
Features, Interviews, Music, Track-by-TrackJanuary 21, 2026<January 21, 2026

“That’s the Whole Point of This Shit Anyway”: praise. Takes Inventory, Tells the Truth, & Lets Life Matter Again on ‘LOST,’

by Mitch Mosk
Mon Rovîa 'Bloodline' © Carter Howe
Debut, Features, Music, ReviewsJanuary 21, 2026<January 23, 2026

“Lay Down My Arms to Bare My Soul”: Mon Rovîa’s ‘Bloodline’ Is a Deeply Human Companion for a World in Need of Love

by Mitch Mosk
Searows ‘Death in the Business of Whaling’ © Marlowe Osteara
Features, Interviews, MusicJanuary 21, 2026<January 26, 2026

Into Eternity: Searows Talks Abstraction and Artistic Growth on ‘Death in the Business of Whaling’

by Nasim Elyasi
Sydney Ross Mitchell © Cole Silberman
Columns, Music, Today's SongJanuary 21, 2026<January 21, 2026

“Maybe you’re always seventeen in your hometown”: Sydney Ross Mitchell’s “Queen of Homecoming” Captures the Bittersweet Ache of Belonging

by Nicolle Knapová
Social Order © 2026
Features, Interviews, MusicJanuary 20, 2026<January 26, 2026

Social Order Are Pushing Darkwave Post-Punk Forward Without Apology

by Mitch Mosk
Daphne Gale © 2026
Music, ReviewsJanuary 20, 2026<January 20, 2026

“Call it masochism, call it cleanliness”: Daphne Gale Opens a Window with ‘Quietude’

by Hannah Burns
Adam Goldberg © Daniel Gilbert
Music, Music Videos, PremieresJanuary 20, 2026<January 20, 2026

“You Came to My Town”: Adam Goldberg Captures Culture Clash, Division, & American Unease on The Goldberg Sisters’ “The Great Resignation”

by Mitch Mosk
Fake Dad © Morganne Boulden
Interviews, Music, Today's SongJanuary 20, 2026<January 20, 2026

“Teenage me would be like, ‘This is sick!’”: Fake Dad Embrace the Weird on “Science Fiction” and a Breakout Year

by Aileen Goos
Hilary Duff "Roommates" © Aaron Idelson
Columns, Music, Today's SongJanuary 19, 2026<January 18, 2026

Hilary Duff Isn’t Your “Roommate” – She’s Your Wake-Up Call

by Danielle Holian
Sly Jr.'s Landon Jacobs
Columns, Music, Today's SongJanuary 18, 2026<January 18, 2026

“This life’s a precious coffin”: Sly Jr. Embraces Love & Tenderness at the End of the World on “put down your weapons”

by Mitch Mosk
Corbyn Besson 'Head First'
Debut, Features, Interviews, MusicJanuary 16, 2026<January 18, 2026

“You have to trust your taste”: Why Don’t We’s Corbyn Besson Turns Hesitation into Liberation on Debut Solo EP ‘HEAD FIRST’

by Miranda Urbanczyk
Westside Cowboy © Charlie Barclay Harris
Features, Interviews, Music, Track-by-TrackJanuary 16, 2026<January 16, 2026

“No Band Is an Island!”: Manchester’s Westside Cowboy Are Bringing ‘Britainicana’ to the Masses Through Shared Instinct and Loud, Joyful Noise

by Mitch Mosk
Yam Haus and Sydney Quiseng are "Always Falling in Love"
Columns, Music, Today's SongJanuary 16, 2026<January 16, 2026

“I Like the Way You Memorized My Number”: Yam Haus & Sydney Quiseng Find the Beauty of “Always Falling in Love” on Their Breathtaking Duet

by Mitch Mosk
Atwood Magazine's 143rd Editor's Picks!
Columns, Editor's Picks, Features, MusicJanuary 15, 2026<January 15, 2026

Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan!

by Mitch Mosk
Francis of Delirium © Shade Cumini
Interviews, Music, Today's SongJanuary 15, 2026<January 15, 2026

“A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress”

by Mitch Mosk
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Brand New

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’

:: discover something new ::

Recent Posts

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
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