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Dom Malin © Taylor Olson
Music, PremieresApril 11, 2024<April 11, 2024

“Out the darkness, a burning flame”: Midlands Singer/Songwriter Dom Malin Weathers the Storm in “Hurricane,” a Song of Love & Perseverance

by Mitch Mosk
Hope Tala © Erica Devin Snyder
Music, Reviews, This Just InApril 11, 2024<April 11, 2024

“Opening my heart ’til the thing is messy”: Hope Tala’s “I Can’t Even Cry” Aches With Love’s Pain & Shines With Its Beauty

by Mitch Mosk
Kacey Musgraves 'Deeper Well' © Kelly Christine Sutton 6.4
Music, Our Take, ReviewsApril 10, 2024<April 10, 2024

Our Take: “Deeper Well” Is a Too-Tranquil Comedown From Kacey Musgraves’ Cosmic Country

by Sam Franzini
Glass Animals "Creatures in Heaven" © Lillie Eiger
Music, Reviews, This Just InApril 10, 2024<April 10, 2024

“What do you think about when you think about love?”: Glass Animals Are Here, in the Moment, on “Creatures in Heaven”

by Mitch Mosk
Jenny Owen Youngs © Josh Goleman
Features, Interviews, MusicApril 10, 2024<April 10, 2024

Interview: Hopeful & Full of Light, Jenny Owen Youngs Reflects on Her New Album ‘Avalanche’

by Jaclyn Kelly
RiTchie © Patrick Driscoll
Columns, Music, Today's SongApril 10, 2024<April 10, 2024

“Look who done came through”: Basking in the Dry Heat of RiTchie’s “Dizzy” ft. Aminé

by Mitch Mosk
X Ambassadors © Tyler Jay Hanson
Interviews, MusicApril 10, 2024<April 10, 2024

“I was going through an identity crisis”: How Heading Home to Ithaca Yielded X Ambassadors’ Most Intimate Music to Date

by Josh Weiner
Bad Bad Hats © Zoe Prinds
Interviews, MusicApril 10, 2024<April 16, 2024

Interview: Rockin’ Out with Bad Bad Hats’ Kerry Alexander

by Marissa DeLeon
Whitworth "World War" © Diana Hardage
Columns, Music, Today's SongApril 9, 2024<April 9, 2024

“Love is the motive”: Whitworth’s “World War” Is a Witty Indie Boy Banger

by Noah Berghammer
fanclubwallet by Cole Yearwood
Features, Interviews, Music, Track-by-TrackApril 9, 2024<April 9, 2024

“Cartoonish Canadian Indie”: fanclubwallet’s ‘Our Bodies Paint Traffic Lines’ Is an Angsty Indie Rock Record of Friendship & Full Band Magic

by Mitch Mosk
Hannah Connolly by Cody Ackors
Music, PremieresApril 9, 2024<April 9, 2024

“Busy living on the outside”: The Dreamy, Restless Ache of Hannah Connolly’s “Shadowboxing”

by Mitch Mosk
Luke Francis © Jake Gombis
Music, PremieresApril 9, 2024<April 9, 2024

Premiere: Luke Francis’ “Go Home” Is a Heavy-Hearted Stroll Through Palm Springs

by Mitch Mosk
Shannon and the Clams © Jim Herrington
Columns, Music, Today's SongApril 8, 2024<April 8, 2024

Today’s Song: Shannon and the Clams Continue to Defy Convention with “The Moon Is in the Wrong Place”

by Beau Hayhoe
B-Drop
Music, PremieresApril 7, 2024<April 10, 2024

Premiere: B-Drop Worldwide Showcases Lily Kershaw, Alayna, & E. G. Daily

by Mitch Mosk
Career Woman © Colleen McPhillips
Columns, Music, Today's SongApril 7, 2024<April 6, 2024

Today’s Song: The Euphoric Misanthropy of Career Woman’s “No Alibi”

by Danielle Furman
Posts pagination
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Brand New

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction

:: discover something new ::

Recent Posts

  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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