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of Montreal's Kevin Barnes © Shervin Lainez
Features, Interviews, MusicMay 16, 2024<May 16, 2024

“I see myself as a pirate in a lot of ways”: of Montreal’s Kevin Barnes Talks New Album ‘Lady on the Cusp’ & Embracing Unpredictability

by Madeleine Eggen
YAGKI © Taylah Chapman
Music, Music Videos, PremieresMay 15, 2024<May 15, 2024

Premiere: Sydney’s YAGKI Is Intimately Exposed on “Something I Do,” an Alt-Pop Upheaval of Emptiness & Detachment

by Mitch Mosk
A Million Easy Payments - Little Kid
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024

‘A Million Easy Payments’: Toronto’s Little Kid Capture Life’s Weight, Warmth, & Wonder With Their Breathtaking 7th Album

by Mitch Mosk
Shannon and the Clams 'The Moon Is In The Wrong Place' © Jim Herrington
Features, Interviews, MusicMay 15, 2024<May 15, 2024

“What Is Time? What Is Life?”: Shannon & The Clams Discuss Grief, Rage, & What Occurs When ‘The Moon Is in the Wrong Place’

by Kevin Cost
Tors 'Miracle' © Anna Lowry
Features, Interviews, Music, Track-by-TrackMay 15, 2024<May 15, 2024

“I’ll give you my head, my heart, my bones”: Devon Trio Tors Embrace Honesty & Intimacy in Heartfelt ‘Miracle’ EP

by Mitch Mosk
Wynona © Lachlan Chester
Features, Interviews, MusicMay 14, 2024<May 14, 2024

“What matters most to us is that these songs exist in the world”: Mum-Jean Rock Band Wynona Are Bringing Back the ’90s With Catchy Anthems & Carefree Charm

by Mitch Mosk
Lee Lewis © Matt Robertson
Artist to Watch, Debut, Features, Interviews, MusicMay 14, 2024<May 14, 2024

“An intense sphere of emotions”: LA’s Lee Lewis Lights an Unforgettable Fire in ‘Something Burning,’ a Record of Trauma, Therapy, & Healing

by Mitch Mosk
Arctic Wave's C.L Turner © 2024
Columns, Essays, Mental Health Awareness Month, MusicMay 14, 2024<May 14, 2024

“When Life Rearranges… Everything”: An Essay by Arctic Wave’s C.L Turner for Mental Health Awareness Month

by Guest Writer
She's Green © Nick Cai
Concerts, Music, ReviewsMay 14, 2024<May 14, 2024

She’s Green Had Me “Smiling Again” at Their First Ever New York Show at the Knitting Factory

by Noah Berghammer
Radical Optimism - Dua Lipa
Features, Music, Reviews, RoundtableMay 14, 2024<June 29, 2024

Roundtable Discussion: A Review of Dua Lipa’s ‘Radical Optimism’

by Atwood Magazine Staff
Vicky Farewell © Robb Klassen
Features, Interviews, Music, Track-by-TrackMay 13, 2024<May 13, 2024

Sex, Synths, & Space: Vicky Farewell on Why We Should ‘Give a Damn’ About Her Seductive & Soulful Sophomore Album

by Mitch Mosk
Cassandra Jenkins © Pooneh Ghana
Columns, Interviews, Music, Today's SongMay 13, 2024<May 13, 2024

“Stick figure sisyphus”: Cassandra Jenkins Dwells in Her Heartache on “Only One,” a Seductive Song of Emotional Stewing

by Mitch Mosk
Amen Dunes © Michael Schmelling
Music, ReviewsMay 13, 2024<May 13, 2024

Review: Amen Dunes’ ‘Death Jokes’ Is a Post-Modern Beachball: Colourful on the Surface and Full of Air Inside

by Hamish Monk
Olivia Dean at Eventim Apollo, May 2024 © Rachel Min Leong
Concerts, Music, ReviewsMay 13, 2024<May 13, 2024

Radiant, Glowing, and Infectiously Fun: Olivia Dean Live at the Eventim Apollo, London

by Rachel Leong
Camp Saint Helene © Angela Ricciardi & Silken Weinburg
Features, Interviews, Music, Track-by-TrackMay 10, 2024<May 10, 2024

“Existence is a revolution”: Camp Saint Helene’s ‘Of Earth and Its Timely Delights’ Grief & Possibility

by Mitch Mosk
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Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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