Columns, Features, Music, Weekly RoundupMarch 27, 2026<March 27, 2026 Atwood Magazine’s Weekly Roundup: March 27, 2026 by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackMarch 27, 2026<March 27, 2026 “Homegrown American Adventure”: HAPPY LANDING Turn Toward the Light on ‘Big Sun,’ a Bold and Expansive Folk Rock Triumph by Mitch Mosk
Music, Reviews, RoundtableMarch 27, 2026<March 27, 2026 Roundtable Discussion: A Review of Mumford & Sons’ ‘Prizefighter’ by Atwood Magazine Staff
Columns, Music, Today's SongMarch 27, 2026<March 27, 2026 “She’s a Cold Hearted Killer”: A Look at “Gentleman,” Towa Bird’s Rock ‘n’ Roll Love Letter by Dusty Hayes
Music, PremieresMarch 26, 2026<March 26, 2026 “Consecutive Thuds from Executive Thugs”: Nashville’s Palm Ghosts Confront Capitalism’s Grip with Indie Rock Urgency on “Walk Into Your New Life” by Mitch Mosk
Essays, Music, Women's History MonthMarch 26, 2026<March 30, 2026 “Embracing Innovation, Bei Bei Style”: An Essay by Bei Bei for Women’s History Month by Guest Writer
Interviews, Music, PremieresMarch 26, 2026<March 26, 2026 “In the Silence There Is Truth”: Bandits on the Run Find Beauty in Letting Go on “Rough Magic,” a Dreamy Folk Reverie by Mitch Mosk
Interviews, Music, Today's SongMarch 26, 2026<March 26, 2026 “I don’t kiss and tell, I just kiss and sing”: Keni Titus Confronts Her Wandering Eyes on “hands to myself,” a Smoldering Indie Folk Confessional by Mitch Mosk
Columns, Music, Today's SongMarch 25, 2026<March 25, 2026 Today’s Song: Brooklyn’s Sanford: Laments a Lost World in “Hooked on a Dream” by Chloe Robinson
Essays, MusicMarch 25, 2026<March 25, 2026 “Are We Even Listening? How Convenience and Anxiety Changed Our Listening Habits”: An Essay by The Pretty Flowers’ Sean Johnson by Guest Writer
Debut, Interviews, Music, Music Videos, PremieresMarch 25, 2026<March 25, 2026 “I’m a Mess and You Like It”: Lennie Rayen Channels the Ache of Wanting More into a Smoldering Indie Pop Confession by Mitch Mosk
Music, Music Videos, PremieresMarch 25, 2026<March 31, 2026 “The Song That Made All the Wise Guys Cry”: Sal “The Voice” Valentinetti Channels Old-School Heartache into a Timeless Performance on “Little Pal” by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMarch 24, 2026<March 24, 2026 “It’s Not Going to Be Okay”: Joshua Burnside Faces Grief Head-On in His Raw, Unflinching, and Life-Affirming Sixth Album by Mitch Mosk
Essays, Music, Women's History MonthMarch 24, 2026<March 25, 2026 “Finding Strength Through Generational Womanhood”: An Essay by BRUX for Women’s History Month by Guest Writer
For the Love of Music
For the Love of Music
