MusicJanuary 14, 2026<January 14, 2026 “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing by Mitch Mosk
Debut, Interviews, MusicJanuary 14, 2026<March 9, 2026 Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley by Damien Joyce
Interviews, Music, Today's SongJanuary 14, 2026<January 14, 2026 “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 13, 2026<January 14, 2026 “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ by Mitch Mosk
Music, Reviews, Track-by-TrackJanuary 13, 2026<January 13, 2026 Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth by Joe Beer
Interviews, Music, Today's SongJanuary 13, 2026<January 13, 2026 “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” by Mitch Mosk
Music, ReviewsJanuary 12, 2026<January 12, 2026 “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life by Mitch Mosk
Columns, Music, Today's SongJanuary 12, 2026<January 12, 2026 “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory by Ashley Littlefield
Interviews, Music, Today's SongJanuary 11, 2026<January 11, 2026 “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” by Mitch Mosk
Artist to Watch, Interviews, Music, Today's SongJanuary 10, 2026<January 10, 2026 “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” by Mitch Mosk
Columns, Features, Music, Weekly RoundupJanuary 9, 2026<January 9, 2026 Atwood Magazine’s Weekly Roundup: January 9, 2026 by Atwood Magazine Staff
Artist to Watch, Interviews, Music, Today's SongJanuary 9, 2026<January 9, 2026 “We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling” by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 8, 2026<January 8, 2026 Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread by Mitch Mosk
Features, Interviews, Music, Today's SongJanuary 8, 2026<January 8, 2026 “Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet” by Mitch Mosk
Music, ReviewsJanuary 7, 2026<January 7, 2026 “Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’ by Ashley Littlefield
For the Love of Music
For the Love of Music
