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AWOLNATION © Amalia Irons
Features, Interviews, MusicNovember 17, 2023<November 19, 2023

Feature: AWOLNATION Lean into the Sweet Authenticity of ‘Candy Pop’

by Anthony Kozlowski
Jimmy Brown & Rovv © Freya Rinaldi
Features, Interviews, MusicNovember 17, 2023<November 19, 2023

Interview: K-RnB Artists Jimmy Brown & Rovv Discuss Their Sober Tour, Artistic Goals, & the Creation of Their Album ‘Like the First Time’

by Freya Rinaldi
Kelsey Abbott © Gabe Drechsler
Columns, Music, Today's SongNovember 17, 2023<November 17, 2023

Today’s Song: Kelsey Abbott’s Dreamy “Night Vision Goggles” Basks in Love’s Eternal Warmth & Beauty

by Mitch Mosk
Richard Walters © Will Killen
Features, Interviews, Music, Track-by-TrackNovember 17, 2023<November 17, 2023

Track-by-Track: Richard Walters Soars on ‘Murmurate,’ a Record of Reconnection and the New Normal

by Mitch Mosk
Blink-182's ninth studio album, 'One More Time...' released on October 20, 2023 8.3
Music, Our Take, ReviewsNovember 16, 2023<November 16, 2023

Our Take: Blink-182 Return ‘One More Time…’ and Are Still As Welcome As Ever

by Josh Weiner
Glitterfox © Jacquelyn Rachelle Cruz
Columns, Today's SongNovember 16, 2023<November 16, 2023

Today’s Song: Portland, OR’s Glitterfox Ache With Anxiety & Exhaustion on “TV,” a Cathartic Indie Rock Anthem

by Mitch Mosk
Holly Humberstone 'Paint My Bedroom Black' © Constantine Spence 10
Debut, Music, ReviewsNovember 16, 2023<November 16, 2023

Our Take: Holly Humberstone’s ‘Paint My Bedroom Black’ Is a Bold, Brutal, & Breathtaking Debut

by Mitch Mosk
Lindsay Lou is the 'Queen of Time' © Dana Kalachnik
Features, Interviews, Music, Track-by-TrackNovember 15, 2023<November 15, 2023

Track-by-Track: Lindsay Lou’s Tender Tempest ‘Queen of Time’ Unpacks Grief, Healing, Self-Knowledge & More

by Mitch Mosk
Houndmouth's 1 night 2 night 3 night tour
Concerts, Music, ReviewsNovember 15, 2023<November 15, 2023

Houndmouth’s 1 Night 2 Night 3 Night Tour: Live in New Orleans

by Audrey Connelly
Truth Club © Alex Montenegro
Columns, Music, Today's SongNovember 15, 2023<November 20, 2023

Today’s Song: “Uh Oh,” Truth Club’s Heavy-Hitting Grunge Cuts Like a Knife & Chills to the Bone

by Mitch Mosk
Re-Framing the Rock Hall © Aidan Moyer
Essays, Music, ReviewsNovember 15, 2023<January 6, 2024

Wenner’s Reckoning: Re-Framing the Rock & Roll Hall of Fame

by Aidan Moyer
Black Polish © Alexandra Petruck
Music, PremieresNovember 15, 2023<November 15, 2023

Premiere: LA’s Black Polish Blooms in “Streetsigns,” an Achingly Intimate & Beautifully Vulnerable Confessional

by Mitch Mosk
G Flip's sophomore album 'DRUMMER' is described as "a pop album centered around live drums."
Features, Interviews, MusicNovember 14, 2023<November 14, 2023

Interview: G Flip Embraces the Kit on ‘DRUMMER,’ Their Hard-Hitting, Drum-Centric Sophomore Album

by Mitch Mosk
C3zr © Vanessa Valadez
Music, PremieresNovember 14, 2023<November 14, 2023

Premiere: Chicago’s C3zR Aches on Intimate “Not Over U,” a Haunting, Brooding, & Breezy Post-Breakup Seduction

by Mitch Mosk
SIPHO. "LOCK IT IN" © Marco Grey
Columns, Music, Today's SongNovember 14, 2023<November 14, 2023

Today’s Song: SIPHO.’s “LOCK IT IN (NO REGRETS)” Is an Unapologetic Fever Dream Off Debut LP ‘PRAYERS & PARANOIA’

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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