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Products Band "Shell Text" © Juliet Farmer
Columns, Music, Today's SongJanuary 22, 2024<January 23, 2024

Today’s Song: Energetic Emotions Conjure Sheer Attitude on Products Band’s “Shell Text”

by Kevin Cost
Slow Fiction "Apollo" © Miles Wilson
Music, PremieresJanuary 22, 2024<January 23, 2024

Premiere: Brooklyn’s Slow Fiction Burn Bright on “Apollo,” a Raw & Raging Indie Rock Eruption

by Mitch Mosk
Marika Hackman © Steve Gullick
Features, Interviews, MusicJanuary 22, 2024<September 5, 2025

Happy for a While: Marika Hackman on Her Provocative & Piercing Fourth Album ‘Big Sigh’

by Nasim Elyasi
Fetch Tiger © Nicole Miller
Music, PremieresJanuary 22, 2024<January 22, 2024

Premiere: Fetch Tiger’s Radiant & Relentless “Psychosomatic” Is a Hot n’ Heavy Indie Pop Fever Dream

by Mitch Mosk
Asha Jefferies © Cody Wood
Columns, Music, Today's SongJanuary 21, 2024<January 21, 2024

Today’s Song: Asha Jefferies Offers Up Powerful Declaration With “Brand New Bitch”

by Beau Hayhoe
Yolanda Be Cool
Columns, Interviews, Music, Today's SongJanuary 20, 2024<January 20, 2024

Meet Yolanda Be Cool, an Australian EDM Duo Donning SWEATRZ & Tooting “Hip Trumpets”

by Josh Weiner
Atwood Magazine's Weekly Roundup | January 19, 2024
Columns, Features, Music, Weekly RoundupJanuary 19, 2024<January 19, 2024

Atwood Magazine’s Weekly Roundup: January 19, 2024

by Atwood Magazine Staff
Wynona © Lachlan Chester
Columns, Music, Today's SongJanuary 19, 2024<January 19, 2024

“Finding stillness in the chaos”: Wynona’s Spirited Alt-Rock Anthem “Feeling for Edges” Is a Cathartic Release of Angst & Upheaval

by Mitch Mosk
Sam Fischer © Oscar J Ryan
Debut, Features, Interviews, MusicJanuary 19, 2024<January 19, 2024

“Fragments of my life”: Sam Fischer on the Five-Year Journey to Debut Album ‘I Love You, Please Don’t Hate Me’

by Brianna Corrine
Dogstar © Brian Bowen Smith
Interviews, MusicJanuary 18, 2024<January 18, 2024

Interview: Reunited After 21 Years, ’90s Alt-Rock Band Dogstar Set a High Bar on ‘Somewhere Between the Power Lines and Palm Trees’

by Mitch Mosk
Haley Blais © Mackenzie Walker
Features, Interviews, Music, Track-by-TrackJanuary 18, 2024<January 18, 2024

“I want my therapist to think I’m cool”: Haley Blais Is Beautifully Exposed on ‘Wisecrack,’ Her Unapologetic & Unfiltered Sophomore LP

by Mitch Mosk
Keyon Harrold © Kwafu Alston
Features, Interviews, MusicJanuary 18, 2024<January 18, 2024

“Inspired by the Vibrations”: Keyon Harrold Creates Paradise on ‘Foreverland,’ a Triumphant Fusion of Jazz & Hip-Hop

by Josh Weiner
Joan & The Giants © 2024
Columns, Music, Today's SongJanuary 18, 2024<January 18, 2024

Joan & The Giants’ Love-Soaked “Good Time” Is a Sweet Surrender to the Moment

by Mitch Mosk
Lizzie Esau © Storm Hudspith Walker
Columns, Music, Today's SongJanuary 17, 2024<January 17, 2024

Today’s Song: Newcastle’s Lizzie Esau Churns Through an Anxious Mind on “Impossible + Strange”

by Mitch Mosk
deary EP - deary
Debut, Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

“deary, not dreary”: London Duo deary Unleash Ethereal Dream Pop Wonder on Debut EP

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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