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Katastro at Red Rocks Amphitheatre, 2022 © Chris Fiq
Interviews, Music, Music Videos, PremieresNovember 14, 2023<November 14, 2023

“I wish that we could stay right here forever”: Katastro’s Heartfelt Anthem “Good Time” Is a Beautiful Tribute to Late Singer Andy Chaves

by Mitch Mosk
The Rose: Dawn To Dusk World Tour © Christian Haahs
Concerts, Music, ReviewsNovember 14, 2023<November 14, 2023

Live Review: The Rose Stun Austin, Texas on Their “Dawn to Dusk” Tour

by Freya Rinaldi
Chappell Roan © Ryan Clemens
Concerts, Music, ReviewsNovember 13, 2023<November 13, 2023

Live Review: Midwest Princess Chappell Roan Brings Her Slumber Party to the South

by Marissa DeLeon
KRIS © 2023
Columns, Debut, Music, Today's SongNovember 13, 2023<November 13, 2023

Today’s Song: KRIS Debuts With Haunting & Vulnerable “Black Leather Heaven”

by Julius Robinson
Kevin Abstact © 2023
Columns, Music, Today's SongNovember 11, 2023<November 11, 2023

Today’s Song: Kevin Abstract Tries to Forget Love on “What Should I Do?” Off New Album ‘Blanket’

by Laurent Chavannes
Angie McMahon © Taylor Ranston
Features, Interviews, MusicNovember 10, 2023<November 10, 2023

Cosmic Crying Affirmations: Angie McMahon Dives into the Raw Depths of Sophomore LP ‘Light, Dark, Light Again’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 10, 2023
Columns, Features, Music, Weekly RoundupNovember 10, 2023<November 15, 2023

Atwood Magazine’s Weekly Roundup: November 10, 2023

by Atwood Magazine Staff
Stephanie Poetri © John Liwag
Interviews, MusicNovember 10, 2023<November 10, 2023

Interview: Stephanie Poetri Talks About Being a Homebody, Indonesian Food She Misses, & Her Songwriting Process

by Freya Rinaldi
MICHELLE © Jimmy Fontaine
Columns, Music, Today's SongNovember 10, 2023<November 10, 2023

Today’s Song: MICHELLE’s “GLOW” & “AGNOSTIC” Are the Latest Entries into Their Sonic Scrapbook

by Sofia Sar
OTNES © 2023
Debut, Features, Interviews, Music, Track-by-TrackNovember 10, 2023<November 13, 2023

Exploratory, Nostalgic, & Cinematic: OTNES Bares Her Soul on Debut Album ‘SHOW THEM WHAT’S INSIDE!’

by Mitch Mosk
Sophie Holohan © Ira Mapho
Features, Interviews, MusicNovember 9, 2023<November 9, 2023

Interview: Sophie Holohan’s Self-Deprecating “Till I Die” Is an Anthem for Recovering Perfectionists Everywhere

by Mitch Mosk
Kat Cunning © Colin Jones
Music, ReviewsNovember 9, 2023<November 9, 2023

Kat Cunning’s “Bedroom Angel” Is a Seductive Serenade Sure to Send You Straight to the Heavens

by Chloe Robinson
Roger Eno © Cecily Eno
Features, Interviews, Music, Track-by-TrackNovember 9, 2023<December 6, 2023

Musical Decomposition: Roger Eno’s Breathtakingly Beautiful ‘the skies, they shift like chords’

by Mitch Mosk
Spiritbox © Jonathan Weiner 8.9
Music, Our Take, ReviewsNovember 9, 2023<November 9, 2023

Our Take: Spiritbox Keep It Heavy and Ferocious on ‘The Fear of Fear’ EP

by Kendall Graham
Joan and the Giants © Isabelle Haubrich
Columns, Music, Today's SongNovember 9, 2023<November 9, 2023

Don’t Make Me “Beg”: Perth’s Joan & the Giants Ache with Unrequited Love in a Bold, Breathtaking Anthem

by Mitch Mosk
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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