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A Beacon School © Matthew Marino
Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

Track-by-Track: In ‘yoyo,’ A Beacon School Weaves Gauzy Dream Pop & Shiver-Inducing Shoegaze into a Seductive Sonic Haze

by Mitch Mosk
Dylan LeBlanc © Abraham Rowe
Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

Track-by-Track: Dylan LeBlanc Unpacks His Own Humanity in ‘Coyote,’ a Cinematic, Cerebral, & Thrilling Concept Album

by Mitch Mosk
Ducks Ltd. © Colin Medley
Columns, Music, Today's SongJanuary 16, 2024<January 16, 2024

Today’s Song: Toronto’s Ducks Ltd. Hitch a Rollicking, Runaway “Train Full of Gasoline”

by Mitch Mosk
Adrianne Lenker © Germaine Dunes
Columns, Music, Today's SongJanuary 15, 2024<January 13, 2024

Today’s Song: Adrianne Lenker Professes Desolation, Despair, & Heartbreak on Agonizing New Single “Ruined”

by Jake Fewx
Declan McKenna © Henry Pearce
Columns, Music, Today's SongJanuary 14, 2024<January 13, 2024

Today’s Song: Declan McKenna’s Timeless Cover of ABBA’s “Slipping Through My Fingers”

by Hannah Burns
Dama Blake © 2024
Columns, Debut, Music, Today's SongJanuary 13, 2024<January 13, 2024

Today’s Song: Jessica Harper’s Sinister Alter Ego Dama Blake Takes Full Flight on “Witch Hunt”

by Josh Weiner
Atwood Magazine's Weekly Roundup | January 12, 2024
Columns, Features, Music, Weekly RoundupJanuary 12, 2024<January 16, 2024

Atwood Magazine’s Weekly Roundup: January 12, 2024

by Atwood Magazine Staff
Roanoke © John Florentino
Artist to Watch, Columns, Music, Today's SongJanuary 12, 2024<January 12, 2024

Artist to Watch: Nashville’s Roanoke Come “Back Again” With Spirited Passion & Charming Nostalgia

by Mitch Mosk
Nicotine Dolls © Hannah Greve
Features, Interviews, Music, Track-by-TrackJanuary 12, 2024<January 12, 2024

Feature: Nicotine Dolls’ ‘How Do You Love Me’ EP is the Soundtrack to a Soul Unleashed & Exposed

by Mitch Mosk
Wonder, Won't You? - Harrison Storm
Debut, Features, Interviews, Music, Track-by-TrackJanuary 12, 2024<January 12, 2024

Track-by-Track: Harrison Storm’s Debut LP ‘Wonder, Won’t You?’ Is an Intimate Indie Folk Diary of Human Experience

by Mitch Mosk
BEL © SJ Spreng
Features, Interviews, Music, Track-by-TrackJanuary 11, 2024<January 11, 2024

“Honest, Raw, & Reflective”: Bel’s ‘Read the Room’ EP Is an Impassioned, Empowered Eruption

by Mitch Mosk
Brenn! © Chase Denton & Working Holiday
Columns, Music, Today's SongJanuary 11, 2024<January 11, 2024

Artist to Watch: Brenn! Weaves a Buoyant, Bittersweet Folk-Pop Reverie in “Valapriso”

by Mitch Mosk
Birksie "Tug of War" © David Od
Debut, Music, PremieresJanuary 10, 2024<January 10, 2024

Premiere: Birksie Debuts With Blustering Folk Rock Passion in “Tug of War”

by Mitch Mosk
Boys Like Girls © Matty Vogel
Features, Interviews, MusicJanuary 10, 2024<January 10, 2024

Interview: Boys Like Girls Are Back With ‘Sunday at Foxwoods,’ and Martin Johnson Is Leading the Charge

by Josh Weiner
Joshua Crumbly © Lauren Morgan
Music, Music Videos, PremieresJanuary 10, 2024<January 10, 2024

Premiere: Joshua Crumbly Dwells in Dreamy Reverie on “steps” ft. Samora Pinderhughes

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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