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Buxton © Karolina Cantu
Music, PremieresSeptember 13, 2023<September 13, 2023

Premiere: Buxton’s “Mane of Gold” Shines With the Weight, Warmth, & Western Wonder of ‘A Family Light’

by Mitch Mosk
Ben Howard © Toby Coulson
Features, Interviews, MusicSeptember 13, 2023<March 29, 2024

Interview: Ben Howard Talks New Record ‘Is It?,’ Mini-Strokes, & Italian Novelists

by Sam Franzini
Cry Baby © Gabe Ruckus
Artist to Watch, Columns, Music, Today's SongSeptember 13, 2023<September 13, 2023

Artist to Watch: Cry Baby Usher in a New Era on “Pretend,” a Soul-Stirring Eruption of Noughties Nostalgia & Modern Charm

by Mitch Mosk
Far Caspian self-portrait © Joel Johnston
Features, Interviews, MusicSeptember 12, 2023<October 26, 2023

Gibberish, Vulnerability, & Evolving Past People Pleasing: A Conversation with Far Caspian

by Kate Millar
Ethansroom © Noah Tidmore
Music, PremieresSeptember 12, 2023<September 12, 2023

Premiere: ethansroom Learns to Let Go in “Laughing Out Loud,” a Dusty & Cinematic Indie Rock Reverie

by Mitch Mosk
Wilderado © Laura Webster
Columns, Music, Today's SongSeptember 12, 2023<September 12, 2023

Today’s Song: Wilderado Paint a Warm Western Landscape Somewhere “In Between” Right Here and Now

by Mitch Mosk
Looms © 2023
Music, PremieresSeptember 11, 2023<September 11, 2023

Premiere: Looms’ New Single “The Water” Depicts the Heavy Weight of a Sinking Friendship

by Mitch Mosk
Bruce Springsteen: Between What’s Flesh and What’s Fantasy © Aidan Moyer
Concerts, Music, ReviewsSeptember 11, 2023<January 6, 2024

Between What’s Flesh & What’s Fantasy: Bruce Springsteen and His Hometown at MetLife Stadium, NJ

by Aidan Moyer
Christine and the Queens and SG Lewis © 2023
Columns, Music, Today's SongSeptember 11, 2023<September 11, 2023

Today’s Song: Christine and the Queens Takes “To be honest” to the Dance Floor with SG Lewis Remix

by Julia Dzurillay
corner club © Vincent Po
Columns, Music, Today's SongSeptember 9, 2023<September 11, 2023

Today’s Song: corner club Ponder Mortality and the Love We Leave Behind in “when i die”

by Sophie Severs
Atwood Magazine's Weekly Roundup | September 8, 2023
Columns, Features, Music, Weekly RoundupSeptember 8, 2023<September 11, 2023

Atwood Magazine’s Weekly Roundup: September 8, 2023

by Atwood Magazine Staff
Boyish © Stolen Besos (Maya)
Features, Interviews, Music, Track-by-TrackSeptember 8, 2023<September 8, 2023

Feature: Boyish Turn Teenage Trauma into Soul-Stirring Sound on ‘Little Demon Boy’

by Mitch Mosk
PRONOUN © Merissa Blitz
Columns, Music, Today's SongSeptember 8, 2023<September 8, 2023

THWACK! PRONOUN Takes the Hits in “SLAP ME IN THE FACE,” Reckoning with a Big, Ugly World

by Mitch Mosk
Sylvan Esso at Hinterland Music Festival © Andrea Escobar
Festival, Music, ReviewsSeptember 8, 2023<September 8, 2023

2023 Hinterland Music Festival: A Hidden Gem in the Midwest Festival Scene

by Nick Polak
Pearl - Bobby Bazini
Features, Interviews, Music, Track-by-TrackSeptember 7, 2023<September 7, 2023

Track-by-Track: Bobby Bazini Breaks Down ‘Pearl,’ His Cinematic, Cathartic, & Soul-Stirring Fifth LP

by Mitch Mosk
Posts pagination
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

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Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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