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Tunes & Tumblers x Thanksgiving 2023
Music, Podcast, Tunes & TumblersNovember 22, 2023<November 22, 2023

Podcast: Tunes & Tumblers Features Thanksgiving Roundtable and a Winter Rumderland

by Atwood Magazine Staff
Diamond Grinder © 2023
Debut, Features, Interviews, MusicNovember 22, 2023<November 22, 2023

Interview: Diamond Grinder’s ‘Expectations’ Are High, But Their Debut Album Is Higher

by Guest Writer
Abby Sage "Hunger" © cloudyytots
MusicNovember 22, 2023<November 22, 2023

Today’s Song: The Haunting “Hunger” and Sexual Liberation of Abby Sage

by Mitch Mosk
Raw Poetic, P-Fritz, & Damu the Fudgemunk
MusicNovember 21, 2023<November 21, 2023

“Beastie, Tribe, & Enemy”: Raw Poetic’s ‘Away Back In’ Is a Soulful, Smoldering Hip-Hop Seduction

by Mitch Mosk
BIZZY © Hunter Henderson
Interviews, Music, Track-by-TrackNovember 21, 2023<August 18, 2025

Interview: Nashville Indie Pop Artist BIZZY Updates Us on Her Tour & New EP, ‘I Don’t Get Breakups’

by Lauren Hicks
Bridget Rian "Sydney Sweeney" © Libby Danforth
Columns, Music, Today's SongNovember 21, 2023<November 21, 2023

“Sydney Sweeney” Is a Dramatic, Cinematic, and Emotionally-Charged Hit for Bridget Rian

by Mitch Mosk
Bad Suns © Sarah Eiseman
Features, Interviews, Music, Track-by-TrackNovember 21, 2023<November 21, 2023

Track-by-Track: Bad Suns Bask in the Glow of ‘Infinite Joy’

by Mitch Mosk
Charli Adams for Atwood Magazine © Luke Rogers
Features, Interviews, Music, Track-by-TrackNovember 20, 2023<November 20, 2023

Track-by-Track: Charli Adams Bares Her Soul in ‘nothing to be scared of,’ a Confessional, Cathartic & Fearless EP

by Mitch Mosk
The Staves 'All Now' © Harvey Pearson
Music, Reviews, This Just InNovember 20, 2023<November 20, 2023

This Just In: The Staves Are “All Now,” Isn’t It Exciting?!

by Mitch Mosk
CRAVITY 'SUN SEEKER' © courtesy of the artist
Features, Interviews, MusicNovember 20, 2023<November 28, 2023

Interview: K-Pop Group CRAVITY Share Their Comeback Process, Favorite Dishes, & A Message to LUVITY

by Freya Rinaldi
Indio Downey © Elizabeth Miranda
Features, Interviews, MusicNovember 20, 2023<January 24, 2024

Interview: Indio Downey Shares His Lust for Rock n’ Roll in “Dume” and Debut EP, ‘Cigarettes in Bed’

by Nasim Elyasi
'Blanket' album art - Kevin Abstract
Music, ReviewsNovember 20, 2023<November 20, 2023

Album Review: Kevin Abstract’s ‘Blanket’ Finds Comfort in Change

by Sofia Sar
DREZO & BIJOU © Alex Varsa
Columns, Interviews, Music, Today's SongNovember 19, 2023<November 19, 2023

Today’s Song: Longtime Friends BIJOU & Drezo Launch Debut Collaboration “Goons”

by Josh Weiner
David AM © 2023
Columns, Music, Today's SongNovember 18, 2023<November 17, 2023

David Maine Returns to Indie Rock as David AM With Throwback Debut Single “What Was Isn’t Now”

by Beau Hayhoe
Atwood Magazine's Weekly Roundup | November 17, 2023
Columns, Features, Music, Weekly RoundupNovember 17, 2023<November 17, 2023

Atwood Magazine’s Weekly Roundup: November 17, 2023

by Atwood Magazine Staff
Posts pagination
1 … 152 153 154 155 156 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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