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Barbaro © Wolfskull Creative
Columns, Music, Today's SongSeptember 7, 2023<September 7, 2023

Today’s Song: The Beauty & the Aching of Barbaro’s Evergreen “Gardens”

by Mitch Mosk
Another Door - maeve & quinn
Debut, Music, PremieresSeptember 7, 2023<September 7, 2023

Premiere: maeve & quinn Explore Dynamic Friendship & Selfhood in Debut Album ‘Another Door’

by Nic Nichols
Anna Rose "Last Girl of the Rodeo" © Alexa King
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 8, 2023

“Truth in Costume”: Anna Rose Is Unleashed & Empowered on ‘Last Girl of the Rodeo,’ Her Tragic, Soul-Stirring Reckoning

by Mitch Mosk
Tom Speight © Scarlet Page
Features, Interviews, Music, Track-by-TrackSeptember 6, 2023<September 14, 2023

‘Love & Light’: Tom Speight Goes Track-by-Track Through His Breathtakingly Beautiful Third Album

by Mitch Mosk
The Sometimes Island © 2023
Interviews, MusicSeptember 6, 2023<September 6, 2023

Interview: The Sometimes Island Inject Sunshine into Our Lives With “Neon Summer”

by Joe Beer
The Brook & The Bluff © Noah Tidmore
MusicSeptember 6, 2023<September 6, 2023

“A lighthouse out in the storm”: The Brook & The Bluff Dive “Headfirst” into a New Era As ‘Bluebeard’ Approaches

by Mitch Mosk
V of BTS © BIGHIT
Columns, Music, Today's SongSeptember 5, 2023<September 6, 2023

Today’s Song: BTS’ V Shows Us a New Side with “Rainy Days”

by Jada Moore
S. Carey & John Raymond © Kyle Lehman
Music, PremieresSeptember 5, 2023<September 5, 2023

Premiere: John Raymond & S. Carey Rise Up From the Shadowlands to Coalesce in “Chrysalis”

by Mitch Mosk
RIIZE © SM Entertainment
Debut, Music, ReviewsSeptember 5, 2023<December 8, 2023

SM Entertainment & RCA Records Debut Boy Group RIIZE With “Get a Guitar”

by Freya Rinaldi
ELECTRIC EP - EASYFUN 6.7
Music, Our Take, ReviewsSeptember 5, 2023<September 5, 2023

Our Take: London’s EASYFUN Shocks and Energizes With New ‘ELECTRIC EP’

by Julia Dzurillay
The Dionysus Effect © 2023
Interviews, MusicSeptember 5, 2023<September 5, 2023

Interview: The Dionysus Effect Discuss Their Name, the New York Music Scene, Eve 6, & Nietzsche

by Julius Robinson
Rosie H Sullivan © Marc Sharp
Columns, Music, Today's SongSeptember 3, 2023<November 24, 2023

Today’s Song: The Beauty of the Mundane in Rosie H Sullivan’s “Chapters”

by Lauren Hicks
billy woods © Backwoodz Studioz
Columns, Music, Today's SongSeptember 2, 2023<September 2, 2023

Today’s Song: Billy Woods Is Alone in the Company of Others on “FaceTime” with Kenny Segal & Samuel T. Herring

by Adam Davidson
Atwood Magazine's Weekly Roundup | September 1, 2023
Columns, Features, Music, Weekly RoundupSeptember 1, 2023<September 1, 2023

Atwood Magazine’s Weekly Roundup: September 1, 2023

by Atwood Magazine Staff
Elderbrook © 2023
Features, Interviews, MusicSeptember 1, 2023<September 1, 2023

Family, Ibiza, and a New Musical Chapter: A Conversation With Grammy-Nominated Artist Elderbrook

by Nick Polak
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Brand New

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

:: discover something new ::

Recent Posts

  • “Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection December 22, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2! December 22, 2025
  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
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