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Mainland Break © 2023
Music, PremieresJune 12, 2023<June 12, 2023

Premiere: Denver’s Mainland Break Deliver a Jangle-Pop Anthem of Star-Crossed Summer Love in “Calling After”

by Mitch Mosk
Rina Sawayama © Paigge Warton
Concerts, Music, ReviewsJune 12, 2023<June 12, 2023

Review: Rina Sawayama Moseys “Hold the Girl: Reloaded” Tour to New York City’s Governors Ball Music Festival

by Julia Dzurillay
Michael Greco
Columns, Meet Our WritersJune 11, 2023<June 11, 2023

Meet Our Writers: Philadelphia’s Michael Greco!

by Michael Greco
Lauren Turner
Columns, Meet Our WritersJune 10, 2023<June 10, 2023

Meet Our Writers: Los Angeles’ Lauren Turner!

by Lauren Turner
BTS © BIGHIT MUSIC
Music, ReviewsJune 10, 2023<June 13, 2023

Forever 7: BTS Release Single “Take Two” As a Full Group for Their 10-Year Anniversary

by Freya Rinaldi
Joshua Idehen 'Learn To Swim' © Agatha Powa
Debut, Features, Interviews, Music, Track-by-TrackJune 9, 2023<July 21, 2023

“The ways and hows of healing”: Inside Joshua Idehen’s Spoken Word Dance Album, ‘Learn To Swim, A Mixtape’

by Mitch Mosk
Joya © Stephanie Teng
Columns, Music, Today's SongJune 9, 2023<June 9, 2023

Today’s Song: Joya’s “If Ever She Goes” Aches with the Heartrending Beauty & Power of Love

by Mitch Mosk
DOV © Oscar Ouk
Columns, Editorials, Music, Pride MonthJune 9, 2023<June 9, 2023

“Toxic Masculinity in the Queer Community, Our Own Worst Enemies”: A Pride Month Essay by DOV

by Guest Writer
Sarah Kinsley © Julia Khoroshilov
Features, Interviews, MusicJune 9, 2023<June 9, 2023

Interview: Sarah Kinsley Tackles Spirituality, Personified Objects, & Late ’70s Rock with ‘Ascension’ EP

by Julia Dzurillay
Atwood Magazine's Weekly Roundup | June 9, 2023
Columns, Features, Music, Weekly RoundupJune 9, 2023<June 10, 2023

Atwood Magazine’s Weekly Roundup: June 9, 2023

by Atwood Magazine Staff
Bob Moses © Zackery Michael
Features, Interviews, MusicJune 9, 2023<June 9, 2023

Feature: Bob Moses on the Ambient Psychic Unrest of ‘The Silence in Between’

by Anthony Kozlowski
Atwood Magazine's Editor's Picks 101!
Columns, Editor's Picks, Features, MusicJune 8, 2023<June 14, 2023

Editor’s Picks 101: Sydney Sprague, The Aces, Bear’s Den, Bleach Lab, Pacifica, & Eyedress!

by Mitch Mosk
Bishop Briggs © Ashley Osborn
Columns, Music, Today's SongJune 8, 2023<June 8, 2023

Today’s Song: Bishop Briggs Owns Her Mess in “Baggage,” an Impassioned Anthem of Empowerment & Acceptance

by Mitch Mosk
Governors Ball Music Festival
Festival, Music, Preview, Previews, ReviewsJune 8, 2023<June 8, 2023

2023 Governors Ball Music Festival Preview: The Premier East-Coast Party Featuring Lizzo, Kendrick Lamar, & Odesza!

by Nick Polak
J Lind © Torrey Lind
Music, PremieresJune 8, 2023<June 8, 2023

Premiere: J Lind Reminds Us to Unplug & Live in the Moment on “Oxford Sweater”

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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