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Roger Eno © Cecily Eno
Features, Interviews, Music, Track-by-TrackNovember 9, 2023<December 6, 2023

Musical Decomposition: Roger Eno’s Breathtakingly Beautiful ‘the skies, they shift like chords’

by Mitch Mosk
Spiritbox © Jonathan Weiner 8.9
Music, Our Take, ReviewsNovember 9, 2023<November 9, 2023

Our Take: Spiritbox Keep It Heavy and Ferocious on ‘The Fear of Fear’ EP

by Kendall Graham
Joan and the Giants © Isabelle Haubrich
Columns, Music, Today's SongNovember 9, 2023<November 9, 2023

Don’t Make Me “Beg”: Perth’s Joan & the Giants Ache with Unrequited Love in a Bold, Breathtaking Anthem

by Mitch Mosk
Close Talker "Papier-mâché" © Nicole Plett
Columns, Music, Today's SongNovember 8, 2023<November 8, 2023

Today’s Song: Saskatoon’s Close Talker Stun With “Papier-mâché,” a Cathartic & Charged Indie Rock Reckoning

by Mitch Mosk
Are You There, Boy? - Beharie
Debut, Features, Interviews, Music, Track-by-TrackNovember 8, 2023<November 8, 2023

Adventurous, Vulnerable, Playful: Beharie Shares His Many Sides on Soulful & Dreamy Debut Album, ‘Are You There, Boy?’

by Mitch Mosk
Trying to define newpunk - Dancing the Conga
Debut, Features, Interviews, Music, Track-by-TrackNovember 8, 2023<November 8, 2023

Cozy, Messy, & Loud: Oslo’s Dancing the Conga Debut with ‘Trying to define newpunk’, an Exhilarating Musical Fever Dream

by Mitch Mosk
Atka © Anh Le
Debut, Features, Interviews, Music, Track-by-TrackNovember 7, 2023<November 7, 2023

Perception & Paranoia: Atka’s Haunting Debut EP ‘The Eye Against the Ashen Sky’ Exposes Our Innermost Depths & Dichotomies

by Mitch Mosk
Maiden King's Jake Hawrylak © Cory DeWald
Music, PremieresNovember 7, 2023<November 7, 2023

Premiere: Maiden King’s Smoldering “One Days” Is a Soul-Stirring Journey into Life’s Dreamy Depths

by Mitch Mosk
HAHA © Yrene Ramirez
Debut, Music, PremieresNovember 7, 2023<November 7, 2023

Premiere: HAHA Invite Us to Dance the Night Away With “No Promises,” an Intimate Indie Pop Seduction

by Mitch Mosk
All We Are - WESSON
Debut, Features, Interviews, MusicNovember 7, 2023<November 7, 2023

Interview: British Alt Rock Band WESSON Speak About Their Raw & Vulnerable Debut Album, ‘All We Are’

by Joe Beer
Bear's Den © Bennie Curnow
Columns, Music, Today's SongNovember 7, 2023<November 7, 2023

Today’s Song: The Beautiful, Bittersweet Weight of Bear’s Den’s “Loneliness”

by Mitch Mosk
Yam Haus © Casey Pflipsen
Features, Interviews, Music, Track-by-TrackNovember 6, 2023<November 6, 2023

“I’m a proud little hamster on my wheel”: Getting ‘Stupid and Famous’ With Pop Rock Trio Yam Haus

by Mitch Mosk
'When the Pawn...' album art - Fiona Apple
Music, Nostalgia Tracks, ReviewsNovember 6, 2023<November 6, 2023

When The Pawn…’s 24th Anniversary: How Fiona Apple Shaped a Generation of Singer/Songwriters

by Minna Abdel-Gawad
denn. © Emma Pilkington Mead
Columns, Music, Today's SongNovember 6, 2023<December 11, 2023

Today’s Song: Heartache, Longing, & the Lovesick Ache of denn.’s “it’s happening?”

by Mitch Mosk
Slow Pulp © Alexa Viscius
Columns, Music, Today's SongNovember 5, 2023<January 13, 2024

Today’s Song: Punk Pining and Feminine Rage in Slow Pulp’s “Cramps”

by Hannah Burns
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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