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Pearl Jam's 'Vs.' © Lance Merner 8.7
Features, Music, Our Take, ReviewsOctober 31, 2023<October 31, 2023

Our Take: Thirty Years of Pearl Jam’s ‘Vs.’

by Audrey Connelly
Peter Cat Recording Co. © Salihah Saadiq
Features, Interviews, MusicOctober 31, 2023<October 31, 2023

Interview: “Floated By” Boasts the Eclectic Charm of Peter Cat Recording Co.

by Miles Campbell
My Friend Shawn © Lui (@luiifilms)
Features, Interviews, MusicOctober 31, 2023<October 31, 2023

“Working up to the ultimate artist project”: Getting to Know My Friend Shawn

by Laurent Chavannes
Japan, Man's Laeticia Acra © 2023
Debut, Features, Interviews, Music, Track-by-TrackOctober 30, 2023<November 1, 2023

“I’m just a primitive archetype”: The Funk & Fire Within Japan, Man’s Coming-of-Age Debut Album, ‘Metropolis’

by Mitch Mosk
John Mayer © Aidan Moyer
Concerts, Essays, Music, ReviewsOctober 30, 2023<January 6, 2024

Guilty Pleasures? There’s No Such Thing: A Defense of John Mayer

by Aidan Moyer
Ethan Buckner © B Creative
Columns, Debut, Music, Today's SongOctober 30, 2023<October 30, 2023

“Eyes on the Prize”: The Revolutionary Energy of Ethan Buckner’s Anthemic, Emotionally Charged Debut Single

by Mitch Mosk
Sleeper - BADBADNOTGOOD & Charlotte Day Wilson
Columns, Music, Today's SongOctober 29, 2023<October 29, 2023

Today’s Song: BADBADNOTGOOD & Charlotte Day Wilson Reawaken Their Exceptional Partnership for Silky “Sleeper”

by Kendall Graham
Atwood Magazine's Weekly Roundup | October 27, 2023
Columns, Features, Music, Weekly RoundupOctober 27, 2023<October 28, 2023

Atwood Magazine’s Weekly Roundup: October 27, 2023

by Atwood Magazine Staff
Jazmin Bean © Jamie Lee Culver
Columns, Music, Today's SongOctober 27, 2023<October 27, 2023

Jazmin Bean’s “Terrified” Channels ’90s Britpop into an Anthem of Love’s Breathtaking Beauty

by Mitch Mosk
'New Gold Dream - Live From Paisley Abbey' - Simple Minds
Music, ReviewsOctober 27, 2023<October 27, 2023

Album Review: Simple Minds’ ‘New Gold Dream – Live From Paisley Abbey’ Is the Sound of the Ineffable

by David Buyze
Pony Girl © François Mittins
Music, Music Videos, PremieresOctober 27, 2023<October 27, 2023

“We’re all clowning in some form”: Pony Girl’s “Wannabe” Aches with Autumnal Warmth, Anxiety, & Cathartic Release

by Mitch Mosk
Mr Sun Plays Duke Ellington's Nutcracker Suite - Mr Sun
Essays, Music, ReviewsOctober 27, 2023<October 27, 2023

Review: Mr. Sun Brings New Life to Ellington’s Reimagined Nutcracker Suite

by Atwood Magazine Staff
FIZZ © Nicole Ngai
Debut, Features, Interviews, MusicOctober 27, 2023<October 27, 2023

“This just feels like a real celebration of life”: Join FIZZ on Their Journey to Finding ‘The Secret to Life’

by Nasya Blackshear
Psymon Spine © Nicole "Neptune" Miller
Columns, Music, Today's SongOctober 26, 2023<November 21, 2023

Today’s Song: Psymon Spine’s “Boys” Is a Smoldering Psych-Rock Seduction

by Mitch Mosk
Parliament-Funkadelic © 1971
Columns, Music, Nostalgia TracksOctober 26, 2023<October 26, 2023

Nostalgia Tracks: Funkadelic’s “Biological Speculation” and Its Role in American History

by Audrey Connelly
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

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Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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