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Foo Fighters © Danny Clinch
Music, ReviewsJune 2, 2023<June 2, 2023

Review: Foo Fighters’ ‘But Here We Are’ Is a Tempest of Grief, Loss, and Reckoning

by Mitch Mosk
ep 1 - two blinks, i love you
Debut, Features, Interviews, Music, Track-by-TrackJune 2, 2023<November 29, 2023

Warmth, Weight, & Wonder: Liverpool’s two blinks, i love you Shares His with Organic, Romantic & Radiant ‘ep 1’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 2, 2023
Columns, Features, Music, Weekly RoundupJune 2, 2023<June 2, 2023

Atwood Magazine’s Weekly Roundup: June 2, 2023

by Atwood Magazine Staff
Samuel Warburton © 2023
Columns, Editorials, Music, Pride MonthJune 2, 2023<June 6, 2023

“Farm Boy to the Big Stage”: A Pride Month Essay by Samuel Warburton

by Guest Writer
Drew Holcomb & The Neighbors © Ashtin Paige
Features, Interviews, MusicJune 2, 2023<June 8, 2023

“We’re in This Together”: Drew Holcomb and The Neighbors Inspire Unity in Ninth Album, ‘Strangers No More’

by Lauren Hicks
Milky Chance © Anthony Molina
Columns, Music, Today's SongJune 2, 2023<July 8, 2023

Today’s Song: Milky Chance Take on a Fractured World with “Living in a Haze”

by Beau Hayhoe
The Milk Carton Kids © Brendan Pattengale
Features, Interviews, Music, Track-by-TrackJune 1, 2023<June 1, 2023

Track-by-Track: The Milk Carton Kids Dive into ‘I Only See the Moon,’ Their Intimate & Cinematic 7th Album

by Mitch Mosk
St. Humain "Dial Tones (발신음)" feat. SOIN © 2023
Features, Interviews, MusicJune 1, 2023<June 1, 2023

Interview: St. Humain Speaks About Love’s Complexities In “Dial Tones (발신음)”

by Joe Beer
Tinsley © William Daniel Harvey
Music, PremieresJune 1, 2023<June 1, 2023

Premiere: Tinsley’s New Love Song Is an Intimate, Instant “Classic”

by Mitch Mosk
CMAT © Sarah Doyle
Columns, Music, Today's SongJune 1, 2023<October 3, 2023

CMAT Reminds Us to “Have Fun!” (Despite Life’s Madness) on the Spirited New Single Off Her Sophomore LP ‘Crazymad, For Me’

by Mitch Mosk
Say Yes To Heaven - Lana Del Rey
Columns, Music, Today's SongMay 31, 2023<May 31, 2023

“Say Yes to Heaven, Say Yes to Me”: A Love Letter to Lana Del Rey’s Magical, Not-So-New Single

by Jamie Kahn
Freya Rinaldi
Asian American and Pacific Islander Heritage Month, Columns, Editorials, MusicMay 31, 2023<May 31, 2023

“Teaching Myself English”: A Personal Essay on the Asian-American Experience

by Freya Rinaldi
AAPI Heritage Month 2023 | Atwood Magazine
Asian American and Pacific Islander Heritage Month, Columns, Features, MusicMay 31, 2023<May 31, 2023

Celebrating Asian & Pacific Islander Representation in Music for AAPI Heritage Month 2023!

by Atwood Magazine Staff
John Tsung © James Bee
Asian American and Pacific Islander Heritage Month, Columns, Editorials, MusicMay 31, 2023<May 31, 2023

“Car Radios in Texas”: An Essay by John Tsung for AAPI Heritage Month

by Guest Writer
Boston Calling 2023 © Alive Coverage / Boston Calling
Festival, Music, ReviewsMay 31, 2023<May 31, 2023

Three Days of Sonic Sunshine: A Recap of Boston Calling 2023!

by Coco Rich
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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