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Alan Chang © 2023
Features, Interviews, MusicMay 30, 2023<May 30, 2023

Interview: Alan Chang Embraces Change, Starting with His New Single, “Love As a Weapon”

by Joe Beer
Polartropica © Olivia Hemaratanatorn
Asian American and Pacific Islander Heritage Month, Columns, Editorials, MusicMay 30, 2023<May 30, 2023

“Embracing Heritage, Championing Authenticity, & the Dazzling Journey of an Asian American Girl with Big Pop Dreams”: An Essay by Polartropica for AAPI Heritage Month

by Guest Writer
Jorydn Shellhart © Jory Lee Cordy
Debut, Features, Interviews, MusicMay 30, 2023<May 30, 2023

“God makes art of ugly things”: Jordyn Shellhart on Making Her Debut Record ‘Primrose’ & What Vulnerability Sounds Like

by Emily Frances Algar
Jawny © Michael Tyrone Delaney
Debut, Features, Interviews, MusicMay 30, 2023<June 9, 2023

Interview: Why JAWNY Continues to Leave Us “Wide-Eyed, Tongue-Tied”

by Sophie Severs
eundohee © Chris da Canha
Features, Interviews, Music, Track-by-TrackMay 26, 2023<June 1, 2023

Lifting the Fog: Seoul’s eundohee Enchants & Inspires with Breathtaking Indie Folk on ‘Kookaburra’ EP

by Mitch Mosk
The Fae © 2023
Columns, Music, Today's SongMay 26, 2023<May 26, 2023

Today’s Song: Dublin’s The Fae Debut with Raw Passion on “Chloe,” a Loving Message to a Friend in Need

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 26, 2023
Columns, Features, Music, Weekly RoundupMay 26, 2023<May 26, 2023

Atwood Magazine’s Weekly Roundup: May 26, 2023

by Atwood Magazine Staff
Yueku © Gina De Maio
Asian American and Pacific Islander Heritage Month, Columns, Editorials, MusicMay 25, 2023<May 25, 2023

“Where do I look?”: An Essay by Yueku for AAPI Heritage Month

by Guest Writer
Charlie Hall © Lloyd Bishop
Features, Interviews, MusicMay 25, 2023<May 25, 2023

Interview: Charlie Hall Floats Through Lovely Soundscapes on Debut Solo Album ‘Invisible Ink’

by Beau Hayhoe
Blake Ruby © Sean Bryan
Features, Interviews, Music, Track-by-TrackMay 25, 2023<May 25, 2023

Interview: Blake Ruby’s Intimate, Sincere Take on Nurturing Love

by Miles Campbell
Guest Singer © Callum O'Keefe
Columns, Music, Today's SongMay 25, 2023<May 25, 2023

Today’s Song: Guest Singer’s “Puppy” Explores Altruism Vs. Cynicism in a Soul-Stirring Synth-Soaked Upheaval

by Mitch Mosk
Softlung © Nicole Romanoff
Debut, Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Feature: S.J. Kardash Is Reborn in Softlung’s Raw, Honest, & Moody Debut Album ‘Second Chances’

by Mitch Mosk
Agust D © Freya Rinaldi
Concerts, Music, ReviewsMay 24, 2023<May 24, 2023

Live Review: Suga of BTS Takes Over the Kia Forum for 3 Unforgettable Sold-Out Nights in Los Angeles!

by Freya Rinaldi
Social Cinema © Justin Labadie
Features, Interviews, Music, Track-by-TrackMay 24, 2023<May 24, 2023

Track-by-Track: Social Cinema’s ‘Get Along’ EP Is a Chill, Easy, & Fun Alt-Rock Reverie

by Mitch Mosk
John Roberts © 2023
Interviews, MusicMay 24, 2023<May 24, 2023

Interview: Queer Synth Meets ’80s Electropop in John Roberts’ “DANGER”

by Julius Robinson
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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