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Emory Duncan © Breigha Marguerite Duncan
Music, PremieresMarch 3, 2026<March 3, 2026

“Your Light Leaking In Pulled the Teeth Out My Fight”: Emory Duncan Follows the Warm Light of Love Toward Home on “Halifax,” a Smoldering Folk Reverie

by Mitch Mosk
Dash Hammerstein © 2026
Interviews, MusicMarch 3, 2026<March 3, 2026

“Schrodinger’s Hammer”: Dash Hammerstein Offers a Gripping Exploration of Hesitation and Heart in “The Hammer”

by Chloe Robinson
Claire Rosinkranz "Chronic" © Sabra Binder
Columns, Music, Today's SongMarch 3, 2026<March 3, 2026

“Easy, Twisted, Comfortable”: Claire Rosinkranz Turns Chronic Illness into a Beautifully Raw Reckoning on “Chronic”

by Mitch Mosk
The Night Green Side of It - R.A.P. Ferreira & Kenny Segal
Music, ReviewsMarch 2, 2026<March 2, 2026

‘The Night Green Side of It’: R.A.P. Ferreira and Kenny Segal Strike Gold Once Again on Another High-Concept Hip-Hop Collaboration

by Adam Davidson
Ritt Momney 'BASE' © Sam Angeletti
Interviews, MusicMarch 2, 2026<March 2, 2026

“I’ve Gotten Kind of Spiritual About Music”: How Ritt Momney Found His Musical Center on ‘BASE’

by Aileen Goos
Reaper | image © Vyacheslav Bobin, Pexels
EssaysMarch 2, 2026<March 2, 2026

Reaper: A Short Story

by Jack Batt
Robert Lester Folsom © Maren McGuire
Columns, Music, Today's SongMarch 2, 2026<March 2, 2026

Today’s Song: Take a Trip Down Memory Lane with Robert Lester Folsom’s “I Don’t Know”

by Lauren Hicks
Bea Elmy Martin "Anouk" © Harry Hibbert
Interviews, Music, Today's SongMarch 1, 2026<March 1, 2026

The Sacred Space Between Friends: Bea Elmy Martin Opens Up About Friendship in “Anouk”

by Joe Beer
Endearments © Rita Iovine
Interviews, Music, Today's SongFebruary 27, 2026<February 27, 2026

“You’re in Love, But You’re Not Happy”: Endearments Soundtrack Romantic Disillusionment in Shimmering Detail on “Real Deal” & Debut LP ‘An Always Open Door’

by Mitch Mosk
S C A P E G.O.A.T. - Ria Rua
Debut, Interviews, MusicFebruary 26, 2026<February 26, 2026

“When Lies Are Popular, Telling the Truth Is a Revolutionary Act”: Ria Rua Channels Anger into Industrial Alt-Rock with Debut ‘S C A P E G.O.A.T.’

by Aileen Goos
Bad Tiger's Yasi Lowy © 2026
Interviews, Music, Today's SongFebruary 26, 2026<February 26, 2026

“A Brief Break in the Clouds”: Bad Tiger Finds Grace in Grief on “Do It Right,” a Clear-Eyed Folk Mantra

by Mitch Mosk
SAVNT of Ghost Hounds © 2026
Essays, MusicFebruary 26, 2026<February 26, 2026

“100 Years of Black History, A Lifetime of Musical Influence”: An Essay in Honor of Black History Month by SAVNT of Ghost Hounds

by Guest Writer
The Runarounds © Isaiah Pate
Columns, Music, Today's SongFebruary 20, 2026<February 19, 2026

The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential

by Andrew Lamson
Atwood Magazine's 148th Editor's Picks!
Columns, Editor's Picks, Features, MusicFebruary 19, 2026<February 19, 2026

Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing!

by Mitch Mosk
Drexler © Toby Shain
Music, PremieresFebruary 19, 2026<February 19, 2026

Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning

by Rachel Leong
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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