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Van Scott "Turn Off the Tears" © Elaine Tantra
Columns, Music, Today's SongDecember 5, 2025<December 5, 2025

Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit

by Chloe Robinson
Lucia Rivero "Nowhere" music video still
Music, Music Videos, PremieresDecember 4, 2025<December 4, 2025

“I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere”

by Kareem Ghezawi
Dijon 'Baby' album art © Kristina Loggia 10
Music, ReviewsDecember 4, 2025<December 4, 2025

“What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity”

by Mitch Mosk
Amanda Bergman © Julia Mård
Artist to Watch, Features, Interviews, MusicDecember 4, 2025<January 29, 2026

“Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone

by Mitch Mosk
Katelyn Tarver © Phil Chester & Sara Byrne
Features, Interviews, MusicDecember 4, 2025<December 4, 2025

“There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing

by Kelly McCafferty Dorogy
Of Monsters and Men 'All is Love and Pain in the Mouse Parade' © Eva Schram
Features, Interviews, MusicDecember 3, 2025<March 3, 2026

“We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’

by Mitch Mosk
Marem Ladson © Nuria Rius
Artist to Watch, Interviews, MusicDecember 3, 2025<December 3, 2025

“I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie

by Mitch Mosk
Gabriel Jacoby 'gutta child' © Josh Flores
Debut, Features, Interviews, Music, Track-by-TrackDecember 3, 2025<December 18, 2025

“I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’

by Mitch Mosk
Dove Ellis © Xander Lewis
Artist to Watch, Columns, Music, Today's SongDecember 3, 2025<December 3, 2025

“Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling

by Mitch Mosk
Plain Mister Smith © Sandra Lockwood
MusicDecember 2, 2025<December 2, 2025

“So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol”

by Mitch Mosk
Louie Blue 'Blood & Bones' © Julian Riikonen
Features, Interviews, MusicDecember 2, 2025<December 2, 2025

“Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’

by Mitch Mosk
The Urban Renewal Project © 2025
Features, Interviews, MusicDecember 2, 2025<December 2, 2025

Interview with the Urban Renewal Project: An LA-Based Big Band Blending Jazz, Hip-Hop, Commentary, & More

by Josh Weiner
Aversion to Normalcy - The Quarantined
Interviews, Music, Track-by-TrackDecember 2, 2025<December 2, 2025

Track-by-Track: The Quarantined Confront Trauma & Survival on ‘Aversion to Normalcy’

by Joe Beer
Mon Rovîa © Zayne Isom
Artist to Watch, Interviews, Music, Today's SongDecember 2, 2025<December 2, 2025

“No, They’re Never Gonna Keep Us All Down”: Mon Rovîa Finds His Voice, His Power, & His Bloodline on “Heavy Foot,” a Protest Anthem for a Fractured, Waking World

by Mitch Mosk
Chrissy © Yana Yatsuk
Artist to Watch, Interviews, MusicDecember 1, 2025<December 2, 2025

“It’s Just a Little Bit Sore”: Chrissy Blooms with Tender Strength on Her Achingly Intimate & Liberating ‘Slight Turn’ EP

by Mitch Mosk
Posts pagination
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Brand New

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through

:: discover something new ::

Recent Posts

  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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