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Atwood Magazine's Weekly Roundup | August 22, 2025
Columns, Features, Music, Weekly RoundupAugust 22, 2025<August 25, 2025

Atwood Magazine’s Weekly Roundup: August 22, 2025

by Mitch Mosk
Lana Del Rey "Henry, come on" © courtesy of the artist
Columns, Music, Today's SongAugust 22, 2025<August 22, 2025

Today’s Song: Lana Del Rey Rides West with Her Evocative Tale, “Henry, come on”

by Bárbara Martínez Campuzano
Louie Blue "In The Dark" © Julian Riikonen
Artist to Watch, Interviews, Music, PremieresAugust 21, 2025<August 22, 2025

“I Wanted to Make Music That Sounds Like Music Again”: Louie Blue Shines a Light “In the Dark” With a Bold Sound and Breathtaking DIY Style

by Mitch Mosk
Midnight Generation © Josh Withers
Artist to Watch, Interviews, MusicAugust 21, 2025<August 21, 2025

Interview: Midnight Generation Is Funk’s Best-Kept Secret

by Nasim Elyasi
Theo Kandel © Kate Stephenson
Editorials, MusicAugust 21, 2025<August 21, 2025

“For Oliver, My Friend”: An Essay by Theo Kandel

by Guest Writer
BIG SPECIAL © Isaac Watson
Columns, Music, Today's SongAugust 21, 2025<August 21, 2025

Funky, Binding, & Pissed Off: “GOD SAVE THE PONY.” Finds BIG SPECIAL Turning Anger into Beauty

by Andrew Lamson
Nick Carter © Patrick Dwyer
Features, Interviews, MusicAugust 20, 2025<August 20, 2025

Interview: Nick Carter of the Backstreet Boys Relaunches Solo Career in Emotionally Charged Style with ‘LOVE LIFE TRAGEDY’

by Josh Weiner
Indy Yelich © Elinor Kry
Features, Interviews, MusicAugust 20, 2025<August 20, 2025

“You owe it to your creativity to dive into that pain”: Indy Yelich Makes the Personal Less Private with ‘Fame Is a Bedroom’ EP

by Desire' Jackson-Crosby
Billianne © Nadia Doss
Artist to Watch, Debut, Features, Interviews, MusicAugust 20, 2025<August 21, 2025

“I’m just being myself”: Ontario’s Billianne Takes Flight on ‘Modes of Transportation,’ a Record of Growth, Family, & New Directions

by Aileen Goos
Sydney Rose © Kate Stephenson
Columns, Music, Today's SongAugust 20, 2025<August 20, 2025

Sydney Rose Captures the Quiet Ache of Friendship Heartbreak in “We Hug Now”

by Nicolle Knapová
Atwood Magazine's 131st Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 19, 2025<August 19, 2025

Editor’s Picks 131: The Tullamarines, Ellur, Nadia Kadek, Couch, runo plum, & Still Blank!

by Mitch Mosk
The Prickly Pair © Libby Danforth
Music, PremieresAugust 19, 2025<August 19, 2025

Premiere: The Prickly Pair Embrace Love’s Gamble on “Winsome Lose Some Game,” a Tender & Timeless Country Duet

by Mitch Mosk
Wisp © Elinor Kry
Debut, Features, Interviews, MusicAugust 19, 2025<August 19, 2025

“Bringing My Fantasies into Reality”: Wisp Is Betting on Herself with Debut Album ‘If Not Winter’

by Isabella Le
Kaleah Lee © Halle Jean March
Interviews, MusicAugust 19, 2025<August 27, 2025

“A Line I Shouldn’t Cross”: Kaleah Lee Talks “Fever,” Dreams, and the Beauty of the Unsettling

by Nicolle Knapová
Tame Impala's Kevin Parker © Julian Klincewicz
Columns, Music, Today's SongAugust 19, 2025<October 4, 2025

Today’s Song: Tame Impala Paints an “End of Summer” Soundscape Sundrenched In Color, Rhythm, & Nostalgia

by Ashley Littlefield
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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