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Chrissy © Yana Yatsuk
Artist to Watch, Interviews, MusicDecember 1, 2025<December 2, 2025

“It’s Just a Little Bit Sore”: Chrissy Blooms with Tender Strength on Her Achingly Intimate & Liberating ‘Slight Turn’ EP

by Mitch Mosk
Joelton Mayfield © Hunt Pennington
Debut, Features, Interviews, MusicDecember 1, 2025<December 2, 2025

Interview: Joelton Mayfield Opens Up About ‘Crowd Pleaser,’ a Testament to True Friendship & One Hell of a Genesis to Grief

by Nicolle Knapová
Mandy, Indiana © Charles Gall
Columns, Music, Today's SongDecember 1, 2025<December 1, 2025

“Tu peux courir”: Mandy, Indiana Run to Healing with the Electrifying “Magazine”

by Ashley Littlefield
Atwood Magazine's 138th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 26, 2025<November 26, 2025

Editor’s Picks 138: néomí, Dove Ellis, St. Panther, JERUB, Chrissy, & JOSEPH!

by Mitch Mosk
Twenty One Pilots © Fabien Kruszelnicki
Columns, Music, Today's SongNovember 26, 2025<November 26, 2025

From ‘Vessel’ to ‘Breach’: The Ten-Year Journey That Led Twenty One Pilots to Their First #1 Alternative Album

by Danielle Holian
Just Penelope © 2025
Artist to Watch, Debut, Interviews, MusicNovember 25, 2025<November 25, 2025

“Sometimes Chaos Has a Certain Swagger”: Bloomington’s Just Penelope Debut with “June, July” and a Sweaty, Searing, Unapologetic Indie Rock Sound

by Mitch Mosk
Taylor Swift ‘The Life of a Showgirl’ © Mert Alas & Marcus Piggott
Essays, MusicNovember 25, 2025<November 25, 2025

“The Sister I Never Had – Taylor Swift and Me”: An Essay by Danielle Holian

by Danielle Holian
They’re basking in the ‘Afterglow’: Midnight Til Morning © courtesy of the artist
Debut, Features, Interviews, MusicNovember 25, 2025<November 25, 2025

“We couldn’t imagine doing this alone”: Midnight Til Morning’s ‘Afterglow’ Is a Testament to Brotherhood, Trust, & the Bonds That Built the Band

by Miranda Urbanczyk
The Paper Kites © Tim Harris
Interviews, Music, Today's SongNovember 25, 2025<November 25, 2025

“I’m Gonna Try Some Good Living”: The Paper Kites Find Soft Hope and Homecoming on “When the Lavender Blooms,” a Warm Exhale of Light, Gratitude, & Grace

by Mitch Mosk
Henry Grace © Jess Bibby
Artist to Watch, Interviews, MusicNovember 24, 2025<November 24, 2025

Artist to Watch: Henry Grace Emerges with “Say Something Mean,” a Soul-Stirring Song of Humanity, Heat, & Hard-Won Clarity

by Mitch Mosk
mei ehara 'All About McGuffin' © Naoki Usuda
Features, Interviews, MusicNovember 24, 2025<November 24, 2025

“Being Able to Do What You Love Is Happiness”: Mei Ehara Takes a Creative Leap with ‘All About McGuffin’

by Aileen Goos
Truth, Justice and A Better Tomorrow: Tyler Hoechlin, Christopher Reeve, and newcomer David Corenswet as Superman © Aidan Moyer
Film, Music, ReviewsNovember 24, 2025<November 24, 2025

You Can Hear It, Too, If You’re Sincere: Soundtracking Superman

by Aidan Moyer
New Order’s Trifecta – ‘Power, Corruption & Lies,’ ‘Low-Life,’ & ‘Brotherhood’
Columns, Music, Music & CitiesNovember 24, 2025<November 24, 2025

Music & Cities: New Order’s Trifecta – ‘Power, Corruption & Lies,’ ‘Low-Life,’ & ‘Brotherhood’ in New York City

by David Buyze
Kevin Jonas "Changing" © 2025
Columns, Music, Today's SongNovember 24, 2025<November 24, 2025

Kevin Jonas’ “Changing” Is the Quiet Evolution Fans Always Knew He Had

by Danielle Holian
Perren © Hailey Jansson
Interviews, Music, Today's SongNovember 22, 2025<November 22, 2025

“It’s Music About Music”: Perren on “The Spot,” the Flow, & the Joy of Creating Without Expectation

by Mitch Mosk
Posts pagination
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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