Features, Music, Today's SongJanuary 30, 2026<January 29, 2026 “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History by Atwood Magazine Staff
Interviews, MusicJanuary 29, 2026<March 9, 2026 Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens by Damien Joyce
Debut, Music, PremieresJanuary 29, 2026<January 29, 2026 “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” by Mitch Mosk
Interviews, Music, Today's SongJanuary 29, 2026<January 29, 2026 “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJanuary 28, 2026<January 28, 2026 “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ by Mitch Mosk
Features, Interviews, MusicJanuary 28, 2026<January 28, 2026 “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album by Mitch Mosk
Artist to Watch, Debut, Interviews, Music, Today's SongJanuary 28, 2026<January 28, 2026 “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too by Mitch Mosk
Features, Interviews, MusicJanuary 27, 2026<February 11, 2026 “Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It by Mitch Mosk
Columns, Music, Today's SongJanuary 27, 2026<January 27, 2026 “Am I faking or just mistaken?”: Cormac Trusts His Gut and Finds His Sound on “Defenceless” by Joe Beer
Interviews, MusicJanuary 26, 2026<January 26, 2026 From School Corridors to Iconic Venues: Arkayla’s Takeover of Manchester’s Music Scene by Aileen Goos
Artist to Watch, Interviews, Music, Today's SongJanuary 26, 2026<January 26, 2026 “The Right Touch of Vintage”: Brooklyn’s FORAGER Skewer Curated Cool & Empty Aesthetics on “Pomeranian,” a Shape-Shifting Indie Rock Fever Dream by Mitch Mosk
Columns, Music, Today's SongJanuary 24, 2026<January 24, 2026 Self Proclaimed Narcissist’s “New Man” Shines Through the Mystery by Danielle Holian
Features, Interviews, Music, Track-by-TrackJanuary 23, 2026<January 23, 2026 “Things Are Moving All Around Me”: Henry Grace Lets the Songs Breathe on His Warm & Weathered Sophomore Album by Mitch Mosk
Columns, Features, Music, Weekly RoundupJanuary 23, 2026<January 23, 2026 Atwood Magazine’s Weekly Roundup: January 23, 2026 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
