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Marissa Nadler © Ebru Yildiz
Features, Interviews, Music, Track-by-TrackAugust 18, 2025<August 18, 2025

Track-by-Track: Marissa Nadler Finds Power in Restraint on ‘New Radiations’

by Aileen Goos
BIZZY © Anna Azarov
Columns, Interviews, Music, Today's SongAugust 18, 2025<August 18, 2025

BIZZY Soundtracks the Thrill of New Love in “I Really Like This Part”

by Aileen Goos
Joey Valence & Brae © Luca Venter
Features, Interviews, MusicAugust 15, 2025<August 15, 2025

Interview: Joey Valence & Brae Dance Through the Fear of Growing Up With Third Album ‘HYPERYOUTH’

by Kaiana Lee
Erin Durant © Maximilla Lukacs
Features, Interviews, MusicAugust 15, 2025<August 15, 2025

Interview: Erin Durant on the Magic Behind the Making of Her Third LP, ‘Firetrail’

by Noa Jamir
Ha Vay © Emily Oreste
Columns, Interviews, Music, Today's SongAugust 15, 2025<August 15, 2025

“When It’s Working Well, It’s Out of Body”: Rising Folk Pop Artist Ha Vay on Authentic Artistry, Music-Making, & Leaving Audiences “Spellbound”

by Marc Maleri
Royel Otis © Zora Sicher
Features, Interviews, MusicAugust 14, 2025<August 14, 2025

“Mostly Love & Burgers”: Royel Otis Dish on Heartbreak, Touring, & Their Sophomore Album ‘hickey’

by Miranda Urbanczyk
Orla Gartland © Shervin Lainez
Features, Interviews, MusicAugust 14, 2025<August 14, 2025

Hot Dogs and High Kicks: An Interview with Orla Gartland at Outside Lands ’25

by Nasim Elyasi
2025’s Outside Lands brought approximately 75,000 people per day, generating over $70 million for the San Francisco economy. © Alive Coverage
Festival, Music, ReviewsAugust 14, 2025<August 14, 2025

Outside Lands 2025 Boasts Thrilling Night Shows & Rising Costs

by Ankita Bhanot
ROREY © Ebru Yildiz
Music, Music Videos, PremieresAugust 14, 2025<August 14, 2025

“I Feel Too Much”: ROREY’s Cathartic & Dreamy “Wish I Was Numb” Is the Euphoric Soundtrack to Our Existential Crisis

by Mitch Mosk
Shabason, Krgovich, Tenniscoats © Rieko Seizo
Columns, Music, Today's SongAugust 14, 2025<August 18, 2025

Shabason, Krgovich, Tenniscoats: An Unlikely Spontaneous Collective Evoke Crisp Spring Days on “Our Detour”

by Adam Davidson
Atwood Magazine's Weekly Roundup | August 13, 2025
Columns, Features, Music, Weekly RoundupAugust 13, 2025<August 13, 2025

Atwood Magazine’s Weekly Roundup: August 13, 2025

by Atwood Magazine Staff
Rosy Nolan © Jack Hackett
Music, PremieresAugust 13, 2025<August 13, 2025

Premiere: Rosy Nolan Stands Her Ground in “Rising Up,” a Gothic Country Tempest of Resistance & Resilience

by Mitch Mosk
Ruby Sparks © Camille Smura & Matt Blake
Music, Music Videos, PremieresAugust 13, 2025<August 13, 2025

Premiere: Ruby Sparks Embraces Peace and Love in “Pleasure,” a Jangle-Pop Song of Warmth, Vulnerability & Hard-Won Joy

by Mitch Mosk
Gina Zo © Hunter Carrico
Artist to Watch, Debut, Interviews, MusicAugust 13, 2025<August 13, 2025

“Messy, Beautiful, & Perfectly Imperfect”: Artist-to-Watch Gina Zo Crafts Empowering Crafts Empowering Songs You Can Dance To, Cry To, and Laugh To

by Mitch Mosk
Magnus Ferrell © Thomas Falcone
Features, Interviews, MusicAugust 13, 2025<August 13, 2025

Interview: Magnus Ferrell Is Fun, Young, and Unafraid of His Shadows

by Mariam Bagdady
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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