Columns, Music, Today's SongJanuary 24, 2023<January 24, 2023 Today’s Song: Fireworks Cope with Faith on “I Want to Start a Religion with You” by James Crowley
Debut, Features, Interviews, Music, Track-by-TrackJanuary 24, 2023<January 24, 2023 “Even pain can feel good.”: Asbury Park’s Dana Why Erupts with Unapologetic Intensity on Debut Album ‘The Lyre’ by Mitch Mosk
Features, Interviews, MusicJanuary 23, 2023<January 23, 2023 Interview: With ‘TIME STOPPED’, The Coronas Created a Beacon of Hope by Mitch Mosk
Interviews, MusicJanuary 23, 2023<January 23, 2023 Interview: British Rapper Barny Fletcher Wraps Up Inaugural Mixtape Trilogy with ‘JETPACK’ by Josh Weiner
Columns, Music, Today's SongJanuary 23, 2023<January 23, 2023 Today’s Song: Winkler’s “Call it Good Times” Makes the Best of Life’s Ups & Downs by Sophie Severs
Columns, Debut, Music, Today's SongJanuary 20, 2023<January 20, 2023 Today’s Song: Sunday Lendis Builds a Beautiful & Wondrous Cathartic Cacophony “With Ease” by Mitch Mosk
Columns, Features, Music, Weekly RoundupJanuary 20, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: January 20, 2023 by Atwood Magazine Staff
Features, Interviews, MusicJanuary 20, 2023<January 20, 2023 Interview: Lukas Graham Talks ‘The Pink Album,’ the Weight of Retrospection, & the Anticipation of Tomorrow by Nick Polak
Debut, Features, Interviews, MusicJanuary 19, 2023<January 23, 2023 Interview: Lowertown Share Their Raw, Unfiltered Truths in Debut Album ‘I Love to Lie’ by Minna Abdel-Gawad
Debut, Music, Premieres, Today's Song, Track-by-TrackJanuary 19, 2023<January 19, 2023 Album Premiere: Boston’s Chris Walton Spills His Heart on Soul-Stirring Debut ‘Ruminating Thoughts’ by Mitch Mosk
Music, PremieresJanuary 19, 2023<January 19, 2023 Premiere: Lisbon’s April Marmara Evokes Love’s Magic & Mystery in “Who Knows Where the Love Goes” by Mitch Mosk
Music, PremieresJanuary 19, 2023<January 19, 2023 Premiere: Honeyyycrush’s Haunting & Fragile Alt-Folk Surrender, “I Want It to Be Light So They Can See We Disappeared” by Mitch Mosk
Columns, Editor's Picks, Features, MusicJanuary 19, 2023<March 11, 2023 Editor’s Picks 84: Vagabon, Quiet Houses, Somebody’s Child, Royel Otis, Florence Arman, & Matt Corby! by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 18, 2023<March 11, 2023 Empowerment, Liberation, & Self-Acceptance: How Charli Adams Hit the ‘Bullseye’ While Learning to Live Unapologetically by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackJanuary 18, 2023<January 18, 2023 “Warm, Hope, & Wonder”: Hazlett Soars to Stirring Heights on ‘Bloom Mountain,’ a Beautifully Intimate Debut by Mitch Mosk
For the Love of Music
For the Love of Music
