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Hilary Duff "Mature" © Lauren Dunn
Columns, Music, Today's SongNovember 19, 2025<November 19, 2025

Today’s Song: Hilary Duff Got Older & Wiser – and Wrote About It in “Mature”

by Danielle Holian
Good Kid © Evie Maynes
Columns, Interviews, Music, Today's SongNovember 17, 2025<November 19, 2025

Interview: Good Kid on Vulnerability, Community, & Independence on “Wall”

by Rachel Leong
Atwood Magazine's 137th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 14, 2025<November 14, 2025

Editor’s Picks 137: Amanda Bergman, The Paper Kites, Mon Rovîa, Jade Street, Dollpile, & Elliott Skinner!

by Mitch Mosk
Black Country, New Road © Eddie Whelan
Features, Interviews, MusicNovember 14, 2025<November 14, 2025

“Forever Howlong”: Black Country, New Road on Connection, Community, & Building a Shared Universe Together

by Mitch Mosk
Izzy Escobar © Michael Greco
Interviews, MusicNovember 14, 2025<November 14, 2025

“I’m Just Writing What Feels Real”: Izzy Escobar Shines With Honest, Heartfelt Pop on ‘Sunny in London’ EP

by Michael Greco
Evan Honer 'Everything I Wanted' © Harrison Hargrave
Features, Interviews, MusicNovember 14, 2025<December 14, 2025

“Electric, Chronological, & Real”: Evan Honer Reflects on ‘Everything I Wanted’ and Finding Joy on the Open Road

by Ashley Littlefield
Buick Audra © Anna Haas
Essays, MusicNovember 14, 2025<November 14, 2025

“It’s Not Mine I Carry Around”: An Essay by Buick Audra of Friendship Commanders

by Guest Writer
Ber "Good, Real" © Tom Thornton
Interviews, Music, Today's SongNovember 14, 2025<November 14, 2025

“It’s a Gold Rush”: Ber Falls Hard & Fast on “Good, Real,” Her Shiny, Sun-Soaked Love Song

by Mitch Mosk
Vie - Doja Cat
Features, Music, Reviews, RoundtableNovember 13, 2025<November 13, 2025

Roundtable Discussion: A Review of Doja Cat’s ‘Vie’

by Atwood Magazine Staff
Tomás Tomás © Jess Farran
Interviews, Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“The Sweetest of Sounds”: Tomás Tomás’ “Brought It Down” Is a Smoky, Soul-Stirring Reverie of Memory, Longing, & Midnight Drift

by Mitch Mosk
Sophia Hansen-Knarhoi © Milda Ambrozaite
Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“A Moment of Rage”: Sophia Hansen-Knarhoi Unleashes a Haunting, Bruised & Beautiful Storm in “All the things that aren’t you”

by Mitch Mosk
JULESY © Charlie Hyman
Interviews, Music, Music Videos, PremieresNovember 13, 2025<November 13, 2025

“I Know You Know Me Now”: Brooklyn’s JULESY Ignites Youthful Chaos & Emotional Reckoning in “Blue Lie,” a Dreamy, Cinematic Standout Off Debut ‘Flip the Bed’

by Mitch Mosk
ANT ENOCH "9INE to 5IVE" © Shari Annabell
Interviews, Music, Today's SongNovember 13, 2025<November 12, 2025

“The Space Between the Club and the Confessional”: ANT ENOCH Reckons with Self-Worth & Freedom on “9INE to 5IVE,” a Cinematic Fever Dream

by Mitch Mosk
Kita Alexander © Rob Tennent
Interviews, MusicNovember 12, 2025<November 12, 2025

“It’s Messy, It’s Fun, & It’s Alive”: Kita Alexander Channels Late-Night Euphoria in “I Don’t Wanna Go Home,” a Carefree, Feel-Good Pop Anthem

by Mitch Mosk
Atwood Magazine's Weekly Roundup | November 12, 2025
Columns, Features, Music, Weekly RoundupNovember 12, 2025<November 12, 2025

Atwood Magazine’s Weekly Roundup: November 12, 2025

by Atwood Magazine Staff
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Brand New

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem

:: discover something new ::

Recent Posts

  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
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