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The Format © Carlo Cavaluzzi
Columns, Music, Today's SongJanuary 23, 2026<January 22, 2026

“Letting Go of Nothing”: The Format Give Us Something to Believe in on “Boycott Heaven,” an Indie Rock Anthem for a Broken Present

by Mitch Mosk
Atwood Magazine's 144th Editor's Picks!
Columns, Editor's Picks, Features, MusicJanuary 22, 2026<January 22, 2026

Editor’s Picks 144: The Format, Elijah Wolf, mer marcum & Jia*, Samm Henshaw, Katie Tupper, & Yumi Zouma!

by Mitch Mosk
Blessing Jolie "20teens" © Ro.Lexx
Artist to Watch, Interviews, Music, Music Videos, Today's SongJanuary 22, 2026<January 22, 2026

“I Won’t Have 20teens in My Bed”: Blessing Jolie Chooses Herself and Draws Hard Lines on Breakout Hit “20teens”

by Mitch Mosk
Jasmine Power "Leap" © Chancellor Warhol
Music, Music Videos, PremieresJanuary 22, 2026<January 22, 2026

“I’ll Make It Loud So You Can Hear”: Jasmine Power Takes a Bold, Radiant “Leap” of Faith on Her Invigorating New Single

by Mitch Mosk
Morenike © Pauline Bajzak
Interviews, Music, PremieresJanuary 22, 2026<January 23, 2026

“Mysterious and Wild”: Morenike Slips into the Night on Her Seductive Second Single, a Spellbinding Descent into Desire, Illusion, & Becoming

by Mitch Mosk
Praise. © Alex Figs
Features, Interviews, Music, Track-by-TrackJanuary 21, 2026<January 21, 2026

“That’s the Whole Point of This Shit Anyway”: praise. Takes Inventory, Tells the Truth, & Lets Life Matter Again on ‘LOST,’

by Mitch Mosk
Mon Rovîa 'Bloodline' © Carter Howe
Debut, Features, Music, ReviewsJanuary 21, 2026<January 23, 2026

“Lay Down My Arms to Bare My Soul”: Mon Rovîa’s ‘Bloodline’ Is a Deeply Human Companion for a World in Need of Love

by Mitch Mosk
Searows ‘Death in the Business of Whaling’ © Marlowe Osteara
Features, Interviews, MusicJanuary 21, 2026<January 26, 2026

Into Eternity: Searows Talks Abstraction and Artistic Growth on ‘Death in the Business of Whaling’

by Nasim Elyasi
Sydney Ross Mitchell © Cole Silberman
Columns, Music, Today's SongJanuary 21, 2026<January 21, 2026

“Maybe you’re always seventeen in your hometown”: Sydney Ross Mitchell’s “Queen of Homecoming” Captures the Bittersweet Ache of Belonging

by Nicolle Knapová
Social Order © 2026
Features, Interviews, MusicJanuary 20, 2026<January 26, 2026

Social Order Are Pushing Darkwave Post-Punk Forward Without Apology

by Mitch Mosk
Daphne Gale © 2026
Music, ReviewsJanuary 20, 2026<January 20, 2026

“Call it masochism, call it cleanliness”: Daphne Gale Opens a Window with ‘Quietude’

by Hannah Burns
Adam Goldberg © Daniel Gilbert
Music, Music Videos, PremieresJanuary 20, 2026<January 20, 2026

“You Came to My Town”: Adam Goldberg Captures Culture Clash, Division, & American Unease on The Goldberg Sisters’ “The Great Resignation”

by Mitch Mosk
Fake Dad © Morganne Boulden
Interviews, Music, Today's SongJanuary 20, 2026<January 20, 2026

“Teenage me would be like, ‘This is sick!’”: Fake Dad Embrace the Weird on “Science Fiction” and a Breakout Year

by Aileen Goos
Hilary Duff "Roommates" © Aaron Idelson
Columns, Music, Today's SongJanuary 19, 2026<January 18, 2026

Hilary Duff Isn’t Your “Roommate” – She’s Your Wake-Up Call

by Danielle Holian
Sly Jr.'s Landon Jacobs
Columns, Music, Today's SongJanuary 18, 2026<January 18, 2026

“This life’s a precious coffin”: Sly Jr. Embraces Love & Tenderness at the End of the World on “put down your weapons”

by Mitch Mosk
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Brand New

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia”
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026

:: discover something new ::

Recent Posts

  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
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