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Gold Panda © Laura Lewis
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Gold Panda’s ‘The Work’ Is a Glistening, Nervy Place Where Joy & Sadness Collide

by Kevin Krein
The Mars Volta © Fat Bob
Music, ReviewsNovember 21, 2022<November 21, 2022

Review: Revitalised with a Fresh Start, The Mars Volta Clean the Slate with First Album in a Decade

by Adam Davidson
Crumbs - Rebecca Black
Columns, Music, Today's SongNovember 21, 2022<November 21, 2022

Today’s Song: Rebecca Black Fiercely Enters the Future with “Crumbs”

by Frankie Rose
Connie Constance © Phoebe Fox
Features, Interviews, Music, Track-by-TrackNovember 18, 2022<March 11, 2023

“The power in you, it won’t go unnoticed”: Connie Constance Dives Inside Her Empowering, Cathartic & Catchy Sophomore LP, ‘Miss Power’

by Mitch Mosk
NEFFY © 2022
Features, Interviews, MusicNovember 18, 2022<November 18, 2022

Interview: With Head Held High, Neffy Confidently Loses Her Nerve

by Sophie Severs
Atwood Magazine's Weekly Roundup | November 18, 2022
Columns, Features, Music, Weekly RoundupNovember 18, 2022<November 18, 2022

Atwood Magazine’s Weekly Roundup: November 18, 2022

by Atwood Magazine Staff
Francesca Blanchard © 2022
Columns, Music, Music Videos, Today's SongNovember 18, 2022<November 18, 2022

Today’s Song: Francesca Blanchard’s “Je sais plus quoi te dire” Is a Caricatural, Playful Take on Rejection

by Frankie Rose
Taryn Faye Randall © Jen Trahan
Music, PremieresNovember 17, 2022<November 18, 2022

Premiere: Taryn Faye Randall’s Beautiful Song “Stride for Stride” Aches with the Strain of Love Out of Sync

by Mitch Mosk
Fontaines DC © Filmawi
Features, Interviews, MusicNovember 17, 2022<November 17, 2022

Interview: Fontaines D.C.’s ‘Skinty Fia’ Is a Tremendously Needed Album, and Here’s Why

by Dimitra Gurduiala
Last Dinosaurs © GAKU
Features, Interviews, Music, Track-by-TrackNovember 17, 2022<November 17, 2022

From Mexico with Love: Last Dinosaurs’ 4th Album Is a Post-Lockdown Era Celebration of Life

by Mitch Mosk
Natural Brown Prom Queen - Sudan Archives 9.4
Music, Our Take, ReviewsNovember 16, 2022<November 16, 2022

Our Take: Sudan Archives’ ‘Natural Brown Prom Queen’ Never Fails to Surprise

by Sam Franzini
Christian Leave © Zamar Velez
Features, Interviews, MusicNovember 15, 2022<November 15, 2022

Making Space for Gratitude: How Christian Leave Navigates Life, Remaining a ‘Superstar’ All the While

by Sophie Severs
TJ Stafford © Rowan Daly
Columns, Music, Today's SongNovember 15, 2022<November 15, 2022

Today’s Song: Singer/Songwriter TJ Stafford Displays a Sensitive Side in “The World’s Gonna Love Me”

by Chloe Robinson
Julie Aubé © JD Cool
Features, Interviews, MusicNovember 11, 2022<November 8, 2022

Interview: ’60s Nostalgia, Preservation, & Projecting Identity with Julie Aubé

by Frankie Rose
John Oates © Sean Hagwell
Features, Interviews, MusicNovember 11, 2022<November 6, 2022

Pushin’ That Rock: A Casual Conversation with John Oates

by Ben Niesen
Posts pagination
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Brand New

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness

:: discover something new ::

Recent Posts

  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
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