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Motel Radio © Michael Tucker
Features, Interviews, MusicAugust 31, 2022<August 31, 2022

Feature: Coming Full Circle with Motel Radio

by Guest Writer
MisterWives © Matty Vogel
Columns, Music, Today's SongAugust 31, 2022<August 31, 2022

Today’s Song: Reveling in MisterWives’ Cathartic and Catchy “Wrongside”

by Kelly McCafferty Dorogy
Nataly Dawn © 2022
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 31, 2022

“Pretty Damn Hopeful”: Pomplamoose’s Nataly Dawn Soars & Stirs on Beautifully Intimate ‘Gardenview’

by Mitch Mosk
2030 Revolution - Dylan Fraser © Ho Hai Tran
Features, Interviews, Music, Track-by-TrackAugust 30, 2022<August 30, 2022

“Swirly, Distorted, Ambience”: Basking in the Throes of Dylan Fraser’s Urgent & Unapologetic ‘2030 Revolution’

by Mitch Mosk
Christie Huff © Hazel Choo
Music, ReviewsAugust 30, 2022<August 30, 2022

Review: Christie Huff Peels Back Every Layer of Emotion in ‘Favorites Collection’

by Chloe Robinson
Freakscene - The Story of Dinosaur Jr.
A Casual Ramble, Columns, MusicAugust 30, 2022<March 2, 2025

A Casual Ramble: Mumbling Through a Freak Scene

by Ben Niesen
Indigo De Souza © Charlie Boss
Columns, Music, Today's SongAugust 30, 2022<August 30, 2022

Today’s Song: Indigo De Souza Finds Her Own Balance in “Hold U”

by Nic Nichols
Juliana Madrid © Benjamin Ruttner
Debut, Features, Interviews, Music, Track-by-TrackAugust 29, 2022<August 29, 2022

“A Giant Diary Entry”: Juliana Madrid’s Personal, Hot, & Exciting Coming-of-Age Debut EP

by Mitch Mosk
Darkbird © Dustin Cohen
Music, Music Videos, PremieresAugust 29, 2022<August 29, 2022

Premiere: Self-Love & Reckoning in Darkbird’s Visceral “3-2-Wake Up”

by Mitch Mosk
Columns, Music, Today's SongAugust 29, 2022<August 29, 2022

Today’s Song: The Emotional Encapsulation of Familial Adoration in Lisabel’s New Single “Flor de Louis”

by Joe Beer
The Happy Fits © Rahil Ashruff
Features, Interviews, Music, Track-by-TrackAugust 26, 2022<September 29, 2022

Feature: Embracing the End Times with The Happy Fits’ Dynamic, Feverish & Charged Third LP ‘Under the Shade of Green’

by Mitch Mosk
Atwood Magazine's Weekly Roundup | August 26, 2022
Columns, Features, Music, Weekly RoundupAugust 26, 2022<August 26, 2022

Atwood Magazine’s Weekly Roundup: August 26, 2022

by Atwood Magazine Staff
The Howlers © Hattie Neate
Columns, Music, Today's SongAugust 26, 2022<August 26, 2022

Today’s Song: The Howlers Unapologetically Have “Nothing to Lose” in Their Soaring New Single

by Isabella Le
FUR © 2022
Features, Interviews, MusicAugust 26, 2022<August 26, 2022

(Re)setting Foundations and Coming Full Circle with FUR’s ‘Oldies & Goldies’

by Sophie Severs
Spring Summer © Mia Kirby
Debut, Features, Interviews, Music, Track-by-TrackAugust 25, 2022<August 25, 2022

“A Nostalgic Roller Coaster”: Spring Summer Shines on Glistening Debut “Midlife Crisis” Record, ‘T​.​E​.​A​.​R​.​S’

by Mitch Mosk
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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