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Roses & Revolutions © Jacalyn Meyvis
Music, PremieresSeptember 22, 2022<September 22, 2022

Premiere: Roses & Revolutions’ Quietly Stunning “Moon Song” Dwells in a Beautiful Moment of Stillness & Stasis

by Mitch Mosk
Danna Paola © 2022
Columns, Music, Today's SongSeptember 22, 2022<September 22, 2022

Today’s Song: Danna Paola’s “XT4S1S” and the Ecstatic Ingenuity of Her Global Stage

by David Buyze
Bad Thing - Miya Folick
Columns, Music, Today's SongSeptember 21, 2022<September 21, 2022

Today’s Song: Miya Folick Grows Up Again in “Bad Thing” Off New EP ‘2007’

by Nic Nichols
Blond in Car
Features, Interviews, Music, Track-by-TrackSeptember 20, 2022<September 20, 2022

A Portrait of Devastation: Blond in Car’s Bittersweet, Dreamy, & Honest ‘Different Dream’ EP

by Mitch Mosk
Jackson Mico Milas © Max Fairclough
Music, Music Videos, PremieresSeptember 20, 2022<September 20, 2022

Premiere: The Warmth, Beauty, & Tranquility of Jackson Mico Milas’ Gently Stirring “The Bay Fire”

by Mitch Mosk
Dayglow © Dana Trippe
Columns, Music, Today's SongSeptember 20, 2022<September 20, 2022

Today’s Song: Dayglow’s “Then It All Goes Away” Captures an Elusive Recipe of All the Right Feelings

by Jamie Kahn
Firefly Music Festival 2022 preview
Festival, Music, PreviewsSeptember 19, 2022<September 19, 2022

2022 Firefly Music Festival Preview: Ten Years at the Woodlands

by Michael Greco
Maria Sanchez © 2022
Columns, Essays, Music, National Hispanic Heritage MonthSeptember 19, 2022<September 27, 2022

“Ponte las Pilas”: Maria Sanchez (Groovy MS) Shares Her Essay for National Hispanic Heritage Month

by Guest Writer
Ayla D'lyla © Malina Weissman
Columns, Music, Today's SongSeptember 19, 2022<September 19, 2022

Today’s Song: Ayla D’Lyla Pens a Love Letter to the Catskills on “Anywhere But Here”

by Josh Weiner
mx lonely © 2022
Columns, Music, Today's SongSeptember 17, 2022<September 15, 2022

Today’s Song: New York Rockers Mx Lonely Blend Post-Punk & Shoegaze on “Paper Cranes” & New LP ‘Cadonia’

by Beau Hayhoe
Atwood Magazine's Editor's Picks 73
Columns, Editor's Picks, Features, MusicSeptember 16, 2022<September 29, 2022

Editor’s Picks 73: Kramies, Maude Latour, The 1975, Jessie Reid, The Backseat Lovers, & milk.!

by Mitch Mosk
Atwood Magazine's Weekly Roundup | September 16, 2022
Columns, Features, Music, Weekly RoundupSeptember 16, 2022<September 29, 2022

Atwood Magazine’s Weekly Roundup: September 16, 2022

by Atwood Magazine Staff
Weyes Blood © Neil Krug
Columns, Music, Today's SongSeptember 16, 2022<September 15, 2022

Today’s Song: Everybody Splits Apart Sometimes; Weyes Blood Puts Back the Pieces with New Single “It’s Not Just Me, It’s Everybody”

by Sophie Severs
Kelsea Ballerini © Patrick Tracy
Features, Interviews, MusicSeptember 15, 2022<March 11, 2023

“An Open Heart”: Kelsea Ballerini on Finding Herself and Her Voice on New Album, ‘SUBJECT TO CHANGE’

by Emily Frances Algar
Gordi © Jess Gleeson
Features, Interviews, Music, Track-by-TrackSeptember 15, 2022<December 11, 2022

“Escape Outwards Inwards”: Gordi Discusses Her Beautifully Raw & Innately Human ‘Inhuman’ EP

by Mitch Mosk
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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