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Rudy Lyle, The Unsung Hero of the Five-String Banjo - Max Wareham
Books, Music, ReviewsAugust 10, 2022<August 10, 2022

Review: Max Wareham’s Debut Book, “Rudy Lyle: The Unsung Hero of the Five-String Banjo”

by Guest Writer
Emei © 2022
Columns, Music, Today's SongAugust 10, 2022<August 10, 2022

The Never-Ending Pursuit of Perfection with Emei’s “That Girl”

by Sophie Severs
Nightlands (Dave Hartley) © Charlie Boss
Features, Interviews, MusicAugust 9, 2022<August 9, 2022

Interview: Dave Hartley of The War On Drugs Talks Solo Project Nightlands, Building His Own Recording Studio & The Miracle of Songwriting

by Beau Hayhoe
Dreamcastmoe © 2022
Music, ReviewsAugust 9, 2022<December 6, 2022

Dreamcastmoe Thrives in the Space Where Genre Lines Blur on ‘Sound Is Like Water – Part 1’

by Kevin Krein
Heavy Gus © Lauren Jacobson
Debut, Features, Music, Track-by-TrackAugust 5, 2022<March 2, 2025

“Hodge-Podge Desert Collage”: Heavy Gus’ Sunny, Dusky, & Dusty Debut Album ‘Notions’

by Mitch Mosk
Odesza live © Ben Niesen
A Casual Ramble, Columns, MusicAugust 4, 2022<August 4, 2022

A Casual Ramble: Meandering Towards the Last Goodbye in Seattle… Or Was It?

by Ben Niesen
FloydFest 2022, Turnpike Troubadours crowd shot © Bob Adamek
Festival, Music, ReviewsAugust 4, 2022<August 5, 2022

FloydFest 2022: Made for These Times

by Guest Writer
Launder © Cameron McCool
Debut, Features, Interviews, MusicAugust 4, 2022<August 4, 2022

Bewitching, Elaborate, and Nostalgic: Diving into ‘Happening’ with Launder

by Isabella Le
EDEN © Alex Waespi
Features, Interviews, MusicAugust 4, 2022<August 4, 2022

Balling and Bruised: The Road to EDEN’s Third Full-Length Album

by Coco Rich
Arlie's Nathaniel Banks © Gabe Drechsler
Debut, Features, Interviews, Music, Track-by-TrackAugust 3, 2022<August 4, 2022

BREAK(ING) THE CURSE: Arlie’s Dreamy, Dramatic, Dynamic & Vulnerable Debut Album

by Mitch Mosk
Madison Cunningham © Claire Marie Vogel
Features, Interviews, MusicAugust 3, 2022<September 29, 2022

“No One’s Holding You Back Now”: Madison Cunningham Surrenders to the Process, Welcoming Discomfort with Open Arms

by Sophie Severs
Harrison Whitford "Secret Garden" still © Michael Erik Nikolla
Music, Music Videos, PremieresAugust 3, 2022<August 3, 2022

Video Premiere: The Tender Turbulence of Harrison Whitford’s “Secret Garden”

by Mitch Mosk
Analog Party © Joshua Kern (left to right: Charles Horin, Animaan Pathak)
Music, PremieresAugust 3, 2022<August 3, 2022

Premiere: LA’s Analog Party Dwell in Visceral Grunge Depths on Dark, Dynamic Single “Riptide” ft. Final Child

by Mitch Mosk
Spoon Benders © Ben Niesen
Features, Interviews, MusicAugust 2, 2022<August 2, 2022

Right Behind You: A Conversation with Portland’s Resident Spoon Benders

by Ben Niesen
Homes at Night © Zach Pigg
Debut, Music, Music Videos, PremieresAugust 2, 2022<August 2, 2022

Premiere: Nashville Duo Homes at Night’s Raw & Catchy Alt-Rock Reeling, “Tell Emma”

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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