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Bleach - Isaac Dunbar
Artist to Watch, Columns, Music, Today's SongJuly 12, 2022<July 12, 2022

Self-Sabotage & Liberation: Isaac Dunbar Soars Bold and True on Triumphant “Bleach”

by Mitch Mosk
Leona Naess © Laura Bailey
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022

“An honest, bittersweet, collage of all the music I ever loved”: Leona Naess Shares Her Radiant New Album, ‘Brood X’

by Mitch Mosk
BIG THANK - King Youngblood
Features, Interviews, Music, Track-by-TrackJuly 11, 2022<July 11, 2022

“Unapologetic, Open, & Deliberate”: King Youngblood Revive ’90s Alt-Rock on Hard-Hitting Debut Album, ‘BIG THANK’

by Mitch Mosk
Ashton York © Zachary Sun
Music, PremieresJuly 11, 2022<July 11, 2022

“In that broken place, the universe gave me songs”: Ashton York Premieres His Raw, Vulnerable, & Beautiful New Song, “Awful Time”

by Mitch Mosk
Demi Lovato © Brandon Bowen
Columns, Music, Today's SongJuly 11, 2022<July 11, 2022

Today’s Song: Demi Lovato’s “SKIN OF MY TEETH” Rehashes the Past in a New Way

by Sam Franzini
ELIS NOA © Dominik Friess
Features, Interviews, Music, Track-by-TrackJuly 8, 2022<July 8, 2022

‘I Was Just About to Leave’: The Unfiltered Intimacy & Vibey Electro-Soul of ELIS NOA’s Sophomore Album

by Mitch Mosk
Stay Proud of Me - NoSo
Debut, Features, Interviews, Music, Track-by-TrackJuly 8, 2022<April 24, 2023

‘Stay Proud of Me’: NoSo’s Wondrous, Wistful & Reflective Coming-of-Age Debut Album

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 8, 2022
Columns, Features, Music, Weekly RoundupJuly 8, 2022<July 8, 2022

Atwood Magazine’s Weekly Roundup: July 8, 2022

by Atwood Magazine Staff
Matilda Mann © Dominique Froud
Columns, Music, Today's SongJuly 8, 2022<July 8, 2022

Today’s Song: Matilda Mann Gives Us a Glimpse of “Hell” with Her Newest Single

by Sophie Severs
James Bay © 2022
Features, Interviews, MusicJuly 8, 2022<March 11, 2023

Lessons of Love: James Bay Shares Why ‘Leap’ Is His Most Vulnerable Album Yet

by Mitch Mosk
KTJ & CARLY © 2022
Features, Interviews, MusicJuly 7, 2022<July 6, 2023

Interview: KTJ & Carly Unveil Their Dazzling EP ‘Ego Death,’ a Reflection on Ego & Its Role in Our Lives

by Chloe Robinson
Abbie Ozard © Charlotte Rudd
Features, Interviews, Music, Reviews, Track-by-TrackJuly 7, 2022<July 7, 2022

Artist-to-Watch: Abbie Ozard Dives into Her ‘Water Based Lullabies’ EP, a Captivating & Charismatic Fever Dream

by Mitch Mosk
Ogi © Kanya Iwana
Debut, Features, Interviews, MusicJuly 7, 2022<July 7, 2022

Interview: Ogi Debuts Her Stunningly Soulful, Colorful & Expansive ‘Monologues’ EP

by Mitch Mosk
Doll Spirit Vessel © Doll Spirit Vessel
MusicJuly 7, 2022<July 7, 2022

Premiere: Doll Spirit Vessel’s Relaxing, Dreamy Sophomore Single “Something Small”

by Mitch Mosk
PRONOUN © 2021
Features, Interviews, Music, Track-by-TrackJuly 7, 2022<July 9, 2022

“The sound of depression trying to have a good time”: Pronoun’s Emotionally Charged ‘OMG I MADE IT’ EP

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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