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Fickle Friends © 2022
Interviews, MusicFebruary 9, 2022<February 9, 2022

Interview: Fickle Friends Explain Their Latest, Hedonistic Album ‘Are We Gonna Be Alright?’

by Dimitra Gurduiala
SPINN © Barnaby Fairley
Features, Music, Reviews, Track-by-TrackFebruary 9, 2022<February 9, 2022

“Outside of the Blue”: SPINN Harness the Power of Love on Seductive, Soaring Second Album

by Mitch Mosk
Anna Sun © Dylan Thomas
Columns, Music, Premieres, Today's SongFebruary 9, 2022<February 9, 2022

Premiere: Anna Sun Hits Like a Train on “What a Shame”

by Ben Niesen
treesreach © 2022
Columns, Music, Today's SongFebruary 8, 2022<February 8, 2022

Today’s Song: treesreach’s “How It Seems” Is an Anthem for The Great Resignation

by Mitch Mosk
Keb' Mo' © Jeremy Cowart
Features, Music, ReviewsFebruary 8, 2022<February 8, 2022

Review: Keb’ Mo’ Returns to – and Reimagines – Compton on New Album ‘Good to Be’

by Oliver Crook
Sooner © Jacquelyne Pierson
Music, PremieresFebruary 7, 2022<February 7, 2022

Premiere: Brooklyn Band Sooner Channel a Whisper & a Shout in Stirring New Single “Thursday”

by Mitch Mosk
Blonde Maze © 2022
Interviews, MusicFebruary 7, 2022<February 7, 2022

Interview with Blonde Maze: ‘Something Familiar,’ Yet Also Wildly Innovative, Out From EDM Auteure

by Josh Weiner
Interviews, MusicFebruary 7, 2022<February 8, 2022

Interview: The “Why” of Hippo Campus

by Nasim Elyasi
Allan Rayman
Columns, Music, Today's SongFebruary 7, 2022<February 7, 2022

Today’s Song: Allan Rayman Breaks into New Realms with “Rider”

by Joe Beer
Hembree © Jonny Marlow
Features, Music, Reviews, Track-by-TrackFebruary 4, 2022<February 4, 2022

“It’s a Dream!”: Inside Hembree’s Refreshingly Vibrant, Layered, & Ambitious Sophomore Album

by Mitch Mosk
The Slow Show © 2022
Features, Music, Reviews, Track-by-TrackFebruary 4, 2022<February 4, 2022

“STILL LIFE”: The Slow Show Create ‘Moments of Feeling’ in Beautifully Radiant & Resonant 4th Album

by Mitch Mosk
Hana Eid © Sam Wilson
Columns, Music, Today's SongFebruary 4, 2022<February 4, 2022

Today’s Song: Hana Eid Channels Young Love’s Passion in Cinematic Anthem “Dancing to The Smiths”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | February 4, 2022
Columns, Features, Music, Weekly RoundupFebruary 4, 2022<February 4, 2022

Atwood Magazine’s Weekly Roundup: February 4, 2022

by Atwood Magazine Staff
Peter Raffoul © Travis Latam
Columns, Music, Today's SongFebruary 3, 2022<February 3, 2022

Today’s Song: Peter Raffoul Is Barely Moving on in Radiant Second Single “cigarette holes”

by Mitch Mosk
MA/SA © Brittany Douziech
Music, Music Videos, PremieresFebruary 3, 2022<February 3, 2022

Premiere: MA/SA Dwells in Grief’s Void on Aching, Ethereal New Single “In My Breath”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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