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The Kasambwe Brothers © Randi Steinberger
Interviews, MusicDecember 18, 2025<December 18, 2025

Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success

by Josh Weiner
Ski Team © OK McCausland
Artist to Watch, Interviews, Music, Today's SongDecember 18, 2025<January 8, 2026

“You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

by Mitch Mosk
The Best Albums of 2025 - Atwood Magazine
Features, Lists, MusicDecember 18, 2025<December 18, 2025

Atwood Magazine’s 2025 Albums of the Year

by Atwood Magazine Staff
Low.bō © Eric Jovel
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025

“Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

by Mitch Mosk
Adult Mom's Stevie Knipe © Bao Ngo
Features, Interviews, MusicDecember 17, 2025<December 17, 2025

“Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’

by Mitch Mosk
Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers
Features, Interviews, MusicDecember 17, 2025<December 17, 2025

“None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

by Rachel Leong
Timeline - Drauve
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025

“It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

by Mitch Mosk
The Barons © Kellan DeGarmo
Columns, Music, Today's SongDecember 17, 2025<December 17, 2025

Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”

by Chloe Robinson
Underbrook © 2025
Debut, Features, Interviews, MusicDecember 16, 2025<December 18, 2025

“We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’

by Isabella Le
mildred © 2025
Debut, Interviews, Music, Today's SongDecember 16, 2025<December 15, 2025

“Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

by Mitch Mosk
Atwood Magazine's 140th Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 15, 2025<December 15, 2025

Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!

by Mitch Mosk
Atwood Magazine's Top Artist Discoveries of 2025
Features, Lists, MusicDecember 15, 2025<December 15, 2025

Atwood Magazine’s Top Artist Discoveries of 2025

by Atwood Magazine Staff
Dutch Interior © Julien Sage
Interviews, Music, Today's SongDecember 15, 2025<December 15, 2025

“It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song”

by Mitch Mosk
Deadbeat Girl 'Self-Destructor' © Ashley Crichton
Interviews, Music, Today's SongDecember 14, 2025<December 12, 2025

“I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession

by Mitch Mosk
Max Kuehn © 2025
Columns, Music, Today's SongDecember 13, 2025<December 12, 2025

“I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’

by Ashley Littlefield
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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