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Malena Zavala © Hilda Pellerano
Music, Music Videos, PremieresJuly 18, 2025<July 18, 2025

Premiere: Malena Zavala Captures Love’s Dreamlike Magic in “MELT,” a Softly Soul-Stirring Surrender to Intimacy

by Mitch Mosk
Miley Cyrus' 'Something Beautiful' album art © Glen Luchford
Music, Premieres, Reviews, RoundtableJuly 18, 2025<July 18, 2025

Roundtable Discussion: A Review of Miley Cyrus’ ‘Something Beautiful’

by Atwood Magazine Staff
The Spice of Life
Columns, Music, Sounds From the GroundJuly 18, 2025<July 18, 2025

Sounds From the Ground: The Spice of Life and The Lucky Pig, 2025

by Frederick Bloy
Stela Cole "Stereoqueen" © 2025
Interviews, MusicJuly 18, 2025<July 18, 2025

“Tonight I’m Gonna Be the Stereoqueen”: Stela Cole Is Reclaiming Her Power Through Feel-Good Music and Fearless Self-Expression

by Mitch Mosk
Billie Marten 'Dog Eared' © Frances Carter
Features, Interviews, MusicJuly 18, 2025<July 18, 2025

“I Used to Find Lots of Beauty in Sadness. Now I Find Beauty in Joy”: Billie Marten on Change, the Gifts of Human Error, and the Intimate Making of Her Fifth LP, ‘Dog Eared’

by Noa Jamir
The Favors are Finneas O'Connell and Ashe © Alex G Harper
Columns, Music, Today's SongJuly 18, 2025<July 18, 2025

The Favors’ (FINNEAS & Ashe) “The Hudson” Is a Love Letter to the One You Almost Kept

by Danielle Holian
Lila Forde 'Vessel' © 2025
Debut, Features, Interviews, Music, Track-by-TrackJuly 17, 2025<July 17, 2025

“I want to be a vessel for the music”: Lila Forde Arrives with Presence, Power, & Timeless Intention on Her Smoldering, Soul-Drenched Debut Album

by Mitch Mosk
The Felice Brothers © Caitlin Greene
Columns, Hudson Valley Artists, MusicJuly 17, 2025<July 17, 2025

Hudson Valley Artist Spotlight: James Felice of The Felice Brothers

by Mitch Mosk
Felukah © Essam
Features, Interviews, MusicJuly 17, 2025<July 17, 2025

“People don’t memorize political speeches, they memorize songs”: Rapper and Singer Felukah on Poetic Roots, Arabfuturism, & Radical Love

by Kate Millar
Dailla "Some Love" © Native Films
Interviews, MusicJuly 17, 2025<July 17, 2025

Interview: Breathing Through the Silence and The Raw Heart of Dailla’s Music

by Danielle Holian
Wet Leg "davina mccall" © Alice Backham
Columns, Music, Today's SongJuly 17, 2025<July 17, 2025

Today’s Song: Wet Leg Channel Heartfelt Spirit in “davina mccall,” a Dreamy Meditation on Devotion, Growth, & Connection

by Ashley Littlefield
We the Band © Chad Brady
Artist to Watch, Columns, Debut, InterviewsJuly 16, 2025<July 16, 2025

Artist to Watch: We the Band – Justin Bieber’s Longtime Touring Powerhouse Step into the Spotlight with Cosmic Grooves & Seductive Soul

by Mitch Mosk
Aïda Mekonnen Caby © Justin Buschardt
Debut, Interviews, Music, PremieresJuly 16, 2025<July 16, 2025

Premiere: Aïda Mekonnen Caby Debuts with Dreamy Intimacy & Icelandic Reverie in “The Glow,” a Breathtaking Indie Folk Introduction

by Mitch Mosk
Pretty Jane © Annaliese Baker
Interviews, MusicJuly 16, 2025<July 16, 2025

Interview: To Eat, Sleep, and Breathe Pretty Jane

by Annaliese Baker
Of Monsters and Men © Eva Schram
Columns, Music, Today's SongJuly 16, 2025<July 16, 2025

“Television Love”: Of Monsters and Men Return With a Breath of Icelandic Stillness

by Nicolle Knapová
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Brand New

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025

:: discover something new ::

Recent Posts

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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