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Features, Interviews, MusicSeptember 30, 2021<October 1, 2021

Interview: Nashville Artist Boon on Negative Relationships, His Striking Style, and His Father’s Influence

by Chloe Robinson
The State of Gold - matt pond PA
Features, Music, Reviews, Track-by-TrackSeptember 29, 2021<September 29, 2021

“Effervescence, Sunlight, Death”: Matt Pond PA Go Track-by-Track Through New Album ‘The State of Gold’

by Mitch Mosk
Slimdan © Zachary Blumner
Columns, Debut, Music, Today's SongSeptember 29, 2021<September 29, 2021

Today’s Song: Slimdan Comes Out Swinging on Debut Single “MVP”

by Mitch Mosk
Naomi Westwater © blahnik x westwater
Music, Reviews, Track-by-TrackSeptember 29, 2021<October 2, 2021

“Music You Should Feel in Your Bones”: Naomi Westwater Dives into Powerful New EP ‘Feelings’

by Dimitra Gurduiala
Harrison Storm & Enna Blake © Holly Kate
Music, PremieresSeptember 29, 2021<September 29, 2021

Premiere: Harrison Storm & Enna Blake’s “Under Dusk” Is an Indie Folk Anthem of Support & Connection

by Mitch Mosk
WHEN WE'RE FAR APART I FALL APART - Abby Holliday 9.4
Debut, Features, Music, Our Take, Reviews, Track-by-TrackSeptember 28, 2021<February 7, 2022

“Emotional, Raw, & Vulnerable”: Abby Holliday’s Breathtakingly Beautiful Debut Album ‘WHEN WE’RE FAR APART I FALL APART’

by Mitch Mosk
Future Islands © Beau Hayhoe
Concerts, Music, ReviewsSeptember 28, 2021<March 2, 2025

Future Islands Deliver Impassioned Synth Pop Amidst a Joyous Return to Live Music at Governors Ball 2021

by Beau Hayhoe
Marcus Atom
Debut, Features, Music, Reviews, Track-by-TrackSeptember 28, 2021<October 27, 2021

“Familiar, Smooth, & Chill”: Get Lost in Marcus Atom’s Intimate & Smoldering Debut Album, ‘Love vs. War’

by Mitch Mosk
The Franklin Electric © Levi Zortman
Features, Music, Reviews, Track-by-TrackSeptember 28, 2021<September 28, 2021

“Honest Raw Healing”: Inside The Franklin Electric’s Beautifully Vulnerable ‘This Time I See It’

by Mitch Mosk
Interviews, MusicSeptember 28, 2021<September 28, 2021

Interview: Dancing Through the Pains of Youth with Modernlove.

by Adrian Vargas
Glenn Echo © Ariana Dixon
Music, PremieresSeptember 28, 2021<September 27, 2021

Premiere: Embracing Vulnerability with Glenn Echo’s Soft & Stirring Alt-Folk Protest Song, “How Much Blood”

by Mitch Mosk
Mano Le Tough © Kostas Maros 8
Music, Our Take, ReviewsSeptember 28, 2021<September 27, 2021

Our Take: Mano Le Tough Opens Wide the Toy Chest for ‘At the Moment’

by Ben Niesen
FLOWVERS © Indy Brewer
Columns, Music, Today's SongSeptember 28, 2021<September 28, 2021

Today’s Song: FLOWVERS Return with Soaring & Searing Single “Far Away”

by Mitch Mosk
self-care - bad tuner
Debut, Interviews, MusicSeptember 27, 2021<September 29, 2021

Interview with bad tuner: A Brooklyn EDM Buff Practicing Proper ‘self-care’ on Debut EP

by Josh Weiner
Fime © Eleanor Petry
Columns, Music, Today's SongSeptember 27, 2021<September 27, 2021

Today’s Song: LA’s Fime Weave a World of Lush, Sweet Indie Rock Wonder in “Born 2 Love”

by Mitch Mosk
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Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

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Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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