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30 - Adele
Features, Music, Reviews, RoundtableDecember 1, 2021<June 29, 2024

Roundtable Discussion: A Review of Adele’s ’30’

by Atwood Magazine Staff
Maxwell Planes © 2021
Music, PremieresDecember 1, 2021<December 1, 2021

Premiere: Chicago’s Maxwell Planes Smolders on “Gave My Everything” ft. Melanie Faye & Ric Wilson

by Mitch Mosk
Hello Lightfoot © Michael Todaro
Music, PremieresDecember 1, 2021<November 30, 2021

Hello Lightfoot’s Jessica Louise Dye Owns Her “Shame” in Moody Sophomore Single

by Guest Writer
Theodore © 2021
Music, PremieresDecember 1, 2021<December 1, 2021

Premiere: Theodore Debuts Urgent, Hypnotic, & Cinematic Single “Man and His Tools” Off 4th Album ‘The Voyage’

by Mitch Mosk
Kenneth Ishak © Julia Naglestad
Features, Music, Reviews, Track-by-TrackNovember 30, 2021<December 1, 2021

“Positive, Specific, & Green”: Norway’s Kenneth Ishak Blooms in Dazzling ‘Native Tongue’

by Mitch Mosk
Francis Karel © Brittany O'Brien
Columns, Music, Today's SongNovember 30, 2021<November 30, 2021

Today’s Song: Love Hits Like a Wrecking Ball in Francis Karel’s “I Don’t Like How Much I Like You”

by Mitch Mosk
MusicNovember 29, 2021<November 29, 2021

Interview: Chong the Nomad Follows Her Own Rhythm at Treefort 9

by Sophie Prettyman-Beauchamp
Mother Mother © Rich Smith
Features, Music, Reviews, Track-by-TrackNovember 29, 2021<December 7, 2021

“Introspective, Human, & Hopeful”: Mother Mother Dive ‘INSIDE’ Their Intimate, Raw 8th Album

by Mitch Mosk
Red (Taylor's Version) - Taylor Swift
Features, Music, Reviews, RoundtableNovember 29, 2021<June 29, 2024

Roundtable Discussion: A Review of Taylor Swift’s ‘Red (Taylor’s Version)’

by Atwood Magazine Staff
Babe Club © Taylor Czerwinski
Columns, Music, Today's SongNovember 29, 2021<November 29, 2021

“It makes me feel alive”: Babe Club Reckon with Adulthood-Induced Depression in “That Feeling”

by Mitch Mosk
Momma © Cooper Winterson
Music, ReviewsNovember 24, 2021<November 29, 2021

Love’s a Drug: Momma’s “Medicine” Is a Grunge-Fueled Song of Intimate Addiction

by Mitch Mosk
Sam Fender live @ London's Alexandra Palace, November 2021 © Rory Barnes
Concerts, Music, ReviewsNovember 24, 2021<November 24, 2021

Live Review: Sam Fender Conquers London’s Alexandra Palace

by Bethan Harper
M.anifest © 2021
(archived), Features, Music, Reviews, Track-by-TrackNovember 24, 2021<February 26, 2022

“Reflective, Candid, Journey”: Ghanaian Rapper M.anifest Stuns, Stirs, & Soars on ‘Madina to the Universe’

by Mitch Mosk
AIR APPARENT © @pleasenophotoss
Interviews, MusicNovember 24, 2021<November 22, 2021

Interview: San Francisco’s AIR APPARENT Discusses Ethereal “All By Yourself,” Dream Collaborations, & Horizons

by Chloe Robinson
B-Drop
Features, Music, PremieresNovember 24, 2021<November 26, 2021

Premiere: B-Drop Worldwide Showcases Phantom Isle, The Habits, Roman Lewis, Danny Singh, and Friedberg

by Mitch Mosk
Posts pagination
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Brand New

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours”
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life

:: discover something new ::

Recent Posts

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
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© Atwood Magazine 2024 For the Love of Music
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