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Luke Hemmings © Davis Bates
Debut, Features, Interviews, MusicAugust 13, 2021<October 5, 2021

“Quite a drama”: 5SOS’s Luke Hemmings Shines on Intimate & Breathtaking Solo Album ‘When Facing the Things We Turn Away From’

by Mitch Mosk
KEANA
Columns, Music, Today's SongAugust 13, 2021<August 13, 2021

Today’s Song: KEANA Finds Comfort in Her Vision of a World of Relaxation with “Lilac”

by Chloe Robinson
Arlie © 2021
Music, ReviewsAugust 12, 2021<August 12, 2021

Review: Arlie’s “poppin” New Single Is a Buoyant & Poignant Embrace of Vulnerability

by Mitch Mosk
The Crystal Casino Band © 2021
Features, Music, Reviews, Track-by-TrackAugust 12, 2021<March 2, 2025

“Catchy, Relatable, & Polished”: The Crystal Casino Band (form. The Colonies) Light Up with Radiant LP, ‘Not About You’

by Mitch Mosk
Hippo Campus © Brit O'Brien
Features, Interviews, Music, Track-by-TrackAugust 12, 2021<October 5, 2021

Interview with Hippo Campus: “It’s Okay to Laugh with Your Demons”

by Kelly Liu
The Bots
Columns, Music, Today's SongAugust 12, 2021<August 12, 2021

Today’s Song: The Bots’ “Girl Problems” Is a Bright, Buoyant Burst of Indie Rock

by Mitch Mosk
Saint Sister © Ellius Grace
Features, Interviews, MusicAugust 12, 2021<August 12, 2021

Interview: Ireland’s Saint Sister on Their Radiant, Reflective Sophomore Album ‘Where I Should End’

by Mitch Mosk
girlhouse © 2021
Music, ReviewsAugust 11, 2021<August 11, 2021

Review: girlhouse Channels Dark, Intimate & Intense Emotions into New Single “happy now”

by Mitch Mosk
Anthonie Tonnon
Features, Music, Reviews, Track-by-TrackAugust 11, 2021<August 11, 2021

“Subtropical Post-Industrial Urbanism”: Anthonie Tonnon Dives into Vast, New LP, ‘Leave Love Out of This’

by Mitch Mosk
Cots © JG and Shi
Debut, Features, Music, Premieres, Reviews, Track-by-TrackAugust 11, 2021<August 11, 2021

“Nocturnal, Pensive, & Melancholic”: Inside Cots’ Dreamy Debut Album ‘Disturbing Body’

by Mitch Mosk
Ric Wilson and Bone Slim
Music, PremieresAugust 11, 2021<August 13, 2021

Premiere: Bone Slim, Ric Wilson Channel Late Nights & UK Garage in Hypnotic “Let Me Ride” ft. Lcytn

by Mitch Mosk
Jenn Champion © Jimmy Bazan
Columns, Music, Today's SongAugust 11, 2021<March 16, 2023

Today’s Song: Jenn Champion Has Got You All Off-Center, Darling.

by Ben Niesen
Wyse © Beth Anderton-Allen
Music, ReviewsAugust 10, 2021<August 10, 2021

Wyse’s “Not That Sorry” Is a Beautifully Unapologetic Upheaval

by Mitch Mosk
Features, Interviews, MusicAugust 10, 2021<August 17, 2021

To Those Left Standing: Laura Stevenson on Her Self-Titled Album, Trauma, and Making Amends

by Mariel Fechik
The Wandering Hearts © Shane McCauly
Features, Music, Reviews, Track-by-TrackAugust 10, 2021<August 10, 2021

“Eclectic, Hopeful, & Feel-Good”: The Wandering Hearts Soar on Stunning Self-Titled Sophomore Album

by Mitch Mosk
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Brand New

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA
  • “The Return of Intuition”: An Essay by Tenille Townes

:: discover something new ::

Recent Posts

  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
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