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Chelsea Jordan © Hunter Lyon
Columns, Music, Today's SongMay 18, 2026<May 18, 2026

“I Gotta Lotta Love to Give”: Chelsea Jordan Makes Her Love Count on “picky choosy,” a Soulful Self-Worth Anthem Full of Fire & Freedom

by Mitch Mosk
Lewis Capaldi "Stay Love" © Charlie Sarsfield
Columns, Music, Today's SongMay 16, 2026<May 16, 2026

“Don’t Give Up on Us”: Lewis Capaldi Finds Stillness in the Storm on “Stay Love”

by Danielle Holian
Atwood Magazine's Weekly Roundup | May 15, 2026
Columns, Features, Music, Weekly RoundupMay 15, 2026<May 15, 2026

Atwood Magazine’s Weekly Roundup: May 15, 2026

by Atwood Magazine Staff
Debut, Interviews, Music, Today's SongMay 15, 2026<May 20, 2026

“I Can’t Help Myself, I’m All About You”: Lola Blue Surrenders to the Bright Rush of Young Love on “Heartbeat,” a Dreamy Indie Pop Seduction

by Mitch Mosk
Kacey Musgraves 'Middle of Nowhere' © Kelly Christine Sutton
Music, ReviewsMay 15, 2026<May 15, 2026

Kacey Musgraves Chases Away the Past & Lassos the Future on ‘Middle of Nowhere’

by Yashavi Upasani
Ray Bull © Kyle Berger
Music, ReviewsMay 15, 2026<May 14, 2026

‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling

by Mitch Mosk
Tom Smith © Edith Smith
Columns, Music, Today's SongMay 14, 2026<May 14, 2026

“You Can Hear Us If You Listen”: Tom Smith’s “Lights of New York City” Is an Ode to Memory, Youth, & Living Beyond Time

by David Buyze
She & Him's Zooey Deschanel and M. Ward
Columns, Music, Nostalgia TracksMay 14, 2026<May 14, 2026

Nostalgia Tracks: She & Him’s “I Thought I Saw Your Face Today” and the Ghosts of Post-Grad Life

by Isabella Appell
Jonathon Penn © Robbie Bruzus
Music, PremieresMay 14, 2026<May 14, 2026

“Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song

by Mitch Mosk
Ed Prosek "Tall Pines" © Charlotte de Bruyn
Debut, Interviews, Music, PremieresMay 14, 2026<May 16, 2026

“Plant Your Roots Upon My Tired Bones”: Driftwood Choir’s Ed Prosek Finds Forever Beneath the “Tall Pines” in a Breathtaking Indie Folk Reverie of Fatherhood, Legacy, & Light

by Mitch Mosk
Bella Cloud "Spin" © Dean Kalaitzidis
Music, PremieresMay 13, 2026<May 13, 2026

“A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie

by Mitch Mosk
Snail Mail "Ricochet" © Daria Kobayashi Ritch
Features, Music, Reviews, RoundtableMay 13, 2026<May 13, 2026

Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’

by Atwood Magazine Staff
Debbii Dawson "Where Have All the Good Men Gone?" © Aaron Sinclair
Columns, Music, Today's SongMay 13, 2026<May 13, 2026

“Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All

by Mitch Mosk
Col Gerrard © Ryan Mole
Debut, Music, Reviews, Track-by-TrackMay 13, 2026<May 13, 2026

Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut

by Joe Beer
Brother Bird "Chameleon" © Chris Bauer
Features, Interviews, Music, PremieresMay 13, 2026<May 13, 2026

“When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie

by Mitch Mosk
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Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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