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Sal “The Voice” Valentinetti Channels Old-School Heartache into a Timeless Performance on “Little Pal” © Brooklyn Zeh
Music, Music Videos, PremieresMarch 25, 2026<March 31, 2026

“The Song That Made All the Wise Guys Cry”: Sal “The Voice” Valentinetti Channels Old-School Heartache into a Timeless Performance on “Little Pal”

by Mitch Mosk
Joshua Burnside © Tom Johnson
Features, Interviews, Music, Track-by-TrackMarch 24, 2026<March 24, 2026

“It’s Not Going to Be Okay”: Joshua Burnside Faces Grief Head-On in His Raw, Unflinching, and Life-Affirming Sixth Album

by Mitch Mosk
BRUX © Eliza Jouin
Essays, Music, Women's History MonthMarch 24, 2026<March 25, 2026

“Finding Strength Through Generational Womanhood”: An Essay by BRUX for Women’s History Month

by Guest Writer
Prewn © Harry Wohl
Features, Interviews, MusicMarch 24, 2026<March 24, 2026

“Misery’s My Best Friend”: How Prewn Approaches Pain

by Nasim Elyasi
Kamaiyah at the Fox Theater © Ricardo Duncan
Interviews, MusicMarch 24, 2026<March 24, 2026

Ten Years Later, Kamaiyah Is Still Exactly Who She Said She Was

by Ankita Bhanot
Brown Horse © Deva O'Neill
Interviews, Music, Today's SongMarch 24, 2026<March 24, 2026

“I Like the Voices on the Radio”: Brown Horse Capture Isolation, Motion, & the Slow Burn of Reflection on “Twisters”

by Mitch Mosk
Valentina Moretti © 2026
Essays, Music, Women's History MonthMarch 23, 2026<March 25, 2026

“Being a Trans Woman in the Music Industry”: An Essay by Valentina Moretti for Women’s History Month

by Guest Writer
Troy Cartwright © Yve Assad
Interviews, MusicMarch 23, 2026<March 23, 2026

“There’s a point where it’s not up to you anymore”: Troy Cartwright Lets the Songs Take the Wheel on ‘Etc. All The Rest’

by Aileen Goos
Brian Sella © William Macintosh
Debut, Music, ReviewsMarch 23, 2026<March 23, 2026

“Can’t tell if I’m teaching or learning a lesson”: The Front Bottoms’ Brian Sella Looks Inward with Maturity on Debut Solo Album ‘Well I Mean’

by James Crowley
Ray Bull "All That You Are" © Kyle Berger
Interviews, Music, Today's SongMarch 23, 2026<March 23, 2026

“All That You Are Is a Lot”: Ray Bull Find Sweetness in the Spiral on a Catchy, Cathartic Anthem of Indecision

by Mitch Mosk
Coyote Theory © Sara Cross
Features, Interviews, Music, Track-by-TrackMarch 20, 2026<March 20, 2026

‘Talking 2 Strangers’: Coyote Theory Capture the Moment on a Bold EP Fueled by Instinct, Energy, & Raw Emotional Urgency

by Mitch Mosk
Keep Going: Rogér Fakhr’s Long-Awaited Homecoming
Concerts, Music, ReviewsMarch 20, 2026<March 20, 2026

Keep Going: Rogér Fakhr’s Long-Awaited Homecoming

by Nasim Elyasi
Elles Bailey © Blackham Images
Essays, Music, Women's History MonthMarch 20, 2026<March 30, 2026

“Beyond the Numbers: Visibility, Gatekeepers, & the Future of Women in Music”: An Essay by Elles Bailey for Women’s History Month

by Guest Writer
midori jaeger © Inigo Blake
Interviews, Music, Today's SongMarch 20, 2026<March 20, 2026

“I Want Something Unfamiliar, Unpredictable”: midori jaeger Navigates Uprooting, Identity, & the Pull of the Unknown on “exasperate” and ‘(Un)planted’

by Mitch Mosk
Curls Ultra © Andrea Ingrande
Features, Interviews, MusicMarch 20, 2026<March 20, 2026

Music Is a Means of Community for Curls Ultra

by Annaliese Baker
Posts pagination
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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