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Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’
Interviews, Music, Track-by-TrackMarch 30, 2026<March 30, 2026

“I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’

by Aileen Goos
Annalisa "Canzone Estiva" © Nicholas Fols
Columns, Music, Today's SongMarch 30, 2026<March 30, 2026

Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva”

by David Buyze
Holder © Cooper Rich
Columns, Music, Today's SongMarch 28, 2026<March 28, 2026

Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable”

by Will Yarbrough
Atwood Magazine's Weekly Roundup | March 27, 2026
Columns, Features, Music, Weekly RoundupMarch 27, 2026<March 27, 2026

Atwood Magazine’s Weekly Roundup: March 27, 2026

by Atwood Magazine Staff
“Homegrown American Adventure”: HAPPY LANDING Turn Toward the Light on ‘Big Sun,’ a Bold and Expansive Folk Rock Triumph © Orchee Sorker
Features, Interviews, Music, Track-by-TrackMarch 27, 2026<March 27, 2026

“Homegrown American Adventure”: HAPPY LANDING Turn Toward the Light on ‘Big Sun,’ a Bold and Expansive Folk Rock Triumph

by Mitch Mosk
SXSW 2026
MusicMarch 27, 2026<March 27, 2026

The Best Sounds from SXSW 2026

by Marissa DeLeon
Mumford & Sons © courtesy of the band
Music, Reviews, RoundtableMarch 27, 2026<March 27, 2026

Roundtable Discussion: A Review of Mumford & Sons’ ‘Prizefighter’

by Atwood Magazine Staff
Towa Bird "Gentleman" © 2026
Columns, Music, Today's SongMarch 27, 2026<March 27, 2026

“She’s a Cold Hearted Killer”: A Look at “Gentleman,” Towa Bird’s Rock ‘n’ Roll Love Letter

by Dusty Hayes
Palm Ghosts © Chad Crawford
Music, PremieresMarch 26, 2026<March 26, 2026

“Consecutive Thuds from Executive Thugs”: Nashville’s Palm Ghosts Confront Capitalism’s Grip with Indie Rock Urgency on “Walk Into Your New Life”

by Mitch Mosk
Bei Bei © Stefanie Parkinson
Essays, Music, Women's History MonthMarch 26, 2026<March 30, 2026

“Embracing Innovation, Bei Bei Style”: An Essay by Bei Bei for Women’s History Month

by Guest Writer
Bandits on the Run - Rough Magic © Regina Strayhorn, Audrey Kalm
Interviews, Music, PremieresMarch 26, 2026<March 26, 2026

“In the Silence There Is Truth”: Bandits on the Run Find Beauty in Letting Go on “Rough Magic,” a Dreamy Folk Reverie

by Mitch Mosk
Keni Titus 'AngelPink' © Victoria Davidoff
Interviews, Music, Today's SongMarch 26, 2026<March 26, 2026

“I don’t kiss and tell, I just kiss and sing”: Keni Titus Confronts Her Wandering Eyes on “hands to myself,” a Smoldering Indie Folk Confessional

by Mitch Mosk
Sanford: © Megan Rainwater
Columns, Music, Today's SongMarch 25, 2026<March 25, 2026

Today’s Song: Brooklyn’s Sanford: Laments a Lost World in “Hooked on a Dream”

by Chloe Robinson
The Pretty Flowers © Sami Drasin
Essays, MusicMarch 25, 2026<March 25, 2026

“Are We Even Listening? How Convenience and Anxiety Changed Our Listening Habits”: An Essay by The Pretty Flowers’ Sean Johnson

by Guest Writer
Lennie Rayen © cleoemo
Debut, Interviews, Music, Music Videos, PremieresMarch 25, 2026<March 25, 2026

“I’m a Mess and You Like It”: Lennie Rayen Channels the Ache of Wanting More into a Smoldering Indie Pop Confession

by Mitch Mosk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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