Features, Interviews, MusicMarch 20, 2026<March 26, 2026 “I’m in the Middle of the Past and the Future”: Chet Faker Comes Full Circle on ‘A Love for Strangers,’ Returning to Instinct, Curiosity, & the Feeling That Started It All by Mitch Mosk
Concerts, Music, ReviewsMarch 19, 2026<March 19, 2026 Live Review: Milk & Bone Take Us an Emotional Journey, Dancing All the Way by Oliver Crook
Essays, Music, Women's History MonthMarch 19, 2026<March 19, 2026 “Music Is a Journey, Not a Destination”: An Essay by Re Mattei for Women’s History Month by Guest Writer
Interviews, Music, Today's SongMarch 19, 2026<March 23, 2026 “Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream by Mitch Mosk
Columns, Editor's Picks, Features, MusicMarch 18, 2026<March 18, 2026 Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! by Mitch Mosk
Features, Interviews, MusicMarch 18, 2026<March 18, 2026 Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions by Guest Writer
Music, Music Videos, PremieresMarch 18, 2026<March 18, 2026 “Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You” by Mitch Mosk
Debut, Interviews, Music, Today's SongMarch 18, 2026<March 18, 2026 “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality by Mitch Mosk
Features, Music, Reviews, RoundtableMarch 17, 2026<March 17, 2026 Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ by Atwood Magazine Staff
Essays, Music, Women's History MonthMarch 17, 2026<March 18, 2026 “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month by Guest Writer
Interviews, Music, Today's SongMarch 17, 2026<March 17, 2026 “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth by Mitch Mosk
Columns, Features, Music, Weekly RoundupMarch 17, 2026<March 17, 2026 Atwood Magazine’s Weekly Roundup: March 17, 2026 by Atwood Magazine Staff
Features, Interviews, MusicMarch 16, 2026<March 16, 2026 Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist by Rachel Leong
Columns, Music, Today's SongMarch 16, 2026<March 16, 2026 “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem by Kevin Cost
Interviews, Music, Today's SongMarch 15, 2026<March 15, 2026 “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” by Mitch Mosk
For the Love of Music
For the Love of Music
