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MUNA "Dancing on the Wall" © Dean Bradshaw
Features, Music, ReviewsMay 12, 2026<May 12, 2026

“I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet

by Mitch Mosk
Matt Jones and The Bobs © 2026
Interviews, MusicMay 12, 2026<May 12, 2026

“We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years

by Grace Holtzclaw
Jacob Ungerleider © Francesca Blanchard
Interviews, Music, Music Videos, PremieresMay 12, 2026<May 12, 2026

“Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name”

by Mitch Mosk
Whitney Whitney © Paige Strabala
Debut, Interviews, Music, Today's SongMay 12, 2026<May 12, 2026

“Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance

by Mitch Mosk
The Moss at The Blind Pig © Miranda Urbanczyk
Features, Interviews, MusicMay 12, 2026<May 12, 2026

“It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’

by Miranda Urbanczyk
Julez and the Rollerz © Zach Adams
Interviews, Music, PremieresMay 11, 2026<May 11, 2026

“I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love”

by Mitch Mosk
Jessie Mazin © Naserin Bogado
Debut, Features, Interviews, MusicMay 11, 2026<May 11, 2026

“I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’

by Noa Jamir
Matt Corby © Maclay Heriot
Features, Interviews, MusicMay 11, 2026<May 13, 2026

“Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’

by Rachel Leong
Tiffany Stringer is The Lone Starlet © Ragan Henderson
Interviews, Music, Today's SongMay 11, 2026<May 11, 2026

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’

by Mitch Mosk
Duran Duran and Nile Rodgers © Stephanie Pistel
Columns, Music, Today's SongMay 11, 2026<May 11, 2026

A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers

by Danielle Holian
Atwood Magazine's 154th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 8, 2026<May 8, 2026

Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning!

by Mitch Mosk
Atwood Magazine's Weekly Roundup | May 8, 2026
Columns, Features, Music, Weekly RoundupMay 8, 2026<May 8, 2026

Atwood Magazine’s Weekly Roundup: May 8, 2026

by Atwood Magazine Staff
BTS 'ARIRANG' album art
Features, Music, Reviews, RoundtableMay 8, 2026<May 8, 2026

Roundtable Discussion: A Review of BTS’ ‘ARIRANG’

by Atwood Magazine Staff
Aubrie Sellers © D0PE CINEMA
Essays, MusicMay 8, 2026<May 8, 2026

“We’ve Been Alone in This Long Enough”: An Essay by Aubrie Sellers

by Guest Writer
Daniel Arison © Amy Lee
Columns, Interviews, Music, Today's SongMay 8, 2026<May 8, 2026

Daniel Arison Turns Emotional Whiplash into Something Deeply Personal on “Sad”

by Aileen Goos
Posts pagination
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Brand New

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot
  • Atwood Magazine’s Weekly Roundup: May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’

:: discover something new ::

Recent Posts

  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
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