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Best Boys © Anna McClain
Debut, Music, Music Videos, PremieresJuly 7, 2025<July 7, 2025

“Like a road trip to nowhere”: Best Boys Find Beauty in the Breakdown on Their Smoldering & Cinematic Debut Single “Forgive Forget”

by Mitch Mosk
Chapel © Madeline Walczak
Interviews, MusicJuly 7, 2025<July 7, 2025

Interview: Chapel Return to Form with Growth, Grit, & DIY Freedom in Their Triumphant ‘Modern Nature’ EP

by Kaiana Lee
Daniel Seavey "Eden" © Jimmy Fontaine
Columns, Music, Today's SongJuly 7, 2025<July 7, 2025

Today’s Song: “Eden” Is a Radiant Reflection of Daniel Seavey’s Artistic Freedom

by Danielle Holian
Sydney Quiseng © Connor Truax
Debut, Features, Interviews, MusicJuly 3, 2025<July 3, 2025

“The best is yet to come”: Sydney Quiseng on Stepping into Her Own Rhythm with ‘PHASES’

by Emily Frances Algar
Brian Dunne "Clams Casino" © Marianka Campisi
Interviews, Music, Today's SongJuly 3, 2025<July 3, 2025

“Why’s it so hard to have a good thing?”: Brian Dunne Digs into the American Dream of a ‘Good Life’ in His Restless, Hungry Anthem, “Clams Casino”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 3, 2025
Columns, Features, Music, Weekly RoundupJuly 3, 2025<July 3, 2025

Atwood Magazine’s Weekly Roundup: July 3, 2025

by Atwood Magazine Staff
Aaron Taylor © Jasmijn van Buytene
Features, Interviews, Music, Track-by-TrackJuly 2, 2025<July 2, 2025

“Yours Always”: Aaron Taylor Turns a Powerful Promise into Soul-Stirring Music in His Stripped-Back EP

by Mitch Mosk
Shura 'I Got Too Sad For My Friends' © Charlotte Croft
Features, Interviews, MusicJuly 2, 2025<July 9, 2025

“Gentle, Big, & Sad”: Shura Opens Up About the Quiet Chaos of Being Human and ‘I Got Too Sad for My Friends,’ Her Most Vulnerable Album Yet

by Mitch Mosk
Kindelan © Monika Levčenkovaitė
Music, PremieresJuly 2, 2025<July 2, 2025

Premiere: Kindelan Reckons with Lost Love & Lingering Regret in Her Soul-Stirring “Wish I Wrote a Love Song”

by Mitch Mosk
The Cure © Sam Rockman
Columns, Music, Music & CitiesJuly 2, 2025<July 2, 2025

Music & Cities: The Cure’s ‘Songs of a Lost World’ in New York City

by David Buyze
Sheléa "Time Machine" © 2025
Columns, Interviews, Music, Today's SongJuly 2, 2025<July 2, 2025

Sheléa Revisits Lost Love with Grace & Golden-Era Soul in Her Cinematic, Motown-Inspired Classic “Time Machine”

by Mitch Mosk
Vacation Manor © Nathan Grimes
Features, Interviews, Music, Track-by-TrackJuly 1, 2025<July 1, 2025

“Accepting the Present”: Vacation Manor on Finding Beauty in Stillness and the Emotional Landmarks of Their ‘Back to Town’ EP

by Mitch Mosk
flipturn 'Burnout Days' © Amanda Laferriere
Features, Interviews, Music, Track-by-TrackJuly 1, 2025<July 3, 2025

“I wanna feel my heart again”: flipturn’s ‘Burnout Days’ Become Sweaty, Soul-Stirring Fever Dreams on Their Sophomore Album

by Mitch Mosk
Tales of the Free Mexican Airforce - Peter Rowan
Music, ReviewsJuly 1, 2025<July 1, 2025

Peter Rowan Gives Voice to Legends of the American Outlaw Trail in ‘Tales of the Free Mexican Airforce’

by Mike Fiorito
John Muirhead © Moira Ijzerman
Interviews, MusicJuly 1, 2025<July 1, 2025

Big-Hearted Songs for Dreamers: John Muirhead on Connection, Community, and the Road Ahead

by Aileen Goos
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Brand New

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

:: discover something new ::

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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