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Deftones 'private music' © Jimmy Fontaine
Music, ReviewsSeptember 26, 2025<September 26, 2025

Deftones Make a Euphoric Return and Begin a New Era with ‘Private Music,’ Their First Album in 5 Years

by Adam Davidson
Sydney Sprague 'Peak Experience' album art
Music, ReviewsSeptember 26, 2025<September 26, 2025

Sydney Sprague Examines the Idea of Identity, Among Other Things, on ‘Peak Experience’

by Kevin Krein
Zimmer90 © Lisa Nguyen
Debut, Features, Interviews, MusicSeptember 26, 2025<September 26, 2025

“We just need a place where we feel the vibe”: Zimmer90’s ‘Interior’ Is a Home Away from Home

by Nasim Elyasi
Couch © Billy Landers x Prophet Media
Artist to Watch, Interviews, Music, Today's SongSeptember 26, 2025<September 26, 2025

Artist to Watch: Boston’s Couch Embrace ‘Big Talk,’ Brash Emotions, & Bold Sounds in “What Were You Thinking”

by Mitch Mosk
for your entertainment - Savanna Leigh
Music, PremieresSeptember 25, 2025<September 26, 2025

“Aim for the highs and learn from the lows”: Savanna Leigh Finds Freedom on “for your entertainment,” an Indie Pop Anthem of Chaos & Becoming

by Mitch Mosk
Victorialand - Cocteau Twins
Columns, Music, Music & CitiesSeptember 25, 2025<September 25, 2025

Music & Cities: Cocteau Twins’ ‘Victorialand’ in Syracuse

by David Buyze
The Wild Honey Pie x BENEE Pizza Party © Emilio Herce
Events, Music, ReviewsSeptember 25, 2025<September 25, 2025

The Wild Honey Pie’s Beloved Musical Fundraiser Transforms a Cramped Brooklyn Pizzeria with BENEE

by Julia Dzurillay
Karley Scott Collins 'Flight Risk' © Matthew Berinato
Debut, Features, Interviews, MusicSeptember 25, 2025<September 26, 2025

“I know exactly who I am and where I want to go”: Karley Scott Collins Brings a New Sound to Nashville With Debut Album ‘Flight Risk’

by Emily Frances Algar
Capital Soirée © Annaliese Baker
Artist to Watch, Interviews, MusicSeptember 25, 2025<September 25, 2025

“We’re Just Working-Class Pop”: Chicago’s Capital Soirée Is the Band to Watch

by Annaliese Baker
Coral Moons "Apartment" © Amber Layton
Features, Interviews, Music, PremieresSeptember 25, 2025<September 25, 2025

“Am I Just Counting the Seconds?”: Coral Moons Confront Anxiety & Existence on “Apartment,” an Emotionally Charged Indie Rock Reckoning

by Mitch Mosk
Chartreuse ‘Bless You & Be Well’ © Stewart Baxter
Features, Interviews, MusicSeptember 24, 2025<September 24, 2025

Interview: Chartreuse Collectively Move Through Grief and Struggle in ‘Bless You & Be Well’

by Jonah Evans
Kareem Rahma & Tiny Gun © Justin Belmondo
Features, Interviews, MusicSeptember 24, 2025<September 24, 2025

Kareem Rahma & Tiny Gun: Big Heads Just Want to Have Fun

by Nasim Elyasi
runo plum "Lemon Garland" © Alexa Viscius
Artist to Watch, Columns, Interviews, Music, Today's SongSeptember 24, 2025<September 24, 2025

“Give Me Company, Barefoot and Muddy”: runo plum on the Magic of Friendship and Her Tender Folk Fantasy “Lemon Garland”

by Mitch Mosk
Molly Dolphin © 2025
Debut, Music, ReviewsSeptember 22, 2025<September 22, 2025

Unmasked & Unearthed: Molly Dolphin’s ‘Underground River’ Is a Refreshing Burst of Folk in an Era of Manufactured Music

by Kareem Ghezawi
Lois © studio SODIUM
Interviews, Music, ReviewsSeptember 22, 2025<September 29, 2025

Interview: Lois Is Rewriting the Rules With ‘SEVEN’ – And We’re Listening

by Nicolle Knapová
Posts pagination
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Brand New

  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment

:: discover something new ::

Recent Posts

  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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