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Shakey Graves © Magen Buse
Features, Interviews, MusicJune 10, 2021<July 2, 2021

The Questing Beast: Ten Years of Shakey Graves & ‘Roll the Bones’

by Mariel Fechik
EXODUS 1:7 - DMX 7.5
Music, Our Take, ReviewsJune 10, 2021<June 10, 2021

Our Take: DMX Sounds His Final Bark on ‘EXODUS 1:7’

by Josh Weiner
Evan Greer - Spotify is Surveillance
Features, Interviews, MusicJune 10, 2021<June 10, 2021

Interview: Evan Greer Reimagines the World on ‘Spotify Is Surveillance’

by Oliver Crook
Kramies x Grant Wilson
MusicJune 9, 2021<June 9, 2021

Kramies & Grant Wilson Hunt Old Ghosts in New Songs “Oak and the Ivy” & “Goodbye Garden”

by Mitch Mosk
New Woman - lùisa
Features, Interviews, MusicJune 9, 2021<June 9, 2021

Grief, Grooves, & Growth: Lùisa Soars on Intimate & Empowering Third Album ‘New Woman’

by Mitch Mosk
Oceans - YAYME
Debut, Music, PremieresJune 9, 2021<June 9, 2021

Premiere: The Haunting Depths of YAYME’s Tranquilizing, Dreamy Debut Single “Oceans”

by Mitch Mosk
Columns, Music, Today's SongJune 9, 2021<June 9, 2021

Today’s Song: Vicu Brings Us Summer Love in “Focused On You”

by Joe Beer
Wrabel © Yazz Alali
Features, Interviews, MusicJune 9, 2021<June 9, 2021

Interview: Wrabel’s Star Shines on “good” & “nothing but the love”

by Mitch Mosk
Orla Gartland © Karina Barberis
Debut, Features, Interviews, MusicJune 9, 2021<June 9, 2021

Coming of Age As a “Woman on the Internet”: In Conversation with Orla Gartland

by Nina Schaarschmidt
The Bitter Truth - Evanescence 8.3
Music, Our Take, ReviewsJune 8, 2021<June 8, 2021

Our Take: Evanescence Dazzle Like the Seasoned Rock Veterans They Are on ‘The Bitter Truth’

by Josh Weiner
Interviews, MusicJune 8, 2021<June 8, 2021

The Pains & Triumphs of Sincerity: A Conversation with Babehoven

by Adrian Vargas
Charles Copley © Mimi Raver
Music, ReviewsJune 8, 2021<June 8, 2021

Review: Searching for Meaning in Charles Copley’s Haunting & Hopeful Song, “Cedars 6S66”

by Mitch Mosk
Julien Baker © Alysse Gafkjen
Features, Interviews, MusicJune 8, 2021<February 26, 2022

‘Little Oblivions’ & Emotional Chemistry: Julien Baker Discusses Art, Empathy, Honesty, and Self-Love

by Mitch Mosk
Rachel Sermanni © Gaelle Beri
Features, Music, Reviews, Track-by-TrackJune 8, 2021<June 8, 2021

“Glowing, Flowing, Woven”: Rachel Sermanni Dwells in an Intimate Surrender on ‘Swallow Me’ EP

by Mitch Mosk
Music, ReviewsJune 8, 2021<June 8, 2021

Review: Reigning UK Emo Champs Los Campesinos! Really Do It Again with ‘Whole Damn Body’

by Nick Matthopoulos
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Brand New

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love”
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach!
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately”
  • Atwood Magazine’s Weekly Roundup: April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA

:: discover something new ::

Recent Posts

  • “Flying Over Highways Like We Weren’t Butterflies”: Kevin Morby Reflects on What It Means to “Die Young” in a Road-Worn Reverie April 12, 2026
  • “I’m loving my lust for life”: Suki Waterhouse Reclaims Her Glow on “Back in Love” April 11, 2026
  • Editor’s Picks 152: Tired of Fighting, LIFE, Alemeda, aleksiah, Pierre Da Silva, & ill peach! April 10, 2026
  • Roundtable Discussion: A Review of Mitski’s ‘Nothing’s About to Happen to Me’ April 10, 2026
  • “You Can Take Me As I Come”: Andrea Bejar Confesses Her Truth on “Delicately” April 10, 2026
  • Atwood Magazine’s Weekly Roundup: April 10, 2026 April 10, 2026
  • “We Are Here and We Deserve to Be Here”: Grandmas House Bring UK Post-Punk to the USA April 9, 2026
  • “The Return of Intuition”: An Essay by Tenille Townes April 9, 2026
  • “Seductive, Anxious, and a Little Unhinged”: NYC’s NOSHOWS Unleashes His “FOMO” in a Primal Indie Rock Fever Dream April 9, 2026
  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
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