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M.A.G.S.
Features, Music, Reviews, Track-by-TrackAugust 13, 2021<August 13, 2021

“A F*cking Classic”: M.A.G.S. Dives into His Fearless & Unapologetic Sophomore Album ‘Say Things That Matter’

by Mitch Mosk
Bean on Toast
Books, Music, ReviewsAugust 13, 2021<August 17, 2021

Book Review: Beans on Toast Brings Trademark Humility and Humour to the Page on Foolhardy Folk Tales

by Oliver Crook
Luke Hemmings © Davis Bates
Debut, Features, Interviews, MusicAugust 13, 2021<October 5, 2021

“Quite a drama”: 5SOS’s Luke Hemmings Shines on Intimate & Breathtaking Solo Album ‘When Facing the Things We Turn Away From’

by Mitch Mosk
KEANA
Columns, Music, Today's SongAugust 13, 2021<August 13, 2021

Today’s Song: KEANA Finds Comfort in Her Vision of a World of Relaxation with “Lilac”

by Chloe Robinson
Arlie © 2021
Music, ReviewsAugust 12, 2021<August 12, 2021

Review: Arlie’s “poppin” New Single Is a Buoyant & Poignant Embrace of Vulnerability

by Mitch Mosk
The Crystal Casino Band © 2021
Features, Music, Reviews, Track-by-TrackAugust 12, 2021<March 2, 2025

“Catchy, Relatable, & Polished”: The Crystal Casino Band (form. The Colonies) Light Up with Radiant LP, ‘Not About You’

by Mitch Mosk
Hippo Campus © Brit O'Brien
Features, Interviews, Music, Track-by-TrackAugust 12, 2021<October 5, 2021

Interview with Hippo Campus: “It’s Okay to Laugh with Your Demons”

by Kelly Liu
The Bots
Columns, Music, Today's SongAugust 12, 2021<August 12, 2021

Today’s Song: The Bots’ “Girl Problems” Is a Bright, Buoyant Burst of Indie Rock

by Mitch Mosk
Saint Sister © Ellius Grace
Features, Interviews, MusicAugust 12, 2021<August 12, 2021

Interview: Ireland’s Saint Sister on Their Radiant, Reflective Sophomore Album ‘Where I Should End’

by Mitch Mosk
girlhouse © 2021
Music, ReviewsAugust 11, 2021<August 11, 2021

Review: girlhouse Channels Dark, Intimate & Intense Emotions into New Single “happy now”

by Mitch Mosk
Anthonie Tonnon
Features, Music, Reviews, Track-by-TrackAugust 11, 2021<August 11, 2021

“Subtropical Post-Industrial Urbanism”: Anthonie Tonnon Dives into Vast, New LP, ‘Leave Love Out of This’

by Mitch Mosk
Cots © JG and Shi
Debut, Features, Music, Premieres, Reviews, Track-by-TrackAugust 11, 2021<August 11, 2021

“Nocturnal, Pensive, & Melancholic”: Inside Cots’ Dreamy Debut Album ‘Disturbing Body’

by Mitch Mosk
Ric Wilson and Bone Slim
Music, PremieresAugust 11, 2021<August 13, 2021

Premiere: Bone Slim, Ric Wilson Channel Late Nights & UK Garage in Hypnotic “Let Me Ride” ft. Lcytn

by Mitch Mosk
Jenn Champion © Jimmy Bazan
Columns, Music, Today's SongAugust 11, 2021<March 16, 2023

Today’s Song: Jenn Champion Has Got You All Off-Center, Darling.

by Ben Niesen
Wyse © Beth Anderton-Allen
Music, ReviewsAugust 10, 2021<August 10, 2021

Wyse’s “Not That Sorry” Is a Beautifully Unapologetic Upheaval

by Mitch Mosk
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Brand New

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’

:: discover something new ::

Recent Posts

  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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