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Pacifica © Jaxon Whittington
Features, Interviews, MusicNovember 20, 2025<November 20, 2025

‘In Your Face!’ on Their Terms: Pacifica’s Sophomore Album Is a Rip-Roaring Testament to The Duo’s Power

by Kayleigh Schweiker
Josaleigh Pollett © PJ Guinto
Essays, MusicNovember 20, 2025<November 20, 2025

“Protection, Memory, & the Pink Glow of ‘Radio Player’”: An Essay by Josaleigh Pollett

by Guest Writer
Marilyn Hucek 'MARILYN' © 2025
Debut, Music, ReviewsNovember 20, 2025<November 20, 2025

The ‘MARILYN’ Debut: Love, Loss, and Chasing Dreams with Marilyn Hucek

by Kelly McCafferty Dorogy
Charli xcx "House" © Paul Kooiker
Columns, Music, Today's SongNovember 20, 2025<November 20, 2025

“Let It Be Perfect”: Charli xcx’s “House featuring John Cale” and Creative Burnout

by Juls Patterson
Elliott Skinner © Hashim Musa
Artist to Watch, Interviews, MusicNovember 19, 2025<November 24, 2025

“I Don’t Want Another Fantasy”: Elliott Skinner Channels Light, Lineage, & a Quiet Reckoning on “RECALLING”

by Mitch Mosk
Madilyn Mei 'A Thousand Songs About It All: Act 1' © Emily Minerowicz
Features, Interviews, MusicNovember 19, 2025<November 19, 2025

Madilyn Mei’s One-Man Circus: Queer Joy, Clown Costumes, & 1000 Songs About Everything

by Nicolle Knapová
The Aces 'Gold Star Baby' © Dana Trippe
Concerts, Music, ReviewsNovember 19, 2025<November 19, 2025

Live Review: The Aces Earn Their Gold Star, Baby with Electric New York City Concert

by Julia Dzurillay
Hilary Duff "Mature" © Lauren Dunn
Columns, Music, Today's SongNovember 19, 2025<November 19, 2025

Today’s Song: Hilary Duff Got Older & Wiser – and Wrote About It in “Mature”

by Danielle Holian
Good Kid © Evie Maynes
Columns, Interviews, Music, Today's SongNovember 17, 2025<November 19, 2025

Interview: Good Kid on Vulnerability, Community, & Independence on “Wall”

by Rachel Leong
Atwood Magazine's 137th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 14, 2025<November 14, 2025

Editor’s Picks 137: Amanda Bergman, The Paper Kites, Mon Rovîa, Jade Street, Dollpile, & Elliott Skinner!

by Mitch Mosk
Black Country, New Road © Eddie Whelan
Features, Interviews, MusicNovember 14, 2025<November 14, 2025

“Forever Howlong”: Black Country, New Road on Connection, Community, & Building a Shared Universe Together

by Mitch Mosk
Izzy Escobar © Michael Greco
Interviews, MusicNovember 14, 2025<November 14, 2025

“I’m Just Writing What Feels Real”: Izzy Escobar Shines With Honest, Heartfelt Pop on ‘Sunny in London’ EP

by Michael Greco
Evan Honer 'Everything I Wanted' © Harrison Hargrave
Features, Interviews, MusicNovember 14, 2025<December 14, 2025

“Electric, Chronological, & Real”: Evan Honer Reflects on ‘Everything I Wanted’ and Finding Joy on the Open Road

by Ashley Littlefield
Buick Audra © Anna Haas
Essays, MusicNovember 14, 2025<November 14, 2025

“It’s Not Mine I Carry Around”: An Essay by Buick Audra of Friendship Commanders

by Guest Writer
Ber "Good, Real" © Tom Thornton
Interviews, Music, Today's SongNovember 14, 2025<November 14, 2025

“It’s a Gold Rush”: Ber Falls Hard & Fast on “Good, Real,” Her Shiny, Sun-Soaked Love Song

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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