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Man on the Moon III: The Chosen - Kid Cudi 7.9
Music, Our Take, ReviewsDecember 17, 2020<December 17, 2020

Our Take: Kid Cudi Crafts a Fitting Final Chapter to His Trilogy with ‘Man on the Moon III: The Chosen’

by Josh Weiner
The Baby - Samia
Debut, Features, Interviews, MusicDecember 17, 2020<December 17, 2020

Interview: Folk Rock Up-And-Comer Samia on Her Stunning & Intimate Debut ‘The Baby’ & ‘The Baby Reimagined’

by Lowndes Commander
De Joie © 2020
Music, PremieresDecember 17, 2020<September 20, 2021

Premiere: The Ethereal Ebb & Flow of De Joie’s Poignant “Oslo (Holly’s Song)”

by Mitch Mosk
Columns, Music, Today's SongDecember 17, 2020<December 17, 2020

Today’s Song: Apollo Flowerchild’s “Bloody Hands” Is a Grief-Stricken, Placating Ode to Past Selves & New Tomorrows

by Jesse Herb
Breaking The Record 2020
Breaking the Record, Columns, MusicDecember 17, 2020<May 18, 2023

Breaking the Record with Roan Yellowthorn, Part 44: Moving Along

by Guest Writer
Orlando - Seafarers 9.4
Features, Interviews, Music, Our Take, Reviews, Track-by-TrackDecember 17, 2020<December 16, 2020

“Hopeful, Liberated, & Futile”: London’s Seafarers on Their Stirring, Standout Debut ‘Orlando’

by Mitch Mosk
Shie Rozow © Shani Barel // 'Shawn Mendez: In Wonder' promotional poster
Editorials, MusicDecember 16, 2020<December 16, 2020

Essay: Shie Rozow on Music Editing for Shawn Mendes, Danny Elfman, & More

by Guest Writer
Smallpools © Brandon Keith
Music, Reviews, This Just InDecember 16, 2020<December 16, 2020

This Just In: Smallpools’ “simulation” Is a Song of Sci-Fi Sanctuary, Empathy, & Depth

by Mitch Mosk
Goo Goo Dolls "Miracle Pill" promo shot © Ed Gregory
Features, Interviews, MusicDecember 16, 2020<March 2, 2025

Interview: Goo Goo Dolls Look Back on 35 Years of Rock & 25 Years of “Name”

by Mitch Mosk
Good News - Megan Thee Stallion 7.7
Debut, Music, Our Take, ReviewsDecember 16, 2020<December 16, 2020

Our Take: Megan Thee Stallion Swiftly Claims Dominance in the Rap World on Debut LP, “Good News.”

by Josh Weiner
William Harries Graham © Todd Wolfson
Columns, Music, Today's SongDecember 16, 2020<December 16, 2020

Today’s Song: William Harries Graham’s “Confidant” Is a Light Skip Through Concepts of Love

by Frankie Rose
Ane Brun © Stian Andersen
Features, Interviews, Music, Track-by-TrackDecember 15, 2020<December 22, 2020

“Presence, Passion, & Comfort”: Ane Brun on Her Two Stunning & Stirring Albums of 2020

by Mitch Mosk
Editorials, MusicDecember 15, 2020<August 19, 2021

Greta Van Fleet’s Second Act: A Hopeful Skeptic’s Anticipation of ‘The Battle at Garden’s Gate’

by Lilly Eason
Noah Kahan & mxmtoon collaborate on "Pride" © Jenny Alice Watts
Music, ReviewsDecember 15, 2020<December 15, 2020

Isolation & Rejection: Noah Kahan’s “Pride” (ft. mxmtoon) Is the FOMO Song of the Year

by Mitch Mosk
POESY © 2020
Columns, Music, Today's SongDecember 15, 2020<December 15, 2020

Today’s Song: Digging Ourselves Out of Darkness with POESY’s “Diamonds”

by Hermione Kellow
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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