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Columns, Music, Today's SongNovember 18, 2020<November 18, 2020

Today’s Song: Dom La Nena’s “Todo Tiene Su Fin” is an Anthem of Hope

by Adrian Vargas
MINIQ
Debut, Music, PremieresNovember 18, 2020<November 18, 2020

Premiere: Falling for Aussie Duo MINIQ’s Seductive, Smoldering “Space Cowboy”

by Mitch Mosk
Donovan Woods © Maya Fuhr
Features, Music, Reviews, Track-by-TrackNovember 17, 2020<December 22, 2020

“Ruminative, Lonely, & Forgiving”: Singer/Songwriter Donovan Woods on His Intimate 7th Album ‘Without People’

by Mitch Mosk
The Drives © Geffen Schichor 2
Columns, Music, Today's SongNovember 17, 2020<October 27, 2021

Today’s Song: The Drives’ Dynamic “All This Boredom” Is Anything But…

by Mitch Mosk
Clipping © Cristopher Cichocki 8
Music, Our Take, ReviewsNovember 17, 2020<December 15, 2020

Our Take: Clipping. Come Out Swinging & Unsettling on ‘Visions of Bodies Being Burned’

by Josh Weiner
iDKHOW © 2020
Debut, Features, Music, Reviews, Track-by-TrackNovember 17, 2020<November 17, 2020

‘Razzmatazz’ & Razzle-Dazzle: iDKHOW Go Track-by-Track Through Their Thrilling Debut Album

by Mitch Mosk
Molly Moore
Interviews, MusicNovember 17, 2020<November 17, 2020

Interview: Molly Moore Explains How She Embraced Her Weaknesses with “Voice On The Internet”

by Dimitra Gurduiala
Elizabeth Moen © Elly Hofmaier
Music, PremieresNovember 17, 2020<November 17, 2020

Premiere: Processing Painful Emotions with Elizabeth Moen’s Delicate Folk Song, “It’ll Get Tired Too”

by Mitch Mosk
Interviews, MusicNovember 17, 2020<August 16, 2021

Interview: How Danielle Durack Is Redefining Utopia Ahead of Her Upcoming Album ‘No Place’

by Erica Danielle Garcia
Mink's Miracle Medicine © Rich Tarbell
Music, PremieresNovember 17, 2020<November 17, 2020

Premiere: Mink’s Miracle Medicine’s “Beautiful Losers” Is an Entrancing Americana Ode

by Mitch Mosk
Music, ReviewsNovember 16, 2020<November 16, 2020

Review: James Blake Harkens Back to His Roots in ‘Before’ EP

by Maggie McHale
Shacks & Palaces © Adam & Karolina Wallace
Music, PremieresNovember 16, 2020<November 17, 2020

Premiere: Shacks & Palaces’ “God Made You Strange” Is an Anthem of Acceptance, Self-Love, & Ownership

by Mitch Mosk
Meg Myers ©
Interviews, Music, ReviewsNovember 16, 2020<November 16, 2020

Transition & Light in the Darkness: An Interview with Meg Myers

by Frankie Rose
Rama Gu © 2020
Features, Interviews, MusicNovember 16, 2020<November 16, 2020

“It is what it is”: Inside Rama Gu’s Intimate & Vulnerable Indie Folk Debut, ‘The Garden’

by Mitch Mosk
Alex Little & The Suspicious Minds
Music, Music Videos, PremieresNovember 16, 2020<November 16, 2020

Premiere: Driving Down Memory Lane with Alex Little & The Suspicious Minds’ “Across the City”

by Mitch Mosk
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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