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Columns, Music, Today's SongSeptember 25, 2020<September 30, 2020

Today’s Song: Georgia & The Vintage Youth Anticipate the Future Through Genres of the Past on “Overthinker”

by Erica Danielle Garcia
Features, Interviews, MusicSeptember 25, 2020<September 29, 2021

Historic Moments & Grand Beginnings: A Conversation with Silvana Estrada

by Adrian Vargas
Shannen James © 2020
Debut, Features, Music, Reviews, Track-by-TrackSeptember 25, 2020<September 25, 2020

Sun-Drenched, Groovy, & Lush: Melbourne’s Shannen James Strikes Hot with Debut ‘Arrows’ EP

by Mitch Mosk
The Islas © 2020
MusicSeptember 25, 2020<September 25, 2020

Interview: Norwich, England’s The Islas Rise & Shine with an Indie Rock Flame

by Mitch Mosk
Let Yourself Be Loved Album - Joy Denalane
Music, Reviews, Track-by-TrackSeptember 25, 2020<February 19, 2021

Track-by-Track: Joy Denalane’s Effusive & Energetic Album ‘Let Yourself Be Loved’

by Mariel Fechik
Soda Blonde 2020 © Ste Murray
Music, Reviews, This Just InSeptember 24, 2020<September 24, 2020

This Just In: Soda Blonde’s Intimate New Song “Love Me World” Is an Irresistible Indulgence

by Mitch Mosk
Izzy Heltai © Joanna Chattman
Music, PremieresSeptember 24, 2020<September 24, 2020

Premiere: Izzy Heltai’s “Father” Is a Gentle, Cerebral Reminder About the Facts of Life

by Jesse Herb
Fly by Night x Shoffy © 2020 3
Music, PremieresSeptember 24, 2020<September 23, 2020

Premiere: Fly By Midnight Jolt Us Awake with a Heavy Dose of “Caffeine” ft. Shoffy

by Mitch Mosk
Atwood Magazine Editor's Picks 40
MusicSeptember 24, 2020<October 6, 2020

Editor’s Picks: COIN, McCall, Ayoni, Eve Owen, Fergus, & Close Talker!

by Mitch Mosk
Pillow Queens © Faolán Carey
Features, Interviews, Music, ReviewsSeptember 24, 2020<September 23, 2020

Feature: Pillow Queens Challenge Themselves & Their City on ‘In Waiting’

by Oliver Crook
Delaney Jane © 2020
Music, PremieresSeptember 24, 2020<September 24, 2020

Premiere: Toronto’s Delaney Jane Lets ‘Em Down Easy in Aching “On Paper”

by Mitch Mosk
Rearrange Us - Mt. Joy
Features, Interviews, MusicSeptember 24, 2020<October 6, 2020

Interview: Mt. Joy Soar in Triumphant & Stirring Second Album ‘Rearrange Us’

by Mitch Mosk
Flora Hibberd ©
Music, PremieresSeptember 24, 2020<September 24, 2020

EP Premiere: Flora Hibberd’s ‘Archipelago’ Intertwines Love with Ghostly Romanticised Landscapes

by Frankie Rose
Breaking The Record 2020
Breaking the Record, Columns, MusicSeptember 24, 2020<September 23, 2020

Breaking the Record with Roan Yellowthorn, Part 33: How It Feels

by Guest Writer
Columns, Music, Today's SongSeptember 24, 2020<September 23, 2020

Today’s Song: TENDER Leave Their Hearts on the Line in “Own Up”

by Maggie McHale
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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