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Atwood Magazine's 129th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 25, 2025<August 7, 2025

Editor’s Picks 129: total tommy, Park National, Zzz., Florentenes, mary in the junkyard, & DR DR!

by Mitch Mosk
Aidan Bissett 'shut up and love me' © 2025
Debut, Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview: Aidan Bissett Welcomes the Complexities of Connection on His Debut Album ‘shut up and love me’

by Annaliese Baker
Atwood Magazine's Weekly Roundup | July 25, 2025
Columns, Features, Music, Weekly RoundupJuly 25, 2025<August 4, 2025

Atwood Magazine’s Weekly Roundup: July 25, 2025

by Atwood Magazine Staff
hard life's Murray Matravers © 2025
Music, ReviewsJuly 25, 2025<July 25, 2025

Album Review: hard life (FKA easy life) Peel Back the Layers on Their Raw, Resurgent, & Unfiltered ‘onion’

by Mitch Mosk
Jazzie Young © Caitlin Indiana
Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview with Jazzie Young: Playing With Changes and Layering Them Atop Indie Pop Beats

by Josh Weiner
Bella Rios 'Right Now' EP © Shervin Lainez
Features, Interviews, MusicJuly 25, 2025<July 25, 2025

Interview: Bella Rios Finds Her Voice in ‘Right Now,’ a Pop-Rock Diary of Growing Up and Letting Go

by Aileen Goos
Blair Davie "Crashing the Car" © 2025
Columns, Music, Today's SongJuly 25, 2025<July 25, 2025

Today’s Song: “Crashing The Car” and Falling into Love with Blair Davie’s Intimate New Single

by Aileen Goos
Debbii Dawson © Jennifer Juniper Stratford
Artist to Watch, Features, Interviews, MusicJuly 24, 2025<July 24, 2025

“I’m a weird girl who makes weird music for weird people”: Inside Debbii Dawson’s Magical Musical World

by Mitch Mosk
Joe Ramsay © James Grant
Music, PremieresJuly 24, 2025<July 28, 2025

Premiere: Joe Ramsey Reflects on Time, Purpose, & Presence in “Mornings,” a Stirring Indie Folk Reckoning

by Mitch Mosk
Charlotte OC © Stewart Baxter
Features, Interviews, Music, Track-by-TrackJuly 24, 2025<July 24, 2025

“I wanted this record to sound like truth”: Charlotte OC Reclaims Herself on ‘Seriously Love, Go Home,’ a Record of Reckoning, Release, & Hard-Won Clarity

by Mitch Mosk
Amy Millan © Tess Roby
Features, Interviews, Music, Track-by-TrackJuly 24, 2025<July 24, 2025

“Gentle Songs for a Loud World”: Stars’ Amy Millan Shines on ‘I Went to Find You,’ a Spiritual & Spellbinding Solo Album Rooted in Memory, Grief, & Grace

by Mitch Mosk
Post Animal 'Iron' © CJ Harvey
Features, Interviews, MusicJuly 24, 2025<July 25, 2025

Interview: Post Animal on Friendship, Nostalgia, and Their Latest Album, ‘Iron’

by Mariam Bagdady
Kaleah Lee "Fever" © Ruth Lee
Columns, Music, Today's SongJuly 24, 2025<July 24, 2025

Dream Logic and Delicate Ache: Kaleah Lee’s “Fever” Is a Liminal Lullaby

by Nicolle Knapová
Harry Hudson Taylor
Interviews, MusicJuly 23, 2025<July 23, 2025

“Dear You, It’s Me”: The Rebirth of Harry Hudson Taylor, Embracing Vulnerability, and Artistic Transformation

by Danielle Holian
Olina © 2025
Music, PremieresJuly 23, 2025<July 23, 2025

Premiere: Olina’s “Newspaper Smell” Is a Raw, Raucous Reckoning with Class, Chaos, & First-Gen Dread

by Mitch Mosk
Posts pagination
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Brand New

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’

:: discover something new ::

Recent Posts

  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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