• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Tame Impala © Irie Calkins
Columns, Music, Today's SongOctober 4, 2025<October 4, 2025

“It’s Far Too Late, the Time Has Come”: Tame Impala Shadows a Haunting Anthem with “Dracula” Ahead of Fifth Studio Album ‘Deadbeat’

by Ashley Littlefield
Soft Loft "Dorm" © Flavio Leone
Artist to Watch, Interviews, MusicOctober 3, 2025<October 8, 2025

“I See Mountains, I See Forests”: Soft Loft’s Soul-Stirring “Dorm” Is a Golden Hymn of Perseverance, Hope, & Humanity

by Mitch Mosk
Jens Kuross © Mark Oliver
Features, Interviews, Music, Track-by-TrackOctober 3, 2025<October 3, 2025

Track-by-Track: Jens Kuross’ ‘Crooked Songs’ Feels Like a Conversation Cut Short – It Leaves you Wanting More

by Aileen Goos
Daffo © Nolan Knight
Artist to Watch, Debut, Features, Interviews, MusicOctober 3, 2025<October 3, 2025

Looking for a “Quick Fix”? Daffo’s ‘Where the Earth Bends’ Is a Raw Reflection on Confronting Your Vices

by Madeleine Eggen
Getting Killed by Geese
Music, ReviewsOctober 3, 2025<October 3, 2025

Geese: ‘Getting Killed’ Never Sounded So Good

by Anu Sarode
Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song
Columns, Music, Nostalgia TracksSeptember 30, 2025<September 30, 2025

Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song

by Anu Sarode
Still Blank © Travis Bailey
Artist to Watch, Columns, Interviews, Music, Today's SongSeptember 30, 2025<September 30, 2025

The Kids “Ain’t Quite Right”: Still Blank Emerge from the Dark with a Haunting Alt-Rock Fever Dream

by Mitch Mosk
AM I THE DRAMA? - Cardi B 7.6
Music, Our Take, ReviewsSeptember 30, 2025<September 30, 2025

Our Take: Cardi B’s Comeback Album ‘AM I THE DRAMA?’ Is As Striking & Abrasive As Anything in Her Catalog

by Josh Weiner
Doechii © All Things Go
Concerts, Music, ReviewsSeptember 30, 2025<September 30, 2025

Review: Doechii Responds to Lola Young Health Scare at All Things Go in the Sweetest Way

by Julia Dzurillay
Becca Hannah © Nicolangelo Leone
Music, Music Videos, PremieresSeptember 30, 2025<September 30, 2025

Premiere: Becca Hannah’s “Caramel” Is the Perfect Jazzy Paradise for Pining Over a Crush

by Chloe Robinson
Sarah Kinsley © All Things Go / Jazmin Tuscani
Concerts, Music, ReviewsSeptember 29, 2025<September 29, 2025

Sarah Kinsley Is Anything But “Fleeting” at New York City’s All Things Go Music Festival

by Julia Dzurillay
Rachel Chinouriri © All Things Go
Concerts, Music, ReviewsSeptember 29, 2025<September 29, 2025

Review: Rachel Chinouriri Is a Garden of Eden at New York City’s All Thing Go Music Festival

by Julia Dzurillay
Amazonica © 2025
Interviews, MusicSeptember 29, 2025<September 29, 2025

Interview: Amazonica Reflects on Reinvention in “Mirror Baby” & New Album ‘Victory’

by Joe Beer
Ginger Root 'SHINBANGUMI' © David Gutel
Concerts, Music, ReviewsSeptember 29, 2025<September 29, 2025

Review: Ginger Root Introduces a Surprising New Setlist Format with City Pop-Inspired New York City Concert

by Julia Dzurillay
Paris Paloma "Good Boy" © Phoebe Fox
Columns, Music, Today's SongSeptember 29, 2025<September 29, 2025

Paris Paloma’s “Good Boy” Is a Scorching Anti-Capitalist, Feminist Anthem for the Working Class

by Nicolle Knapová
Posts pagination
1 … 38 39 40 41 42 … 737

Brand New

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

:: discover something new ::

Recent Posts

  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services