• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Columns, Music, Today's SongJune 1, 2020<June 1, 2020

Today’s Song: Kylie Odetta Finds Inner Strength with “Cry Out”

by Kelly McCafferty Dorogy
Jessame "Love Thing"
Columns, Interviews, Music, Today's SongMay 30, 2020<February 29, 2024

Interview: “Love Thing” Marks a Fiery First Collaboration for Pisano & Jessame

by Josh Weiner
Features, Music, Weekly RoundupMay 29, 2020<May 29, 2020

Atwood Magazine’s Weekly Roundup: May 29, 2020

by Atwood Magazine Staff
With You, Always EP - Edward + Jane
Music, Reviews, Track-by-TrackMay 29, 2020<May 29, 2020

Edward and Jane Bid a Beautiful Farewell in Haunting Third EP ‘With You, Always’

by Mitch Mosk
Norii © 2020
Debut, Music, PremieresMay 29, 2020<May 29, 2020

Premiere: Norii’s Debut “So It Goes” Powerfully Turns the Tables on a Relationship

by Lexi Lane
Shawn Wasabi © Luke Fontana
Debut, Interviews, MusicMay 29, 2020<March 2, 2023

Interview: Shawn Wasabi’s Vastly Vibrant World on Debut Album ‘MANGOTALE’

by Alex Killian
Features, Interviews, MusicMay 29, 2020<May 29, 2020

‘Future Teenage Cave Artists’: An Interview with Deerhoof on the Merits of Fairytales in Post-Apocalyptica

by Ben Niesen
Pickles & Pies - The Memories
Music, Reviews, Track-by-TrackMay 29, 2020<May 29, 2020

Track-by-Track: The Memories’ ‘Pickles & Pies’ Is a Delicious Indulgence

by Mitch Mosk
The Slow March of Time Flies By - The Shadowboxers 10
Debut, Features, Music, Our Take, Reviews, Track-by-TrackMay 29, 2020<May 23, 2023

Our Take: The Shadowboxers’ Debut Album Is a Majestic Musical Masterpiece

by Mitch Mosk
Columns, Music, Today's SongMay 29, 2020<May 29, 2020

Today’s Song: On Their New Single “Ravenous Girl,” Arre! Arre! Sneer at Mainstream Beauty Standards

by Danny Vagnoni
Hoger
Music, Reviews, This Just InMay 29, 2020<May 29, 2020

This Just In: Hoger Navigates Enigmatic Emotions on “Show Me How to Love”

by Luke Pettican
Soda Blonde © Ste Murray
Features, Interviews, MusicMay 29, 2020<August 23, 2020

Feature: Soda Blonde’s Breathtaking ‘isolation • content’ EP Captures Life in Lockdown

by Mitch Mosk
The Howl & The Hum Album
Debut, Music, ReviewsMay 29, 2020<May 29, 2020

Review: The Howl & The Hum’s ‘Human Contact’ Is a Spellbinding Debut

by Bethan Harper
Lady Clementine’s Fantastic Party © Nicole Hernandez
Music, PremieresMay 29, 2020<May 29, 2020

Premiere: Lady Clementine’s Fantastic Party Explores the Fog of the National Ethos in “American Dream”

by Jonny Shapiro
Watsky © 2020
Music, ReviewsMay 28, 2020<May 28, 2020

Review: Watsky’s ‘Placement’ Crafts a Polarizing New Voice for Hip-Hop’s Wunderkind

by Guest Writer
Posts pagination
1 … 417 418 419 420 421 … 729

Brand New

  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told
  • The Sound of Stillness: Samara Joy in Palo Alto
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026

:: discover something new ::

Recent Posts

  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services