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Debut, Features, Interviews, Music, ReviewsJune 4, 2020<June 4, 2020

‘Your Hero Is Not Dead’: Westerman Discusses His Inventive & Comforting Debut Album

by Tim Horwood
Columns, Music, Today's SongJune 4, 2020<June 18, 2020

Today’s Song: A Sultry Tale of Infatuation on Baseball Game’s “Woman”

by Adrian Vargas
Denny © 2020
Essays, MusicJune 4, 2020<March 2, 2025

A Note From Denny

by Guest Writer
Breaking The Record 2020
Breaking the Record, Columns, MusicJune 4, 2020<June 3, 2020

Breaking the Record with Roan Yellowthorn, Part 18: Breaking the Silence

by Guest Writer
Bruno Major © Juan Ortiz-Arenas
Features, Interviews, MusicJune 4, 2020<August 23, 2020

Feature: The Timeless Beauty of Bruno Major’s Sophomore Album ‘To Let A Good Thing Die’

by Mitch Mosk
Music, Music Videos, PremieresJune 4, 2020<June 3, 2020

Premiere: Mali-Koa Explores Change in Heartfelt, Reflective Music Video for “Some Things”

by Erica Danielle Garcia
Interviews, MusicJune 3, 2020<June 3, 2020

Interview with Ukiyo: Emerging from Isolation with a Slew of Hot New Tracks

by Josh Weiner
Emma Kupa © James Wolf
Music, PremieresJune 3, 2020<June 2, 2020

Premiere: Cambridgeshire’s Emma Kupa Channels Fresh Frustration in Feverish “Nothing At All”

by Mitch Mosk
Eliot Bronson © Jenna Shea Mobley
Music, PremieresJune 3, 2020<June 2, 2020

Premiere: Eliot Bronson’s “Empty Spaces” and the Intimate Depths of Isolation

by Mitch Mosk
Caroline - Crash Adams
Columns, Music, Today's SongJune 3, 2020<June 2, 2020

Today’s Song: Crash Adams Want You to Rock Out to Their Headbanging, Finger-Wagging Single “Caroline”

by Emily Staley
X Ambassadors © Anna Lee Media
Features, Interviews, MusicJune 3, 2020<August 23, 2020

Feature: X Ambassadors’ Sam Harris Talks Finding “Zen” & Fighting Injustice as Nationwide Protests Escalate

by Anthony Kozlowski
Notes on a Conditional Form - The 1975
Features, Music, Reviews, RoundtableJune 1, 2020<June 29, 2024

Roundtable Discussion: A Review of The 1975’s ‘Notes on a Conditional Form’

by Atwood Magazine Staff
Plasi © Olof Grind
Music, Music Videos, PremieresJune 1, 2020<June 1, 2020

Premiere: Plàsi’s Beautiful “Where I Belong” Tells a Story of Passion & Self-Discovery

by Mitch Mosk
Christian Lee Hutson © Gus Black
Debut, Features, Interviews, MusicJune 1, 2020<September 12, 2020

Interview with Christian Lee Hutson: From Collaborator to Solo Storyteller

by Frankie Rose
Post Rome © 2020
Features, Interviews, MusicJune 1, 2020<May 30, 2020

Interview with Post Rome: An Emerging English Rock Band Patiently Awaits the Chance to Proceed

by Josh Weiner
Posts pagination
1 … 424 425 426 427 428 … 737

Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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