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COIN © Hunter Airheart
Features, Interviews, MusicMay 11, 2020<May 11, 2020

Interview: COIN Let It All Out in Third Album ‘Dreamland’

by Luke Pettican
Jason Isbell © Eric Ryan Anderson
Essays, MusicMay 11, 2020<May 11, 2020

Every Chorus Brings Us Closer: Appreciation & Aspiration from a Middle-Aged Fanboy

by Guest Writer
Gracie Abrams © Vince M. Aung
Columns, Music, Today's SongMay 11, 2020<May 11, 2020

Today’s Song: Gracie Abrams Commits to Moving Forward on “21”

by Madison Vettorino
Features, Music, Weekly RoundupMay 8, 2020<May 15, 2020

Atwood Magazine’s Weekly Roundup: May 8, 2020

by Atwood Magazine Staff
Roger O’Donnell © Elisabet Davidsdottir
Features, Interviews, MusicMay 8, 2020<May 11, 2020

Interview: The Cure’s Roger O’Donnell Discusses His Latest Beauty, ‘2 Ravens’

by Ilana Kalish
Yuki © Oli Spencer
Debut, Interviews, Music, ReviewsMay 8, 2020<May 8, 2020

Interview: Multi-Talented New Zealand Producer Yuki Talks Debut Album ‘Be Free’

by Ryan Feyre
W.O.T.W - Andrew
Music, ReviewsMay 8, 2020<May 8, 2020

Review: Andrew Morphs Blues Rock with Classic Boom-Bap on ‘WOTW’

by Ryan Feyre
LOVA © Beata Cervin
Features, Interviews, MusicMay 8, 2020<May 8, 2020

Interview: Sweden’s LOVA Gets Candid & Personal in New Single “Own Worst Enemy”

by Chloe Robinson
Chelsea Peretti © Taili Song Roth
Columns, Debut, Music, Music You Should Know, ReviewsMay 8, 2020<May 8, 2020

Music You Should Know: Chelsea Peretti’s ‘Foam and Flotsam’ Is Pure Comedic Gold

by Lexi Lane
Overindulgence - Oddnesse
Debut, Music, Reviews, Track-by-TrackMay 7, 2020<May 12, 2020

Feature: Oddnesse’s Unapologetic & Uncompromising Debut EP ‘Overindulgence’

by Mitch Mosk
Die 4 Ur Love - Tei Shi
Music, Reviews, This Just InMay 7, 2020<May 7, 2020

This Just In: Tei Shi Dances Her Way Past Desire & Devotion in “Die 4 Ur Love”

by Baylee Less
X © Kristy Benjamin
Features, Interviews, MusicMay 7, 2020<August 23, 2020

Interview: X’s Exene Cervenka on LA Punk Legends’ Return & New Album ‘ALPHABETLAND’

by Mariel Fechik
inadiquit - Bomethius 8.3
Music, Our Take, ReviewsMay 7, 2020<December 15, 2020

Our Take: Bomethius’ Ambitiously Crafted ‘inadiquit’ is More than Adequate

by Anthony Kozlowski
Let It Leave - Deau Eyes
Features, Music, Reviews, Track-by-TrackMay 7, 2020<May 7, 2020

Feature: Deau Eyes’ Dazzling Debut ‘Let It Leave’ Is Honest & Raw Indie Rock Passion

by Mitch Mosk
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 7, 2020<May 6, 2020

Breaking the Record with Roan Yellowthorn, Part 14: What Matters

by Guest Writer
Posts pagination
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Brand New

  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told
  • The Sound of Stillness: Samara Joy in Palo Alto
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026

:: discover something new ::

Recent Posts

  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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