• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Breaking The Record 2020
Breaking the Record, Columns, MusicMarch 19, 2020<March 16, 2020

Breaking the Record with Roan Yellowthorn, Part 7: Mastering & More

by Guest Writer
Izzy Thomas © Dorota Szostek
Interviews, MusicMarch 18, 2020<March 18, 2020

Interview: Izzy Thomas Is “Mad” as Hell on Fierce New Single

by Anthony Kozlowski
Beach Tiger © Lindsey McCleskey
Music, PremieresMarch 18, 2020<March 18, 2020

Premiere: Beach Tiger Returns for Good with Buoyant “Hard to Love,” an Aching Indie Pop Anthem

by Mitch Mosk
Finlay - Stranger © 2020
Music, Music Videos, PremieresMarch 18, 2020<March 18, 2020

Video Premiere: Finlay Unveils the Majesty of the World on “Strange”

by Adrian Vargas
Locate S,1 © Ebru Yildiz
Music, PremieresMarch 18, 2020<March 18, 2020

Premiere: Locate S,1’s Delightfully Cynical “Even the Good Boys Are Bad”

by Mariel Fechik
cabane © Elise Péroi
Columns, Music, Today's SongMarch 18, 2020<March 18, 2020

Today’s Song: Cabane’s Brilliantly Unique “Tu ne Joueras Plus à L’amour” (ft. Bonnie “Prince” Billy)

by Kelly McCafferty Dorogy
Jasmine Jethwa © Jenna Coombs
Debut, Features, Interviews, MusicMarch 18, 2020<April 16, 2020

In the Eye of the Hurricane: An Interview with Jasmine Jethwa

by Nicole Almeida
Local Nomad © 2020
Music, Music Videos, PremieresMarch 17, 2020<March 19, 2020

Premiere: Artist-to-Watch Local Nomad Ignites with Intimate Indie Pop Anthem “Gates”

by Mitch Mosk
Ella M. © 2020
Interviews, MusicMarch 17, 2020<March 17, 2020

Interview: Ella M. Attempts to Wash Away the Negativity with “Take Yourself Home”

by Chloe Robinson
The Allegory - Royce da 5'9" 7.5
Music, Our Take, ReviewsMarch 17, 2020<December 15, 2020

Our Take: Royce da 5’9″ Remains a Hip-Hop Megatalent on Eighth Album ‘The Allegory’

by Josh Weiner
Interviews, MusicMarch 17, 2020<March 17, 2020

How to Break the Curse of the Black Orlov: A Conversation with JW Paris

by Josh Weiner
Atwood Magazine Editor's Picks 31
Columns, Editor's Picks, Features, MusicMarch 17, 2020<May 15, 2020

Editor’s Picks: March 17, 2020

by Mitch Mosk
Big Society © 2020
Music, Reviews, Today's SongMarch 17, 2020<March 17, 2020

Today’s Song: Manchester’s Big Society Encourage Youthful Exploration on New Single “Feel”

by Bethan Harper
Sam Lee - Old Wow 8.1
Music, Our Take, ReviewsMarch 17, 2020<December 15, 2020

Sam Lee’s “Old Wow” Is Rooted in the Past, Yet Its Ecological Message Is Relevant and Tender

by Tim Horwood
Fiction Non Fiction © 2020
Music, PremieresMarch 16, 2020<March 16, 2020

Premiere: Fiction Non Fiction’s Sunny “Be There Shine” Is a Loving Embrace

by Mitch Mosk
Posts pagination
1 … 424 425 426 427 428 … 712

Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services