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A Brighter Day - Grant Earl Lavalley
Music, PremieresFebruary 27, 2020<February 27, 2020

Album Premiere: Grant Earl LaValley’s ‘A Brighter Day’ Is a Haunting Celebration of Psychedelic Sound

by Chloe Robinson
Taylor Swift © Valheria Rocha
Editorials, Features, MusicFebruary 27, 2020<February 27, 2020

If I Was The Man, Then I’d Be The Man: An Essay Inspired by Taylor Swift

by Lexi Lane
The Slow Rush - Tame Impala 7.9
Music, Our Take, ReviewsFebruary 27, 2020<December 15, 2020

Our Take: Tame Impala Meditates House Music and Mindfulness on ‘The Slow Rush’

by Ben Niesen
Columns, Music, Today's SongFebruary 27, 2020<August 16, 2021

Today’s Song: Meredith Shock Captures Giving Love a Try in “Trial Run”

by Erica Danielle Garcia
Color Theory © Kremer Johnson
Music, PremieresFebruary 27, 2020<February 27, 2020

Premiere: Color Theory’s “This Whole Nothing” Dwells in Radiant Synthwave Dreams

by Mitch Mosk
Brother Moses © Lowndes Commander
Music, PremieresFebruary 27, 2020<February 26, 2020

Premiere: Brother Moses’ Thoughtfully Written “Bathroom Floor” Is a Snapshot of Honest Emotion

by Lowndes Commander
Breaking The Record 2020
Breaking the Record, Columns, MusicFebruary 27, 2020<February 26, 2020

Breaking the Record with Roan Yellowthorn, Part 4: Aftermath

by Guest Writer
Atwood Magazine Editor's Picks 29
Columns, Editor's Picks, Features, MusicFebruary 26, 2020<March 6, 2020

Editor’s Picks: February 26, 2020

by Mitch Mosk
Little Hurt © Deanie Chen
Columns, Music, Today's SongFebruary 26, 2020<March 27, 2020

Colin Dieden’s Little Hurt Turns Pain into Beauty with “Better Drugs”

by Mitch Mosk
Heaven - Fretland
Music, PremieresFebruary 26, 2020<February 26, 2020

Premiere: Washington’s Fretland Emerge with Empathy, Passion, & Americana Warmth in “Heaven”

by Mitch Mosk
Phoebe Bridgers © Olof Grind
Music, Reviews, This Just InFebruary 26, 2020<March 6, 2020

This Just In: Phoebe Bridgers’ Mesmerizing New Single “Garden Song” Cuts Deep into Your Soul

by Lexi Lane
Debut, Features, Interviews, MusicFebruary 26, 2020<February 26, 2020

It’s All in His Head: The Undercover Dream Lovers Bridges the Old & the New

by Nina Schaarschmidt
Sea Offs © 2020
Music, PremieresFebruary 26, 2020<February 25, 2020

Premiere: Sea Offs’ Folky Single “For Familiarity’s Sake” Tells Us to Let Old Love Die

by Oliver Crook
Twist Helix © Jay Dawson
Music, PremieresFebruary 26, 2020<February 26, 2020

Premiere: UK Trio Twist Helix’s Unapologetic “Louder” Is a Call for Gender Equality

by Alicia Bugallo
James Gillespie © 2020
Music, Music Videos, PremieresFebruary 26, 2020<February 25, 2020

Video Premiere: James Gillespie’s “ICFTI” Is Awash in Autumnal Hues & Seductive Visuals

by Bethan Harper
Posts pagination
1 … 430 431 432 433 434 … 711

Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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