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It Is What It Is - Thundercat by Eddie Alcazar 8.3
Music, Our Take, ReviewsMay 15, 2020<December 15, 2020

Our Take: ‘It Is What It Is’ Finds a Grieving Thundercat at the Height of his Craft

by Josh Weiner
Charlotte OC © Maximillian Hetherington
Features, Music, Reviews, Track-by-TrackMay 15, 2020<May 15, 2020

Feature: Charlotte OC’s ‘Oh the Agony, Oh the Ecstasy’ EP Is a Passionate, Soulful Surrender

by Mitch Mosk
The List - Maisie Peters
Music, Reviews, This Just InMay 15, 2020<May 15, 2020

This Just In: Maisie Peters’ Melodically Blissful Self-Love Anthem, “The List”

by Kelly McCafferty Dorogy
Ten Kills the Pack © 2020
Music, Music Videos, PremieresMay 15, 2020<May 15, 2020

Premiere: The Visceral, Poetic Beauty of “Relaxing Apartments” & Ten Kills the Pack’s Debut EP ‘Force Majeure’

by Mitch Mosk
Ayelle © Polly Hanrahan
Features, Interviews, MusicMay 15, 2020<May 15, 2020

Baring It All with Ayelle: An Interview with a Musical ‘NOMAD’

by Ben Beamish
Columns, Music, Today's SongMay 15, 2020<May 15, 2020

Today’s Song: Laura Gray Provides a Soothing Rumination on Latest Single “For a While”

by Adrian Vargas
Colton Dixon © Jimmy Fontaine
Music, Music Videos, PremieresMay 14, 2020<May 14, 2020

Premiere: Colton Dixon’s Intimate “Can’t Quit You” Proves a Sweetly Seductive Love Song

by Mitch Mosk
Features, Interviews, MusicMay 14, 2020<May 14, 2020

Interview with Gone West: Modern Country with an Old School Sound

by Coco Rich
Bjorn Rydhog © Fredrik Salomonsson
Music, Reviews, Track-by-TrackMay 14, 2020<May 14, 2020

Track-by-Track: Bjorn Rydhog’s ‘Give Me Sunshine’ EP Is a Dazzling Folk-Pop Oasis

by Mitch Mosk
October Tooth © Wrenne Evans
Music, PremieresMay 14, 2020<May 13, 2020

EP Premiere: October Tooth Wonder, ‘Will California Be Worth This’ on New EP

by Lowndes Commander
The National Parks © McKenna Chatterley
Music, Music Videos, PremieresMay 14, 2020<May 14, 2020

Premiere: The National Parks Come Alive with Heartland Hope in “Waiting for Lightning”

by Mitch Mosk
The New Abnormal - The Strokes
Features, Music, Reviews, RoundtableMay 14, 2020<June 29, 2024

Roundtable Discussion: A Review of The Strokes’ ‘The New Abnormal’

by Atwood Magazine Staff
Pixies © 1980s
Columns, Music, Nostalgia TracksMay 14, 2020<May 14, 2020

Nostalgia Tracks: Riding Pixies’ “Wave of Mutilation” for a Summer, 20 Years Later

by Jonny Shapiro
Jacqueline Hackett © 2020
Interviews, MusicMay 14, 2020<May 13, 2020

Interview: Jacqueline Hackett Spills Her Soul on Stunning Debut “Chocolate Milk”

by Lexi Lane
Breaking The Record 2020
Breaking the Record, Columns, MusicMay 14, 2020<May 14, 2020

Breaking the Record with Roan Yellowthorn, Part 15: Speaking the Truth

by Guest Writer
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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