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Features, Interviews, MusicApril 22, 2020<April 24, 2020

“No Mud, No Lotus”: An Interview with Becca Stevens

by Mariel Fechik
Richard String
Music, PremieresApril 22, 2020<April 22, 2020

Premiere: Richard String’s Soaring, Feelgood Psych-Pop Single “In My Garden (Sad Boy Beck)”

by Mitch Mosk
NYIKO Flower Mountain © Niles Gregory
Music, Reviews, This Just InApril 22, 2020<April 22, 2020

This Just In: NYIKO Searches for a Deeper Love on “Like the Movies”

by Anthony Kozlowski
Incubus © 2020
Features, Interviews, MusicApril 22, 2020<May 15, 2020

Flying by the Seat of Their Pants: An Interview with Incubus

by Mitch Mosk
MisterWives © Matty Vogel
Music, Reviews, This Just InApril 22, 2020<April 22, 2020

Review: MisterWives Levitate with Motivational & Brightly-Lit “Rock Bottom”

by Kelly McCafferty Dorogy
Alice Bag © Denée Segall
Features, Interviews, MusicApril 22, 2020<April 22, 2020

Alice Bag Brings Back Old School Punk in Sound & Message on Inspiring ‘Sister Dynamite’

by Oliver Crook
Fiona Harte © Kristy Hal
Columns, Music, Today's SongApril 22, 2020<April 21, 2020

Today’s Song: Fiona Harte Reminisces During Her Stay “At the Hotel”

by Lowndes Commander
Juice © Off Season Creative
Interviews, MusicApril 21, 2020<April 21, 2020

Naruto, DiCaprio, and Musical Genre-Blending: An Interview with Juice

by Josh Weiner
RORRE
Music, Premieres, Track-by-TrackApril 21, 2020<April 21, 2020

EP Premiere: Fallbrook’s RORRE Are Stripped & Raw on ‘Songs in Transit (Midnight Sessions)’ EP

by Mitch Mosk
Interviews, MusicApril 21, 2020<April 21, 2020

Interview: Climate Change Advocate Emily Magpie Talks World Crisis & New Album ‘Let’s Talk About the Weather’ Muses

by Chloe Robinson
Atwood Magazine Editor's Picks 33
Columns, Editor's Picks, Features, MusicApril 21, 2020<May 15, 2020

Editor’s Picks: April 21, 2020

by Mitch Mosk
Parsonsfield © Jim Dan Dee
Features, Music, Reviews, Track-by-TrackApril 21, 2020<April 20, 2020

Feature: Inside Parsonsfield’s Illuminating Fifth Album ‘Happy Hour on the Floor’

by Kelly McCafferty Dorogy
Nia Whyn © Ant Adams
Columns, Music, Today's SongApril 21, 2020<April 21, 2020

Today’s Song: Nia Wyn Parries Negativity on the Soulfully Empowering “Who Asked You”

by Robin Fulton
BTS © 2020
Concerts, Music, ReviewsApril 21, 2020<April 20, 2020

Livestream Review: The Magnificent Draw of BTS’ BANG BANG CON

by Lexi Lane
Smallpools x morgxn © Chloe Delainey
Interviews, Music, Reviews, This Just InApril 20, 2020<April 20, 2020

Interview: Relax, Take a Deep Breath, and “Slowdown” with Smallpools & Morgxn

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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