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Michigander © Erick Frost
Debut, Features, Interviews, MusicApril 9, 2025<April 9, 2025

“Welcome to the Broadcast”: Michigander’s Jason Singer on Change, Letting Go, and Crafting a Timeless Debut Album

by Kelly McCafferty Dorogy
Dosey © 2025
Interviews, MusicApril 9, 2025<April 9, 2025

“This is year 12 of me putting out music and year 1 of it starting to work”: Dosey Collects His Flowers from ‘maybe i’m just terrified’

by Grace Holtzclaw
Strange Froots and Hua Li 化力
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Strange Froots and Hua Li 化力 Bring Big Magic to Small Moments at Taverne Tour

by Oliver Crook
Tennis © Blossom Liu, Daniel Gray
Columns, Music, Today's SongApril 9, 2025<April 9, 2025

“Sleep the World to Forget It”: Tennis Are Spellbound by the “Weight of Desire” in a Song of Longing, Surrender & Sweet Disillusion

by Marc Maleri
Somebody's Child © Jim Fuller
Features, Interviews, Music, Track-by-TrackApril 8, 2025<April 8, 2025

“Rave, Rock, Rebel”: Somebody’s Child Reckons with Time’s Changes on Boldly Defiant Sophomore LP ‘When Youth Fades Away’

by Mitch Mosk
IDER © Sami Weller
Features, Interviews, MusicApril 8, 2025<April 8, 2025

“It’s all a bit of a farce at the end of the day”: IDER Turn Imposter Syndrome into an Aesthetic with ‘Late to the World’

by Brian Denney
Ashlee Merritt © 2025
Editorials, Music, Women's History MonthApril 8, 2025<April 8, 2025

“Be Ready, Be Patient, and Let It All Unfold”: An Essay by Ashlee Merritt for Women’s History Month

by Guest Writer
ÅNGEL 004 © Eden Chinn
Concerts, Music, ReviewsApril 8, 2025<April 8, 2025

Escaping the Organized Chaos of SXSW and Embracing the DIY Spirit of Satellite Ranch

by Ciaran Short
CocoRosie: (L) Sierra Casady, (R) Bianca Casady © Daria Miasoedova
Features, Interviews, MusicApril 8, 2025<October 7, 2025

“It’s All Just in the Idea of Owning It”: CocoRosie Embrace Boldness Through Their Genre-Bending Eighth Album, ‘Little Death Wishes’

by Kayleigh Schweiker
Matty Reynolds © Matt Lewis
Columns, Music, Today's SongApril 8, 2025<April 8, 2025

Today’s Song: Matty Reynolds Proves That Distance Makes the Heart Grow Fonder in “Timbuktu”

by Miranda Urbanczyk
mary in the junkyard © Herbie Bone
Columns, Music, Today's SongApril 7, 2025<April 7, 2025

mary in the junkyard’s Hauntingly Raw “bear walk” Reckons with Love, Loss, & Longing

by Mitch Mosk
Ben Barnes © Ciara McMullan
Debut, Features, Interviews, MusicApril 7, 2025<April 7, 2025

Interview: Ben Barnes on His Move from Screen to Stage, Authenticity as an Artist, & Debut LP ‘Where the Light Gets In’

by Brianna Corrine
Miley Cyrus © Glen Luchford
Columns, Music, This Just In, Today's SongApril 4, 2025<April 4, 2025

Miley Cyrus’ “End of the World” Is a Disco-Fueled Love Letter to Apocalyptic Parties

by Danielle Holian
Hannah Cohen © Josh Goleman
Features, Interviews, MusicApril 4, 2025<June 4, 2025

“Anything Can Mean Everything”: Hannah Cohen Plants New Roots with ‘Earthstar Mountain,’ an Intimate Love Letter to the Catskills

by Mitch Mosk
I Said I Love You First - Selena Gomez & Benny Blanco 8.1
Music, ReviewsApril 4, 2025<April 4, 2025

Our Take: Selena Gomez and Benny Blanco Embrace Vulnerability in ‘I Said I Love You First’

by Danielle Holian
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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