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Of Monsters and Men © Eva Schram
Columns, Music, Today's SongAugust 28, 2025<August 28, 2025

“Farewell, My Dreaded Fear”: Of Monsters and Men Return Home as an “Ordinary Creature” in a Tender Ode to Vulnerability & Belonging

by Ashley Littlefield
Lydia Luce "Mammoth" © Ryan Usher
Features, Interviews, MusicAugust 27, 2025<August 28, 2025

“It’s Just the Rhythm of Life”: Lydia Luce Climbs Mountains of Pain, Inner Peace, and Motherhood on ‘Mammoth’

by Mitch Mosk
Jackson Scribner © Brendan Blaney
Music, PremieresAugust 27, 2025<August 27, 2025

“A Self-Reflection Inside a Song”: Jackson Scribner Finds Midnight Solace in “Mr. Moon,” a Haunting Indie Folk Confessional

by Mitch Mosk
Luca Fogale "For" © Brandon Artis
Music, PremieresAugust 27, 2025<August 27, 2025

“For Honour, For Family, For Harmony”: Luca Fogale Premieres “For,” a Spellbinding Indie Folk Surrender to Love, Purpose, & the Race Against Time

by Mitch Mosk
Ocean Alley 'Love Balloon' © Kane Lehanneur
Features, Interviews, MusicAugust 27, 2025<August 27, 2025

“Things That Make Us Feel Good”: Ocean Alley on Love, Positivity, and the Joy of Making ‘Love Balloon’

by Miranda Urbanczyk
Hannah Grace and Gabrielle Aplin © Nat Michele
Columns, Music, Today's SongAugust 27, 2025<August 27, 2025

Today’s Song: Hannah Grace & Gabrielle Aplin’s Stunning Duet “Why Can’t I Cry About It?” Is a Devastating Confession of Stillness and Ache

by Danielle Holian
Snow Wife 'Bodyology' © Jussy Gilbert
Features, Interviews, MusicAugust 26, 2025<August 25, 2025

“I want people to feel community with me”: Snow Wife on ‘Bodyology’ & the Connection Between Dance and Music

by Marc Maleri
Star Line - Chance the Rapper 7.7
Music, Our Take, ReviewsAugust 25, 2025<August 25, 2025

Our Take: Chance the Rapper Returns from Lengthy Absence on Stellar ‘STAR LINE’

by Josh Weiner
Solomon Fox © Demarquis McDaniels
Columns, Interviews, Music, Today's SongAugust 25, 2025<August 25, 2025

Solomon Fox Blurs the Lines on “Fallin’ Back”

by Aileen Goos
S.G. Goodman © Ryan Hartley
Features, Interviews, Music, Track-by-TrackAugust 22, 2025<August 22, 2025

“We Are Nature’s Children, and We Should Act Accordingly”: S.G. Goodman’s ‘Planting by the Signs’ Is a Soul-Stirring Record of Ancient Ritual & Living Legacy

by Mitch Mosk
Bleach Lab © Alex Esden
Features, Interviews, Music, Track-by-TrackAugust 22, 2025<August 27, 2025

“Holding Up the Whole Weight of the Sky”: Bleach Lab Unleash Fire & Fury on ‘Close to the Flame,’ a Devastating Dream Pop Reverie

by Mitch Mosk
Lera Lynn © Alysse Gafkjen
Features, Interviews, MusicAugust 22, 2025<August 24, 2025

Interview: Lera Lynn Steps into Her Power on ‘Comic Book Cowboy’

by Emily Frances Algar
Atwood Magazine's Weekly Roundup | August 22, 2025
Columns, Features, Music, Weekly RoundupAugust 22, 2025<August 25, 2025

Atwood Magazine’s Weekly Roundup: August 22, 2025

by Mitch Mosk
Lana Del Rey "Henry, come on" © courtesy of the artist
Columns, Music, Today's SongAugust 22, 2025<August 22, 2025

Today’s Song: Lana Del Rey Rides West with Her Evocative Tale, “Henry, come on”

by Bárbara Martínez Campuzano
Louie Blue "In The Dark" © Julian Riikonen
Artist to Watch, Interviews, Music, PremieresAugust 21, 2025<August 22, 2025

“I Wanted to Make Music That Sounds Like Music Again”: Louie Blue Shines a Light “In the Dark” With a Bold Sound and Breathtaking DIY Style

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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