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Tansy © Patricia Moscardó
Debut, Music, PremieresJanuary 27, 2020<January 27, 2020

Premiere: Sensual Nostalgia for Lost Love in the Form of Tansy’s Debut Single “Dreaming”

by Frankie Rose
Me & You Together Song - The 1975
Music, Reviews, This Just In, Today's SongJanuary 27, 2020<February 6, 2020

The 1975 Get Lost in Domestic Dreams on “Me & You Together Song”

by Ben Niesen
Walking Like We Do - The Big Moon 8.9
Music, Our Take, ReviewsJanuary 27, 2020<December 15, 2020

Open Yet Effervescent: The Big Moon’s ‘Walking Like We Do’ Is a Punk-Pop Panacea

by Tim Horwood
Features, Music, Weekly RoundupJanuary 24, 2020<January 27, 2020

Atwood Magazine’s Weekly Roundup: January 24, 2020

by Atwood Magazine Staff
9
Music, Our Take, ReviewsJanuary 24, 2020<December 15, 2020

Our Take: Andy Shauf Redefines the Songwriter on ‘The Neon Skyline’

by Adrian Vargas
Alex Kennedy
Columns, Music, Today's SongJanuary 24, 2020<January 24, 2020

Today’s Song: Alex Kennedy Enters Fatherhood & Music Business with Compassionate “Baby Steps”

by Josh Weiner
The Lumineers 2020 III interview
Features, Interviews, MusicJanuary 24, 2020<June 25, 2020

Family, Addiction, and Raw Storytelling: An Interview with The Lumineers

by Mitch Mosk
Music, Reviews, This Just In, Today's SongJanuary 23, 2020<August 16, 2021

This Just In: Hayley Williams Personifies Petals for Armor in First Solo Single “Simmer”

by Erica Danielle Garcia
Noble Oak © 2020
Music, Music Videos, PremieresJanuary 23, 2020<April 26, 2023

Premiere: Breaking the Mold with Noble Oak’s Ethereal “Morning”

by Mitch Mosk
Eminem © 2020 7.8
Music, Our Take, ReviewsJanuary 23, 2020<December 15, 2020

Our Take: Eminem’s 11th Album ‘Music to be Murdered By’ Proves a High-Quality Surprise

by Josh Weiner
Chance Emerson © Manisha Shah
Music, PremieresJanuary 23, 2020<January 23, 2020

Premiere: Growing Up with Chance Emerson’s Sunny “How Can I”

by Luke Pettican
Gloomies © Rebecca Burns
Music, PremieresJanuary 23, 2020<March 9, 2020

Premiere: Lose Yourself in The Gloomies’ Vibey & Hazy New Song, “Sideways”

by Mitch Mosk
Golden - Alexz Johnson
Music, ReviewsJanuary 22, 2020<January 22, 2020

Alexz Johnson Rises and Shines in Uplifting, Heartfelt Ballad “Golden”

by Mitch Mosk
Denis Coleman © Lucille Khornak
Interviews, MusicJanuary 22, 2020<January 22, 2020

Perfectly Imperfect for You: A Conversation with Denis Coleman

by Josh Weiner
Taylor Grey © @jennicamaephoto / Jennica Mae Photo
Music, PremieresJanuary 22, 2020<January 27, 2020

Premiere: Pop Starlet Taylor Grey Embraces a “COMPLIC8ED” Romance with Feverish Passion

by Mitch Mosk
Posts pagination
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Brand New

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream
  • Atwood Magazine’s Weekly Roundup: April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye
  • Live Review: Sophia Galaté Is Meant to Perform

:: discover something new ::

Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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