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James Gillespie © 2020
Music, Music Videos, PremieresFebruary 26, 2020<February 25, 2020

Video Premiere: James Gillespie’s “ICFTI” Is Awash in Autumnal Hues & Seductive Visuals

by Bethan Harper
Gordi © Jess Gleeson
Music, Reviews, This Just InFebruary 25, 2020<March 6, 2020

Gordi’s Beautiful Song “Sandwiches” Captures the Powerful Weight of a Loved One’s Absence

by Mitch Mosk
Mannequin Online © Meghan Cummings
Music, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Say “I Do” with Mannequin Online’s Sultry New Late-Night Song

by Mitch Mosk
Boardmasters Festival 2020
Festival, Music, PreviewsFebruary 25, 2020<February 25, 2020

Preview: Boardmasters Festival 2020 Lineup Features Musical Giants King of Leon, The 1975 & More

by Bethan Harper
Georgi Kay © Morgan Demeter
Features, Interviews, MusicFebruary 25, 2020<March 2, 2025

Interview: Georgi Kay Stays Optimistic in a Time of “Scary People” with New EP ‘Reimagined’

by Chloe Robinson
Mielo
Music, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Through Somber Introspection, Mielo & Mariya Stoeva Learn “A Lesson in Waking Up”

by Mitch Mosk
No Time for That - Tone Legit
Columns, Music, Today's SongFebruary 25, 2020<February 24, 2020

Today’s Song: Tone Legit Continues Milwaukee’s Stellar Run with “No Time For That”

by Ryan Feyre
Rose Cousins © Denis Duquette
Music, Music Videos, PremieresFebruary 25, 2020<February 25, 2020

Premiere: Rose Cousins Enthralls with Scenic & Stirring “The Lullaby (My Oldest Love)”

by Luke Pettican
Voodoo Bandits © Christopher Brew
Music, PremieresFebruary 24, 2020<February 25, 2020

Premiere: Isle of Man Artist-to-Watch Voodoo Bandits Inject Unrelenting Energy into “Empty Swimming Pool”

by Mitch Mosk
peach Pit © 2019
Columns, Music, Today's SongFebruary 24, 2020<February 24, 2020

Today’s Song: Peach Pit’s “Shampoo Bottles” Highlights the Entertaining Side to Lost Love

by Frankie Rose
The Griswolds
Music, ReviewsFebruary 24, 2020<February 24, 2020

Getting It Right Someday: The Griswolds Return with ‘ALL MY FRIENDS’ EP

by Maggie McHale
Features, Music, Weekly RoundupFebruary 21, 2020<February 21, 2020

Atwood Magazine’s Weekly Roundup: February 21, 2020

by Atwood Magazine Staff
shYbeast's Devin Oliver
Debut, Interviews, MusicFebruary 21, 2020<February 21, 2020

Threading Rock, Electronica & Vulnerability Together: A Conversation with shYbeast

by Josh Weiner
Karima Francis © Joseph Calhoun
Interviews, MusicFebruary 21, 2020<February 21, 2020

Interview: Karima Francis Brilliantly Conveys Just How Rough It Is on the “Shelf Life”

by Chloe Robinson
The Strokes band 2020 © Jason McDonald
Music, Reviews, This Just InFebruary 21, 2020<February 21, 2020

This Just In: The Strokes’ Feverish New Song “Bad Decisions” Is Anything But One

by Lexi Lane
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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