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Midnight Generation © Josh Withers
Artist to Watch, Interviews, MusicAugust 21, 2025<August 21, 2025

Interview: Midnight Generation Is Funk’s Best-Kept Secret

by Nasim Elyasi
Theo Kandel © Kate Stephenson
Essays, MusicAugust 21, 2025<August 21, 2025

“For Oliver, My Friend”: An Essay by Theo Kandel

by Guest Writer
BIG SPECIAL © Isaac Watson
Columns, Music, Today's SongAugust 21, 2025<August 21, 2025

Funky, Binding, & Pissed Off: “GOD SAVE THE PONY.” Finds BIG SPECIAL Turning Anger into Beauty

by Andrew Lamson
Nick Carter © Patrick Dwyer
Features, Interviews, MusicAugust 20, 2025<August 20, 2025

Interview: Nick Carter of the Backstreet Boys Relaunches Solo Career in Emotionally Charged Style with ‘LOVE LIFE TRAGEDY’

by Josh Weiner
Indy Yelich © Elinor Kry
Features, Interviews, MusicAugust 20, 2025<August 20, 2025

“You owe it to your creativity to dive into that pain”: Indy Yelich Makes the Personal Less Private with ‘Fame Is a Bedroom’ EP

by Desire' Jackson-Crosby
Billianne © Nadia Doss
Artist to Watch, Debut, Features, Interviews, MusicAugust 20, 2025<August 21, 2025

“I’m just being myself”: Ontario’s Billianne Takes Flight on ‘Modes of Transportation,’ a Record of Growth, Family, & New Directions

by Aileen Goos
Sydney Rose © Kate Stephenson
Columns, Music, Today's SongAugust 20, 2025<August 20, 2025

Sydney Rose Captures the Quiet Ache of Friendship Heartbreak in “We Hug Now”

by Nicolle Knapová
Atwood Magazine's 131st Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 19, 2025<August 19, 2025

Editor’s Picks 131: The Tullamarines, Ellur, Nadia Kadek, Couch, runo plum, & Still Blank!

by Mitch Mosk
The Prickly Pair © Libby Danforth
Music, PremieresAugust 19, 2025<August 19, 2025

Premiere: The Prickly Pair Embrace Love’s Gamble on “Winsome Lose Some Game,” a Tender & Timeless Country Duet

by Mitch Mosk
Wisp © Elinor Kry
Debut, Features, Interviews, MusicAugust 19, 2025<August 19, 2025

“Bringing My Fantasies into Reality”: Wisp Is Betting on Herself with Debut Album ‘If Not Winter’

by Isabella Le
Kaleah Lee © Halle Jean March
Interviews, MusicAugust 19, 2025<August 27, 2025

“A Line I Shouldn’t Cross”: Kaleah Lee Talks “Fever,” Dreams, and the Beauty of the Unsettling

by Nicolle Knapová
Tame Impala's Kevin Parker © Julian Klincewicz
Columns, Music, Today's SongAugust 19, 2025<October 4, 2025

Today’s Song: Tame Impala Paints an “End of Summer” Soundscape Sundrenched In Color, Rhythm, & Nostalgia

by Ashley Littlefield
Marissa Nadler © Ebru Yildiz
Features, Interviews, Music, Track-by-TrackAugust 18, 2025<August 18, 2025

Track-by-Track: Marissa Nadler Finds Power in Restraint on ‘New Radiations’

by Aileen Goos
BIZZY © Anna Azarov
Columns, Interviews, Music, Today's SongAugust 18, 2025<August 18, 2025

BIZZY Soundtracks the Thrill of New Love in “I Really Like This Part”

by Aileen Goos
Joey Valence & Brae © Luca Venter
Features, Interviews, MusicAugust 15, 2025<August 15, 2025

Interview: Joey Valence & Brae Dance Through the Fear of Growing Up With Third Album ‘HYPERYOUTH’

by Kaiana Lee
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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