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The Britanys © Aysia Marotta
Features, Interviews, Mixtape, MusicDecember 12, 2018<December 12, 2018

Experimentation, Technology, and Interactive Album Art: A Conversation with The Britanys

by James Meadows
Pale Waves Live at The Fonda Theatre, Los Angeles 2018 © Caitlin Ison
Concerts, Music, ReviewsDecember 12, 2018<December 12, 2018

Live: Pale Waves Rock Los Angeles with Contagious Goth Pop Charm

by Caitlin Ison
JP Saxe © Lauren Dunn
Columns, Music, Today's SongDecember 12, 2018<December 12, 2018

Today’s Song: JP Saxe Reimagines the Breakup Anthem with “25 in Barcelona”

by Luke Pettican
Dani Bell and The Tarantist © Kristy Walker
Music, PremieresDecember 11, 2018<December 11, 2018

Premiere: The Enchanting Allure of Dani Bell & The Tarantist’s “The End”

by Mitch Mosk
Haint Blue © Rachel Verhaaren
Music, PremieresDecember 11, 2018<December 11, 2018

Premiere: The Pain and Charm of Haint Blue’s “Bear the Burden”

by Mitch Mosk
Whyte Horses © Jason Evans
Columns, Mistletones, Music, ReviewsDecember 11, 2018<December 20, 2018

Mistletones: End-of-Year Euphoria Courtesy of Whyte Horses’ Christmas Song “Next Year Will Be Mine”

by Frankie Rose
Debut, Music, Music Videos, PremieresDecember 11, 2018<December 11, 2018

Premiere: CALICA Debuts with Love & Self-Sacrifice in Dazzling “Give & Take”

by Mitch Mosk
Katy Tiz "Life" still
Music, Music Videos, PremieresDecember 11, 2018<December 17, 2018

Video Premiere: Falling for Katy Tiz’s Raw, Runaway Romance “Life” ft. Ed Drewett

by Mitch Mosk
Matt Mays © 2018
Columns, Music, Today's SongDecember 11, 2018<December 9, 2018

Today’s Song: Matt Mays Reinvents Himself with Haunting “Howl at the Night” Acoustic Version

by Oliver Crook
Editors-Picks-12-10-2018
Columns, Editor's Picks, MusicDecember 10, 2018<March 11, 2023

Editor’s Picks: December 10, 2018

by Mitch Mosk
Tiny Deaths © Zoe Prinds
Music, Music Videos, PremieresDecember 10, 2018<December 10, 2018

Video Premiere: Dance Your Way Through Tiny Deaths’ ‘Magic’ Album

by Mitch Mosk
Carly Rae Jepsen © Natalie O’Moore
Columns, Music, Today's SongDecember 10, 2018<May 31, 2022

Today’s Song: Carly Rae Jepsen’s “Party for One” Is an Ode to Solitude

by Danny Vagnoni
FERGUS © 2018
Features, Music, ReviewsDecember 7, 2018<December 7, 2018

Review: The Darkness & Beauty of FERGUS’ Debut ‘Purple Road’ EP

by Mitch Mosk
Atwood Magazine's Weekly Roundup 12-07-2018
Columns, Features, Music, Playlists, Weekly RoundupDecember 7, 2018<December 21, 2018

Atwood Magazine’s Weekly Roundup: December 7, 2018

by Atwood Magazine Staff
Good Old War music
Music, Music Videos, Premieres, ReviewsDecember 7, 2018<December 7, 2018

Premiere: Good Old War Conclude Their EP Series with Radiant, Uplifting Beauty

by Mitch Mosk
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Brand New

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’

:: discover something new ::

Recent Posts

  • Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers April 8, 2026
  • Paris Paloma’s “Miyazaki” Is a Love Letter to Human Creation April 8, 2026
  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
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