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Greg Wanders © Amelia Fearn
Music, PremieresSeptember 20, 2018<September 20, 2018

Premiere: The Hypnotic Freedom of Greg Wanders’ Moving “Unbound”

by Mitch Mosk
Truth - Jake Tavill
Music, Music Videos, PremieresSeptember 20, 2018<September 20, 2018

Premiere: Family, Façades, and Jake Tavill’s Fierce “Truth” Video

by Mitch Mosk
Love Kills - Coyle Girelli
Debut, Features, Music, PremieresSeptember 20, 2018<September 20, 2018

Album Premiere: Coyle Girelli’s Beautiful, Dark Masterpiece ‘Love Kills’

by Mitch Mosk
Harry Strange © Cory Edwards
Music, PremieresSeptember 20, 2018<September 20, 2018

Premiere: The Stirring Sentiment of Harry Strange’s Beautifully Vulnerable “Signs”

by Luke Pettican
The Last Bison © Matthew Simmons
Features, Music, PremieresSeptember 20, 2018<September 20, 2018

Album Premiere: The Last Bison Sprint Full Speed Down Memory Lane in ‘SÜDA’

by Audrey Steeves
Amir Obè © Jamal Peters
Features, Music, ReviewsSeptember 19, 2018<September 19, 2018

EP Review: Amir Obé’s Intimate Confessional, ‘Can’t Be A ____ Here: Chapter 1’

by Urooj Ali Rizvi
Loner VS Lover - Piqued Jacks
Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018

Premiere: Piqued Jacks Erupt with Glitchy, Self-Reflective “Loner VS Lover”

by Mitch Mosk
Call On Me - Litany art
Columns, Music, Today's SongSeptember 18, 2018<September 18, 2018

Today’s Song: Litany Take Us Back to the ’90s with “Call on Me”

by Kelsey Fitzgerald
Foxing © Hayden Molinarolo
Features, Interviews, MusicSeptember 18, 2018<September 19, 2018

Interview: Foxing’s ‘Nearer My God’ Is a Siren Sound for Those Wanting to Belong

by Sara Santora
Dan Too © 2018
Debut, Music, Music Videos, PremieresSeptember 18, 2018<September 18, 2018

Meaning and Value in Dan Too’s Hearty Debut “Isis and Osiris”

by Mitch Mosk
Chris Ayer © Chris Wood
Music, PremieresSeptember 18, 2018<September 18, 2018

Premiere: Finding Connection in Chris Ayer’s Vulnerable, Raw “Stranger”

by Mitch Mosk
Hellions © 2018
Features, Interviews, MusicSeptember 17, 2018<September 19, 2018

Eclectic Theatricality: A Conversation with Hellions

by James Crowley
Kazyak © Jed Anderson
Music, PremieresSeptember 17, 2018<September 17, 2018

Premiere: Kazyak’s Surreal “Talking to a Stranger”

by Mariel Fechik
Soham De © Matt Flynn (Decibel42)
Music, Music Videos, PremieresSeptember 14, 2018<September 14, 2018

Raw and Full of Passion, Soham De’s “Confession” Gorgeously Showcases the Power of Emotion

by Adrian Vargas
Glass Heart String Choir © 2018
Music, PremieresSeptember 13, 2018<September 13, 2018

Premiere: The Cinematic Grace of Glass Heart String Choir’s Debut “Wildfires”

by Mitch Mosk
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Brand New

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit

:: discover something new ::

Recent Posts

  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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