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Buzzy Lee © Brantley Gutierrez
Columns, Debut, Music, Today's SongApril 5, 2018<April 5, 2018

Today’s Song: Buzzy Lee Exposes Her Insecurities in “Coolhand”

by Shayna Chabrow
The Party - Andy Shauf
Features, Music, Music You Should Know, Our Take, ReviewsApril 5, 2018<April 5, 2018

Desire Tangled with Uncertainty: A Track-by-Track Review of Andy Shauf’s “The Party”

by Adrian Vargas
Society of Broken Souls © Liz Brown
Music, PremieresApril 5, 2018<April 5, 2018

Premiere: Society of Broken Souls’ “Pretty” Is a Dark, Beautiful Commentary

by Mitch Mosk
Inspired & The Sleep © 2018
Music, PremieresApril 5, 2018<July 10, 2019

Premiere: Inspired & The Sleep Are Raw and Vulnerable in “First Time”

by Baylee Less
Luke Burr © 2018
Music, PremieresApril 5, 2018<April 5, 2018

Premiere: The Loving Embrace of Luke Burr’s Fiery “Lights On”

by Mitch Mosk
Doctor Please - Jim and Sam
Music, Music Videos, PremieresApril 4, 2018<April 5, 2018

Video Premiere: Human Fragility Shines in Jim and Sam’s “Doctor Please”

by Mitch Mosk
Sophia Scott © Barron Boedecker
Music, PremieresApril 4, 2018<April 4, 2018

Premiere: Sophia Scott’s “Quit” Is an Anthem for Jealous Lovers

by Mitch Mosk
The Duskwhales © Katie Murphy
Features, Music, PremieresApril 4, 2018<April 4, 2018

EP Premiere: The Duskwhales Confront Cancer in Beautiful ‘Hospital Dreams’

by Mitch Mosk
Our Girl © Jodie Canwell
Interviews, MusicApril 4, 2018<April 4, 2018

The Way They Think and Feel and See: A Conversation with Our Girl

by Nicole Almeida
Sloppy Jane © Mika/e Lungulov-Klotz
Debut, Music, ReviewsApril 3, 2018<June 6, 2018

Review: Sloppy Jane’s Formidable Debut ‘Willow’ Takes Us On a Desert Vision Quest

by Carolyn Fasone
Kyan Palmer © Jennica Mae
Columns, Music, Today's SongApril 3, 2018<April 3, 2018

Today’s Song: Dive in Deep with Kyan Palmer’s “Poetry in Motion”

by Anie Delgado
Changeling - Juliet Quick
Music, Premieres, ReviewsApril 3, 2018<April 3, 2018

EP Premiere: Myth & Change Spark Otherworldly Sound in Juliet Quick’s ‘Changeling’

by Kelly Wynne
Silver Car Crash © 2018
Debut, Features, Music, PremieresApril 3, 2018<April 3, 2018

Album Premiere: Silver Car Crash’s ‘Resource Body’ Ventures Through All Human Sounds

by James Crowley
Bloodboy © Kristy Benjamin
Music, Reviews, This Just InMarch 30, 2018<March 30, 2018

This Just In: Bloodboy’s “Is Now a Good Time to Ruin Your Life?” Is an Anthem for Us All

by Lindsay Call
Haux © Woodson Black
Features, Music, ReviewsMarch 30, 2018<March 30, 2018

Our Take: Haux’s Heartbreaking EP Is Truly ‘Something to Remember’

by Mitch Mosk
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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  • New Music Releases
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