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colby! © Gina Di Maio
Features, Interviews, Music, Track-by-TrackJuly 9, 2025<July 10, 2025

“Very Vibrant Anger,” Late-Night Spirals, & Coming of Age: colby! Breaks Down Her Explosive Sophomore EP ‘FINE!’

by Mitch Mosk
Everything Is Within You - Ben Westbeech
Interviews, MusicJuly 9, 2025<July 21, 2025

Interview: Bristol Native Ben Westbeech Breaks LP-Less Dry Spell with a Lively and Collaborative New Record

by Josh Weiner
The Evolution of the Rose - Lil Skies
Music, ReviewsJuly 9, 2025<July 9, 2025

Review: Lil Skies Finds His Voice as an Artist Through the Lens of Fatherhood & Heartbreak on Poignant Album ‘The Evolution of the Rose’

by Grace Holtzclaw
Shallow Alcove © Thomas Smith
Columns, Music, Today's SongJuly 9, 2025<July 9, 2025

Bitter Sweetness in Bloom: Shallow Alcove’s “Mangos” Is a Slow Burn Worth Every Peel

by Nicolle Knapová
TOLEDO © Joe Pietropaolo
Features, Interviews, Music, Track-by-TrackJuly 8, 2025<July 8, 2025

“Home Grown Nostalgia”: TOLEDO Find Motion in Stillness on Their Seductively Spellbinding ‘Inertia’ EP

by Mitch Mosk
Little Simz 'Lotus' © Thibaut Grevet 8.7
Music, Our Take, ReviewsJuly 8, 2025<July 8, 2025

Our Take: Little Simz Channels Abundant Moods and MC Skills into Her Sixth Album, ‘Lotus’

by Josh Weiner
The Great American Bar Scene - Zach Bryan album art
Features, Music, Reviews, RoundtableJuly 8, 2025<July 8, 2025

Roundtable Discussion: Zach Bryan’s ‘The Great American Bar Scene’ Turns One

by Atwood Magazine Staff
Jahnah Camille © Elizabeth Marsh
Columns, Interviews, Music, Today's SongJuly 8, 2025<July 8, 2025

“Kissing the Drain”: Jahnah Camille Hits a Breaking Point in Her Feverish Alt-Rock Anthem “what do you do?”

by Mitch Mosk
Sons of Legion © 2025
Interviews, MusicJuly 8, 2025<July 8, 2025

Sons of Legion: Authenticity in the Eye of the Storm

by Aileen Goos
Best Boys © Anna McClain
Debut, Music, Music Videos, PremieresJuly 7, 2025<July 7, 2025

“Like a road trip to nowhere”: Best Boys Find Beauty in the Breakdown on Their Smoldering & Cinematic Debut Single “Forgive Forget”

by Mitch Mosk
Chapel © Madeline Walczak
Interviews, MusicJuly 7, 2025<July 7, 2025

Interview: Chapel Return to Form with Growth, Grit, & DIY Freedom in Their Triumphant ‘Modern Nature’ EP

by Kaiana Lee
Daniel Seavey "Eden" © Jimmy Fontaine
Columns, Music, Today's SongJuly 7, 2025<July 7, 2025

Today’s Song: “Eden” Is a Radiant Reflection of Daniel Seavey’s Artistic Freedom

by Danielle Holian
Sydney Quiseng © Connor Truax
Debut, Features, Interviews, MusicJuly 3, 2025<July 3, 2025

“The best is yet to come”: Sydney Quiseng on Stepping into Her Own Rhythm with ‘PHASES’

by Emily Frances Algar
Brian Dunne "Clams Casino" © Marianka Campisi
Interviews, Music, Today's SongJuly 3, 2025<July 3, 2025

“Why’s it so hard to have a good thing?”: Brian Dunne Digs into the American Dream of a ‘Good Life’ in His Restless, Hungry Anthem, “Clams Casino”

by Mitch Mosk
Atwood Magazine's Weekly Roundup | July 3, 2025
Columns, Features, Music, Weekly RoundupJuly 3, 2025<July 3, 2025

Atwood Magazine’s Weekly Roundup: July 3, 2025

by Atwood Magazine Staff
Posts pagination
1 … 56 57 58 59 60 … 740

Brand New

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention

:: discover something new ::

Recent Posts

  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
  • “They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession June 15, 2026
  • “Brace for Impact… Literally”: Mykel’s ‘Hometown Runaway’ EP is the Ultimate Soundtrack of Fearless Reinvention June 15, 2026
  • Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’ June 15, 2026
  • “Realizing God Didn’t Want Me in the Closet”: A Pride Month Essay by Tory Silver June 15, 2026
  • “And I’ve Been Comin’ Back My Whole Damn Life”: Kurt Vile Finds a New Warmth in “Chance to Bleed,” a Mesmerizing Homecoming Ode June 14, 2026
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© Atwood Magazine 2024 For the Love of Music
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