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Aly & AJ © Stephen Ringer
Columns, Music, Today's SongFebruary 10, 2025<February 10, 2025

Today’s Song: Aly & AJ’s “What It Feels Like” Is a Bold Anthem of Growth & Resilience

by Danielle Holian
Atwood Magazine's 109th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 7, 2025<February 8, 2025

Editor’s Picks 109: Sharon Van Etten & The Attachment Theory, JayWood, Vacation Manor, Mumford & Sons, Dreamer Isioma, & Blind Pilot!

by Mitch Mosk
Sharon Van Etten & The Attachment Theory
Music, ReviewsFebruary 7, 2025<February 7, 2025

Rock Star Power and …Seinfeld?: A Candid Review of ‘Sharon Van Etten & The Attachment Theory’

by Josh Bloom
Rare DM © Calvin Stark
Columns, Music, Today's SongFebruary 7, 2025<February 7, 2025

Journeying into the Chaos: A Look into Rare DM’s “The Ring”

by Juls Patterson
The Killers take a bow for the last of their Caesars Palace residency shows in Las Vegas © Chris Phelps, January 25, 2025
Concerts, Music, ReviewsFebruary 6, 2025<February 6, 2025

Live Review: Making a Hot Fuss in Las Vegas With The Killers

by Emma Schoors
Mary Eliza © Katie Oscar
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2025<February 6, 2025

Loud, Vulnerable, & Raw: Mary Eliza Weaves Quiet Strength into a Sonic Reckoning on Debut Album ‘Spider’

by Mitch Mosk
ECHOS © Slater Goodson (Good Media)
Music, Music Videos, PremieresFebruary 6, 2025<February 6, 2025

Premiere: Echos Breaks Herself Open on “QUIET, IN YOUR SERVICE,” an Alt-Rock Anthem of Upheaval & Empowerment

by Mitch Mosk
Djo © Neil Krug
Columns, Music, Today's SongFebruary 6, 2025<February 6, 2025

Today’s Song: Djo’s “Basic Being Basic” Tackles the Superficial With Psychedelic Flare

by Mariam Bagdady
Atwood Magazine's Weekly Roundup | February 5, 2025
Columns, Features, Music, Weekly RoundupFebruary 5, 2025<February 5, 2025

Atwood Magazine’s Weekly Roundup: February 5, 2025

by Atwood Magazine Staff
Atwood Magazine's 2025 Artists to Watch
Artist to Watch, Features, Lists, MusicFebruary 5, 2025<February 5, 2025

Atwood Magazine’s 2025 Artists to Watch

by Atwood Magazine Staff
Glare "Guts" © Sam Tellez
Columns, Music, Today's SongFebruary 5, 2025<February 5, 2025

Today’s Song: Glare Catch the Love Bug in Surreal New Track “Guts”

by Kaiana Lee
Cecilia Castleman © 2025
Debut, Features, Interviews, MusicFebruary 4, 2025<February 4, 2025

Interview: Cecilia Castleman Captures the Essence of Youth in Self-Titled Debut LP

by Noa Jamir
Lady Gaga 'MAYHEM' © Frank Lebon
Columns, Music, Today's SongFebruary 4, 2025<February 4, 2025

Today’s Song: Lady Gaga Makes a Spellbinding Return to Dark Pop With “Abracadabra”

by Danielle Holian
Spencer Katz © 2025
Interviews, Music, PhotographyFebruary 3, 2025<February 3, 2025

Seeing It All: Getting Behind the Lens With NYC Photographer Spencer “Bodega” Katz

by Ciaran Short
Perfume Genius © Cody Critcheloe
Columns, Music, Today's SongFebruary 3, 2025<February 3, 2025

Today’s Song: Perfume Genius’ “It’s a Mirror” Offers a Radical & Soul-Stirring Preview of Seventh Album, ‘Glory’

by Bárbara Martínez Campuzano
Posts pagination
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Brand New

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

:: discover something new ::

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
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