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Dady © Chad Griffith
Music, PremieresMarch 8, 2018<March 8, 2018

All Sugar, No Salt: Dady’s “All That” Embraces Superficial Sound with Raw Reality

by Kelly Wynne
Camp Crush - November Skin
Music, Music Videos, PremieresMarch 8, 2018<March 8, 2018

Video Premiere: Camp Crush’s Female Anthem “November Skin” Deconstructs Assumptions & Expectations

by Mitch Mosk
Babyblu © 2018
Interviews, MusicMarch 8, 2018<March 8, 2018

A Journey Through Bedroom Pop: A Conversation with Babyblu

by Maggie McHale
Plays with Fire - Cloud
Features, Music, Premieres, ReviewsMarch 8, 2018<March 8, 2018

Album Premiere: Cloud’s ‘Plays with Fire’ Dwells in the Dark Glow of Chaos

by Mitch Mosk
Será - Kattch
Columns, Music, Today's SongMarch 8, 2018<March 7, 2018

Today’s Song: A Dazzling Love Affair with Kattch’s “Será”

by Adrian Vargas
Hospital © Daria Malysheva
Features, Music, PremieresMarch 8, 2018<March 19, 2018

Premiere: Hospital’s Intimate “In the Evening” Pulses with Dark Urgency

by Mitch Mosk
THRILLCHASER © Shervin Lainez
Music, Music Videos, PremieresMarch 7, 2018<March 7, 2018

Video Premiere: THRILLCHASER’s “Out of Our Minds” Dwells in Love & Chaos

by Mitch Mosk
Soccer Mommy © Ebru Yildiz
Debut, Features, Music, ReviewsMarch 7, 2018<March 7, 2018

Review: Soccer Mommy Bares and Conquers It All on Debut ‘Clean’

by Nicole Almeida
Mamalarky © Gabriel Ovalle
Music, PremieresMarch 7, 2018<March 7, 2018

Premiere: The Unique Ease of Mamalarky’s Lovelorn “Mama’s Bear”

by Kaitlyn Zorilla
Sorority Noise © 2018
Music, ReviewsMarch 7, 2018<March 7, 2018

Review: Sorority Noise Force Pop-Punk into Retirement with YNAAYT

by James Crowley
King Tuff © Olivia Bee
Columns, Music, Today's SongMarch 7, 2018<March 6, 2018

Today’s Song: King Tuff’s Psychedelic Reemergence in “Psycho Star”

by Shayna Chabrow
Live from a Stranger Time - Alexz Johnson
Features, Interviews, Music, PremieresMarch 7, 2018<March 19, 2018

Album Premiere: Alexz Johnson Is Raw & Unfiltered in ‘Live From a Stranger Time’

by Mitch Mosk
Young Sierra © 2018
Music, Premieres, ReviewsMarch 6, 2018<March 27, 2018

Premiere: Young Sierra Embrace Intimacy & Connection on “Revo”

by Mitch Mosk
Parks Burton © 2018
Debut, Music, PremieresMarch 6, 2018<March 6, 2018

Premiere: Parks Burton’s Otherworldly Songs “Powder Down” & “The Valley”

by Mariel Fechik
Jong SL © 2018
Music, PremieresMarch 6, 2018<March 6, 2018

Premiere: Jong SL’s Poignant Cry for “Old Times Sake”

by Mitch Mosk
Posts pagination
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Brand New

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too)
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’
  • Joshua Quimby Is Redefining What It Means to Be Country
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld

:: discover something new ::

Recent Posts

  • “I think it’s time just to make awesome rock music”: Jonny Tex Returns to SXSW with a New Sound, New Band, & New Sense of Purpose April 7, 2026
  • “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ April 7, 2026
  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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