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Baerd © Michelle Coco
Music, PremieresApril 24, 2018<April 24, 2018

Premiere: Baerd’s Vivid “Crete,” a Mythic Alt-Folk Adventure

by Mitch Mosk
Jeff Rosenstock, live 2018
Concerts, Music, ReviewsApril 23, 2018<April 23, 2018

Live: Jeff Rosenstock Brings the Magic Moments on 4/20

by James Crowley
Harrison Lipton © 2018
Debut, Music, PremieresApril 23, 2018<April 23, 2018

Premiere: Harrison Lipton Basks in “Clouds” of Euphoria & Sorrow

by Mitch Mosk
Atwood Magazine's Weekly Roundup 04-20-2018
Columns, Features, Music, Playlists, Weekly RoundupApril 20, 2018<April 20, 2018

Atwood Magazine’s Weekly Roundup: April 20, 2018

by Atwood Magazine Staff
Lord Huron © Pamela Littky
Features, Music, Our Take, ReviewsApril 20, 2018<April 20, 2018

Our Take: Lord Huron’s Mystic ‘Vide Noir’ Dwells in Darkness & Cosmic Dreams

by Mitch Mosk
Post Animal © Emily Quirk
Debut, Features, Interviews, MusicApril 20, 2018<June 1, 2018

Interview with Post Animal: Castles, Ghosts, and the Joy of the Moment

by Mariel Fechik
Underwater Boys © Jodie Canwell
Columns, Music, Today's SongApril 20, 2018<April 20, 2018

Today’s Song: Underwater Boys Juggle Love, Pain, and Expectations in “Apricot”

by Nicole Almeida
The Longshot © 2018
Debut, Music, ReviewsApril 20, 2018<April 20, 2018

Review: The Longshot is Forward-Facing Nostalgia for Billie Joe Armstrong

by James Crowley
Lovecoast © Berkley Vopnfjord
Debut, Features, Music, PremieresApril 20, 2018<April 20, 2018

Album Premiere: Take ‘The Trip’ with Lovecoast and Bask in a Soulful Heat

by Josh Weiner
Gabriella Vixen © 2018
Music, PremieresApril 19, 2018<April 19, 2018

Premiere: Finding Strength in Gabriella Vixen’s Aching & Assertive “Maybe”

by Mitch Mosk
Sunflower Bean © Andy DeLuca
Features, Interviews, MusicApril 19, 2018<April 19, 2018

Interview with Sunflower Bean: On the Human Experience and Reacting to Energy

by Alexandra Graber
Rainbows - Kirsten Collins
Music, PremieresApril 19, 2018<April 19, 2018

Premiere: Kirsten Collins’ Dazzling “Rainbows” Basks in Hazy Pop Reverie

by Mitch Mosk
McAllister © Chris Hardy
Music, PremieresApril 19, 2018<April 26, 2018

Premiere: McAllister’s Intimate “Confidence in Sadness” Lights a Spark in the Dark

by Mitch Mosk
IAMX © Gretchen Lanham
Columns, Music, Today's SongApril 19, 2018<April 19, 2018

Today’s Song: Layers of Feeling and Introspection in IAMX’s “Alive in New Light”

by Urooj Ali Rizvi
Restless Modern © Hannah Allchurch
Music, PremieresApril 18, 2018<April 18, 2018

Premiere: Restless Modern’s Soul-Stirring “Doubt” Aches with Dreams & Fears

by Mitch Mosk
Posts pagination
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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