• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
CHNNLL © 2017
Music, PremieresDecember 8, 2017<December 6, 2017

Premiere: CHNNLL’s Hauntingly Delicate “Caution Sign”

by Mitch Mosk
Columns, Music, Music You Should KnowDecember 7, 2017<September 13, 2021

Music You Should Know: Bad Bad Hats’ “Psychic Reader” Is Indie Pop Beyond Its Years

by Kelly Wynne
Comfort Food - Jef Maarawi
Debut, Features, Music, PremieresDecember 7, 2017<December 7, 2017

Album Premiere: Chow Down on Jef Maarawi’s Vivid Debut ‘Comfort Food’

by Mitch Mosk
Where I First Found You - Forest Blakk
Debut, Music, Music Videos, PremieresDecember 7, 2017<December 20, 2017

Premiere: A Deeper Love in Forest Blakk’s Moving “Where I First Found You”

by Mitch Mosk
HAWAI © Saamuel Richard
Music, Music Videos, PremieresDecember 7, 2017<December 6, 2017

Premiere: HAWAI Come “Alive” with Electric Energy… and a Vampire!

by Mitch Mosk
Nûrnbear © 2017
Columns, Debut, Music, Today's SongDecember 7, 2017<December 6, 2017

Today’s Song: Nûrnbear Comes Together in Debut “Isolation”

by Lindsay Call
Daniel Caesar © 2016
Columns, Music, Today's SongDecember 6, 2017<September 20, 2023

Today’s Song: Lost Love & Sadness in Daniel Caesar’s “Japanese Denim”

by James Meadows
SAGE © Angelo Kritikos
Debut, Music, PremieresDecember 6, 2017<December 6, 2017

Premiere: SAGE Debuts “Cherries” with Sweet Electropop Seduction

by Mitch Mosk
Madison Margot © 2017
Music, PremieresDecember 6, 2017<December 5, 2017

Premiere: Madison Margot’s “Like This” Explores Love’s Intimate Intricacies

by Mitch Mosk
Atwood Magazine's Weekly Roundup 12-01-2017
Columns, Music, Weekly RoundupDecember 5, 2017<December 11, 2017

Atwood Magazine’s Weekly Roundup: December 1, 2017

by Atwood Magazine Staff
Afterglow - Scandroid
Music, Music Videos, PremieresDecember 5, 2017<December 5, 2017

Premiere: Love, Synths & Bikes Embrace in Scandroid’s “Afterglow”

by Mitch Mosk
Sigrid © Francesca Allen
Debut, Features, Interviews, MusicDecember 5, 2017<December 5, 2017

Poised on the Cusp of Stardom: A Conversation with Sigrid

by Carmen Chan
Twain © 2017
Columns, Music, Today's SongDecember 5, 2017<December 5, 2017

Today’s Song: Twain’s Dreamy Cosmic Waltz “Solar Pilgrim”

by Mariel Fechik
Homaze © Kassia Phoy
Music, PremieresDecember 4, 2017<December 11, 2017

Premiere: The Hypnotic Seduction of Homaze’s “Knew About Me”

by Mitch Mosk
Take Me - Brasko
Columns, Debut, Music, Today's SongDecember 4, 2017<December 4, 2017

Today’s Song: Brasko Embraces Intimacy & Pop in Modern Hit “Take Me”

by Baylee Less
Posts pagination
1 … 600 601 602 603 604 … 711

Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services