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The Party - Andy Shauf
Features, Music, Music You Should Know, Our Take, ReviewsApril 5, 2018<April 5, 2018

Desire Tangled with Uncertainty: A Track-by-Track Review of Andy Shauf’s “The Party”

by Adrian Vargas
Society of Broken Souls © Liz Brown
Music, PremieresApril 5, 2018<April 5, 2018

Premiere: Society of Broken Souls’ “Pretty” Is a Dark, Beautiful Commentary

by Mitch Mosk
Inspired & The Sleep © 2018
Music, PremieresApril 5, 2018<July 10, 2019

Premiere: Inspired & The Sleep Are Raw and Vulnerable in “First Time”

by Baylee Less
Luke Burr © 2018
Music, PremieresApril 5, 2018<April 5, 2018

Premiere: The Loving Embrace of Luke Burr’s Fiery “Lights On”

by Mitch Mosk
Doctor Please - Jim and Sam
Music, Music Videos, PremieresApril 4, 2018<April 5, 2018

Video Premiere: Human Fragility Shines in Jim and Sam’s “Doctor Please”

by Mitch Mosk
Sophia Scott © Barron Boedecker
Music, PremieresApril 4, 2018<April 4, 2018

Premiere: Sophia Scott’s “Quit” Is an Anthem for Jealous Lovers

by Mitch Mosk
The Duskwhales © Katie Murphy
Features, Music, PremieresApril 4, 2018<April 4, 2018

EP Premiere: The Duskwhales Confront Cancer in Beautiful ‘Hospital Dreams’

by Mitch Mosk
Our Girl © Jodie Canwell
Interviews, MusicApril 4, 2018<April 4, 2018

The Way They Think and Feel and See: A Conversation with Our Girl

by Nicole Almeida
Sloppy Jane © Mika/e Lungulov-Klotz
Debut, Music, ReviewsApril 3, 2018<June 6, 2018

Review: Sloppy Jane’s Formidable Debut ‘Willow’ Takes Us On a Desert Vision Quest

by Carolyn Fasone
Kyan Palmer © Jennica Mae
Columns, Music, Today's SongApril 3, 2018<April 3, 2018

Today’s Song: Dive in Deep with Kyan Palmer’s “Poetry in Motion”

by Anie Delgado
Changeling - Juliet Quick
Music, Premieres, ReviewsApril 3, 2018<April 3, 2018

EP Premiere: Myth & Change Spark Otherworldly Sound in Juliet Quick’s ‘Changeling’

by Kelly Wynne
Silver Car Crash © 2018
Debut, Features, Music, PremieresApril 3, 2018<April 3, 2018

Album Premiere: Silver Car Crash’s ‘Resource Body’ Ventures Through All Human Sounds

by James Crowley
Bloodboy © Kristy Benjamin
Music, Reviews, This Just InMarch 30, 2018<March 30, 2018

This Just In: Bloodboy’s “Is Now a Good Time to Ruin Your Life?” Is an Anthem for Us All

by Lindsay Call
Haux © Woodson Black
Features, Music, ReviewsMarch 30, 2018<March 30, 2018

Our Take: Haux’s Heartbreaking EP Is Truly ‘Something to Remember’

by Mitch Mosk
Kate Nash © Kate Bellm
Features, Interviews, MusicMarch 30, 2018<March 30, 2018

Interview with Kate Nash: Bunny Rabbits, Mental Health, and Finding Confidence

by Nicole Almeida
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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