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Too Young for New York - Alexander Fairchild
Music, PremieresJanuary 25, 2018<January 25, 2018

EP Premiere: Finding Purpose in Alexander Fairchild’s ‘Too Young for New York’

by Mitch Mosk
Clarian Under the Gun
Music, Music Videos, PremieresJanuary 25, 2018<January 25, 2018

Premiere: Clarian Explore the Extraordinary in “Under the Gun”

by Maggie McHale
The Winter Sounds © 2018
Music, Music Videos, PremieresJanuary 25, 2018<January 25, 2018

Video Premiere: The Winter Sounds’ “Earth After a Thunderstorm” Captures Desolate Nostalgia

by Kelly Wynne
Pretty Girl - Clairo
Columns, Music, Today's SongJanuary 25, 2018<January 25, 2018

Today’s Song: Getting Real and Letting Go with Clairo’s “Pretty Girl”

by Sydney Sweeney
Atwood Magazine's 2018 Grammy Awards
Essays, Features, MusicJanuary 25, 2018<February 1, 2018

Atwood Magazine’s 2018 Grammy Awards: An Alternative List

by Atwood Magazine Staff
Porter Party - Nuke Fun
Debut, Music, ReviewsJanuary 24, 2018<January 24, 2018

EP Review: Nuke Fun Debut with Electric ‘Porter Party’

by Mitch Mosk
The Undercover Dream Lovers © 2018
Music, PremieresJanuary 24, 2018<January 24, 2018

Premiere: The Undercover Dream Lovers’ Hazy, Radiant “Stop & Listen”

by Mitch Mosk
Foxy Dads © 2018
Debut, Music, ReviewsJanuary 24, 2018<January 24, 2018

Review: Foxy Dads Explore the In-Betweens on Debut Album, ‘Songs from the LIRR’

by Carolyn Fasone
Tenderfoot © Ryan Baker
Debut, Music, PremieresJanuary 24, 2018<January 24, 2018

Premiere: Escapism and Indulgence Fuel Tenderfoot’s Raw “Palms”

by Mitch Mosk
Born Stranger © 2018
Music, PremieresJanuary 24, 2018<January 25, 2018

Premiere: Born Stranger & Vivienne Chi Embrace the “Pain” of Love

by Mitch Mosk
Chris Thile © Devin Pedde
Columns, Music, Today's SongJanuary 24, 2018<January 24, 2018

Today’s Song: Chris Thile and Sarah Jarosz’s Ode to “Modern Friendship”

by Mariel Fechik
JAIE © 2018
Debut, Features, Music, ReviewsJanuary 23, 2018<February 16, 2018

EP Review: JAIE Lights a Fire with Intimate Electro-RnB Debut ‘December’

by Mitch Mosk
White Lies - White Lies - WarmingWarming
Music, PremieresJanuary 23, 2018<January 23, 2018

Premiere: Warming’s Sunny “White Lies” Dives into Addiction

by Mitch Mosk
Aisha Badru © Neda Bridgeman
Debut, Features, Interviews, MusicJanuary 23, 2018<January 23, 2018

Evocative and Understated: A Conversation with Aisha Badru

by Baylee Less
Lake Jons © 2017
Debut, Features, Music, Our Take, ReviewsJanuary 23, 2018<April 12, 2019

Our Take: Lake Jons Turn Isolation into Connection in Emotive & Timeless Debut

by Mitch Mosk
Posts pagination
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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