Music, Music Videos, PremieresNovember 20, 2017<November 20, 2017 Premiere: The Driving Lament of VEMO’s “My Sad 71” by Mitch Mosk
Music, Music Videos, PremieresNovember 20, 2017<November 20, 2017 Premiere: Party with Big Hair Girls’ Euphoric and Empowering “Yas Kween” by Mitch Mosk
Columns, Music, Today's SongNovember 20, 2017<November 21, 2017 Today’s Song: HAWK’s Activism Goes Anthemic in “Can’t Explain” by Lindsay Call
Music, Music Videos, PremieresNovember 17, 2017<November 17, 2017 Video Premiere: The Rigs Assert Intimate Independence in “The Hunted” by Mitch Mosk
Features, Music, ReviewsNovember 17, 2017<November 17, 2017 A Decade Later: A Track-by-Track Review of Aly & AJ’s ‘Ten Years’ by Kelly Wynne
Music, PremieresNovember 17, 2017<November 17, 2017 Premiere: OYLS Keep It Light on Electric Tribute, “Jerry” by Mitch Mosk
Debut, Music, PremieresNovember 17, 2017<November 17, 2017 Premiere: Keilan Creech Debuts Haunting ‘Honey Waits’ with Indie Folk Perfection by Mitch Mosk
Music, PremieresNovember 17, 2017<November 17, 2017 Premiere: Monikers’ Frigid and Fiery “Glacial Pace” by Mitch Mosk
Columns, Music, Weekly RoundupNovember 17, 2017<December 11, 2017 Atwood Magazine’s Weekly Roundup: November 17, 2017 by Atwood Magazine Staff
Music, Music Videos, PremieresNovember 17, 2017<November 17, 2017 Video Premiere: High-Energy Swells on Street Joy’s Lax “Do A Thing” by Kendall Graham
Features, Music, Reviews, RoundtableNovember 17, 2017<June 29, 2024 Roundtable Discussion: A Review of Taylor Swift’s ‘Reputation’ by Atwood Magazine Staff
Music, PremieresNovember 17, 2017<November 16, 2017 EP Premiere: Ekurtis’ ‘Part II’ Reaches Bittersweet Resolve by Mitch Mosk
Music, PremieresNovember 16, 2017<November 16, 2017 Premiere: LIEZA’s Intimate & Empowering Anthem “Don’t Make Me Dance” by Mitch Mosk
Debut, Features, Music, PremieresNovember 16, 2017<November 16, 2017 Album Premiere: Broke Royals Break the Mold with Multi-Layered Debut by Sara Santora
Music, PremieresNovember 16, 2017<November 16, 2017 Premiere: Harlee’s “Venom” Burns with Pop-Filled Betrayal by Kelly McCafferty Dorogy
For the Love of Music
For the Love of Music
