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Hurt Somebody - Noah Kahan
Debut, Music, ReviewsJanuary 17, 2018<January 17, 2018

EP Review: Noah Kahan’s ‘Hurt Somebody’ Triumphs with Heartache & Doubt

by Mitch Mosk
JJ Adrian © Leviosa Minds Photography
Music, PremieresJanuary 17, 2018<January 17, 2018

Premiere: JJ Adrian Redefines Himself with R&B Sensibilities of “Tell Me”

by Brandon Payano
Camila Cabello © 2018
Debut, Features, Music, Our Take, ReviewsJanuary 17, 2018<January 17, 2018

Camila Cabello’s Raw, Vulnerable & Provocative Debut ‘Camila’: A Track-by-Track Review

by Kevin Young
War Stories - Unwoman
Features, Music, PremieresJanuary 17, 2018<January 17, 2018

Album Premiere: Unwoman Wages ‘War Stories’ with Feminine Fury

by Mitch Mosk
Stuck with Me - The Neighbourhood
Columns, Music, Today's SongJanuary 17, 2018<January 17, 2018

Today’s Song: The Neighbourhood Stay Solemn with “Stuck with Me”

by Natalie Harmsen
The Fleeting Ends © 2018
Debut, Music, PremieresJanuary 16, 2018<January 17, 2018

Premiere: The Fleeting Ends Unleash “20 Something” with Youthful Passion & Nostalgic Fury

by Mitch Mosk
Damen Easton © 2018
Music, PremieresJanuary 16, 2018<January 16, 2018

Premiere: Damen Easton Debuts “Other Side of the Glass” with Love & Isolation

by Mitch Mosk
SLØTFACE © Jonathan Vivaas Kise
Columns, Concert Conversations, Concerts, Music, ReviewsJanuary 16, 2018<January 16, 2018

LIVE: “Scandinavian Enthusiasm” & More — Sløtface at The Echo, LA

by Lindsay Call
POST- Jeff Rosenstock art
Features, Music, ReviewsJanuary 16, 2018<January 16, 2018

Review: Jeff Rosenstock Returns to Straightforward Punk Roots on POST-

by James Crowley
Somebody Special - Nina Nesbitt art
Music, This Just InJanuary 16, 2018<January 16, 2018

This Just In: Nina Nesbitt Reminds Us Why She’s “Somebody Special”

by Baylee Less
Jeff Rosenstock 2017 live in NYC
Columns, Concert Conversations, Music, ReviewsJanuary 12, 2018<January 12, 2018

LIVE: Jeff Rosenstock Brings the Dread and Love of Worry to Brooklyn

by James Crowley
Atwood Magazine's Weekly Roundup 1-12-2018
Columns, Features, Music, Weekly RoundupJanuary 12, 2018<January 12, 2018

Atwood Magazine’s Weekly Roundup: January 12, 2018

by Atwood Magazine Staff
Blue Madonna - BØRNS art
Music, Our Take, ReviewsJanuary 12, 2018<January 12, 2018

Our Take: BØRNS Soars on Dreamy ‘Blue Madonna’

by Mitch Mosk
When I Was Young EP - MØ
Music, Our Take, ReviewsJanuary 12, 2018<January 12, 2018

Our Take: Dissecting MØ’s Heart-Tugging EP ‘When I Was Young’

by Ethan Germann
Watts' Weekend Picks 2018-01-12
Columns, Music, Playlists, Watts' Weekend PicksJanuary 12, 2018<January 24, 2018

Watts’ Weekend Picks: Anderson East, Boogie & More for Your Lifestyle

by Watts
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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