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Ásgeir © One Little Indian Records
Columns, Music, Today's SongJanuary 5, 2018<January 5, 2018

Today’s Song: Ásgeir’s “In the Silence” Resonates with Heartfelt Grace

by Ilana Kalish
Gem Tree © 2018
Music, PremieresJanuary 5, 2018<January 5, 2018

Premiere: The Inspiring Ease of Gem Tree’s Free-“Floatin” New Year’s Single

by Mitch Mosk
Saturation III - BROCKHAMPTON
Music, Our Take, ReviewsJanuary 5, 2018<February 20, 2018

Our Take: BROCKHAMPTON’s ‘Saturation III’ Refines Their All-Caps Ethos of DIY Creativity

by James Meadows
Crying © 2016
Columns, Music, Nostalgia TracksJanuary 4, 2018<January 4, 2018

Nostalgia Tracks: Rediscovering Crying’s “Wool in the Wash”

by Olivia Perry
Just for Us - Francis and the Lights
Music, Our Take, ReviewsJanuary 4, 2018<January 4, 2018

Our Take: Francis and the Lights Ushers in the New Year with Something ‘Just for Us’

by Sara Santora
lauv © Jennica Mae
Columns, Music, Today's SongJanuary 4, 2018<January 4, 2018

Today’s Song: Take a Honeymoon to France with Lauv’s “Paris in the Rain”

by Ethan Germann
MJ Cole © 2017
Features, Interviews, MusicJanuary 4, 2018<January 4, 2018

Pictures (And Songs) in His Head: A Conversation with MJ Cole

by Nicole Almeida
ash.ØK © Dan Drufovka
Music, PremieresJanuary 4, 2018<January 4, 2018

Premiere: ash.ØK’s “Chained Rebellion” Dreams with Sadness and Solitude

by Mitch Mosk
End the Silence x Atwood Magazine
Features, MusicJanuary 3, 2018<January 3, 2018

Atwood Magazine Ends the Silence

by Atwood Magazine Staff
Dark Side of the Gym - The National
Columns, Music, Today's SongJanuary 3, 2018<January 3, 2018

Today’s Song: The National Dance Away with “Dark Side of the Gym”

by Natalie Harmsen
The 1975
Features, MusicJanuary 2, 2018<January 19, 2018

The Sound of Somebody Else: How The 1975 Are Changing Music

by Kelly Wynne
Atwood Magazine's 2017 Albums of the Year
Features, Music, News, ReviewsDecember 29, 2017<January 25, 2018

Atwood Magazine’s 2017 Albums of the Year

by Atwood Magazine Staff
treesreach © 2017
Debut, Music, PremieresDecember 21, 2017<December 21, 2017

Premiere: treesreach Dwell in the Somber Warmth of “Crowds and Loud Noises”

by Mitch Mosk
Oddnesse © 2017
Columns, Music, Today's SongDecember 20, 2017<December 20, 2017

Today’s Song: Oddnesse’s “I Used To” Is a Poignant & Refreshing Breakup Song

by Mitch Mosk
Tender © 2017 9
Columns, Music, Music You Should Know, Our Take, ReviewsDecember 20, 2017<April 17, 2023

Music You Should Know: TENDER Explore Peace and Discord Through ‘Modern Addiction’

by Maggie McHale
Posts pagination
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Brand New

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something”
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

:: discover something new ::

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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